Waylon Jennings JD's (LP, 180g colored Vinyl)

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catalog number: LP RM1808LE
weight in Kg 0.26

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(Reel Music) 12 tracks, 180g colored vinyl in gray “At JD's” was released in 1964 and produced... more

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Waylon Jennings: JD's (LP, 180g colored Vinyl)

(Reel Music) 12 tracks, 180g colored vinyl in gray

“At JD's” was released in 1964 and produced by James D. “Jim” Musil, the club manager of JD's in Arizona. It is the debut studio album by American country artist Waylon Jennings. Despite the title suggesting that it is a live album, it is a collection of studio recordings showcasing country, rock, folk, and blues styles, as well as Jennings' profound ability to blend rock ‘n’ roll with country and western. The original pressings of the album were sold exclusively at JD's nightclub. JD's was once described as “the biggest nightclub in the Southwest,” and Jennings performed there regularly with his backing band, The Waylors, in the early 1960s. Five decades later, the 12 tracks are being reissued here on shiny, dark gray, heavy virgin vinyl.

Article properties: Waylon Jennings: JD's (LP, 180g colored Vinyl)

Interpret: Waylon Jennings
Album titlle: JD's (LP, 180g colored Vinyl)
Genre Country
Label REEL MUSIC
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Vinyl weight 180g Vinyl
Artikelart LP
EAN: 0730167321808
weight in Kg 0.26

Jennings, Waylon - JD's (LP, 180g colored Vinyl) LP 1
01	Crying	Waylon Jennings
02	Sally Was a Good Old Girl	Waylon Jennings
03	Burning Memories	Waylon Jennings
04	Big Mamou	Waylon Jennings
05	Money	Waylon Jennings
06	Don't Think Twice	Waylon Jennings
07	Dream Baby	Waylon Jennings
08	It's So Easy	Waylon Jennings
09	Lorena	Waylon Jennings
10	Love's Gonna Live Here	Waylon Jennings
11	Abilene	Waylon Jennings
12	White Lightnin'	Waylon Jennings

Waylon Jennings The Jennings family was like many in West Texas, subsistence farmers and... more

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"Waylon Jennings"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

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