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Waylon Jennings JD's (LP, 180g colored Vinyl)

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  • LP RM1808LE
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(Reel Music) 12 tracks, 180g colored vinyl in gray “At JD's” was released in 1964 and produced...more

Waylon Jennings: JD's (LP, 180g colored Vinyl)

(Reel Music) 12 tracks, 180g colored vinyl in gray

“At JD's” was released in 1964 and produced by James D. “Jim” Musil, the club manager of JD's in Arizona. It is the debut studio album by American country artist Waylon Jennings. Despite the title suggesting that it is a live album, it is a collection of studio recordings showcasing country, rock, folk, and blues styles, as well as Jennings' profound ability to blend rock ‘n’ roll with country and western. The original pressings of the album were sold exclusively at JD's nightclub. JD's was once described as “the biggest nightclub in the Southwest,” and Jennings performed there regularly with his backing band, The Waylors, in the early 1960s. Five decades later, the 12 tracks are being reissued here on shiny, dark gray, heavy virgin vinyl.

Article properties:Waylon Jennings: JD's (LP, 180g colored Vinyl)

  • Interpret: Waylon Jennings

  • Album titlle: JD's (LP, 180g colored Vinyl)

  • Genre Country

  • Label REEL MUSIC

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl weight 180g Vinyl
  • Artikelart LP

  • EAN: 0730167321808

  • weight in Kg 0.26
Jennings, Waylon - JD's (LP, 180g colored Vinyl) LP 1
01CryingWaylon Jennings
02Sally Was a Good Old GirlWaylon Jennings
03Burning MemoriesWaylon Jennings
04Big MamouWaylon Jennings
05MoneyWaylon Jennings
06Don't Think TwiceWaylon Jennings
07Dream BabyWaylon Jennings
08It's So EasyWaylon Jennings
09LorenaWaylon Jennings
10Love's Gonna Live HereWaylon Jennings
11AbileneWaylon Jennings
12White Lightnin'Waylon Jennings
Waylon Jennings The Jennings family was like many in West Texas, subsistence farmers and... more
"Waylon Jennings"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

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