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Waylon Jennings Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

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  • 0.56
(2012/New West 17 tracks (3-sided vinyl set) Gatefold/Klappcover, recorded April 1, 1989... more

Waylon Jennings: Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

(2012/New West 17 tracks (3-sided vinyl set) Gatefold/Klappcover, recorded April 1, 1989 KLRU-TV, Austin,TX. Audio mastering 2012 - Amazing Sound!

Video von Waylon Jennings - Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

Article properties: Waylon Jennings: Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

  • Interpret: Waylon Jennings

  • Album titlle: Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

  • Genre Country

  • Year of publication 2012
  • Label NEW WEST

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl weight 180g Vinyl
  • Artikelart LP

  • EAN: 0607396505319

  • weight in Kg 0.56
Jennings, Waylon - Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition) LP 1
01 I'm A Ramblin' Man Waylon Jennings
02 Rainy Day Woman Waylon Jennings
03 America Waylon Jennings
04 I May Be Used (But Baby I Ain't Used Up) Waylon Jennings
05 Amanda Waylon Jennings
06 Me And Bobby Mcgee Waylon Jennings
07 Trouble Man Waylon Jennings
08 Mamas Don't Let Your Babies Grow Up To Be Cowboys Waylon Jennings
09 Good Ol' Boys [Theme From The Dukes Of Hazzard] Waylon Jennings
10 Bob Wills Is Still The King Waylon Jennings
11 Are You Sure Hank Done It This Way Waylon Jennings
12 Suspicious Minds Waylon Jennings
13 Honky Tonk Angels Waylon Jennings
14 Good Hearted Woman Waylon Jennings
15 I've Always Been Crazy Waylon Jennings
16 Luckenbach, Texas (Back To The Basics Of Love) Waylon Jennings
17 I Ain't Living Long Like This Waylon Jennings
Waylon Jennings The Jennings family was like many in West Texas, subsistence farmers and... more
"Waylon Jennings"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

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