The Isley Brothers You Make Me Want To Shout - Essential 1956-59

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catalog number: CDJAS561
weight in Kg 0.1

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(2010/JASMINE) 23 tracks - ultra rare Doo Wop & R&B sides from Gone/ Teenage/Cindy/Mark/RCA (1... more

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The Isley Brothers: You Make Me Want To Shout - Essential 1956-59

(2010/JASMINE) 23 tracks - ultra rare Doo Wop & R&B sides from Gone/ Teenage/Cindy/Mark/RCA (1 unreleased)!

Article properties: The Isley Brothers: You Make Me Want To Shout - Essential 1956-59

Interpret: The Isley Brothers
Album titlle: You Make Me Want To Shout - Essential 1956-59
Label JASMINE
Preiscode JAS
Genre R&B, Soul
Artikelart CD
EAN: 0604988056129
weight in Kg 0.1

Isley Brothers, The - You Make Me Want To Shout - Essential 1956-59 CD 1
01	The Cow Jumped Over The Moon	The Isley Brothers
02	The Angels Cried	The Isley Brothers
03	The Drag	The Isley Brothers
04	Everybody's Gonna Rock & Roll	The Isley Brothers
05	Rockin' McDonald	The Isley Brothers
06	I Wanna Know	The Isley Brothers
07	This Is The End	The Isley Brothers
08	Don't Be Jelous	The Isley Brothers
09	My Love	The Isley Brothers
10	Turn To Me	The Isley Brothers
11	I'm Gonna Knock On Your Door	The Isley Brothers
12	Shout 1&2	The Isley Brothers
13	Without A Song	The Isley Brothers
14	Respectable	The Isley Brothers
15	How Deep Is The Ocean	The Isley Brothers
16	He's Got The Whole World In His Hands	The Isley Brothers
17	When The Saints Go Marching In	The Isley Brothers
18	Rock Around The Clock	The Isley Brothers
19	Yes Indeed	The Isley Brothers
20	Ring A Ling A Ling (Wedding Bells)	The Isley Brothers
21	That Lucky Old Sun	The Isley Brothers
22	St Louis Blues	The Isley Brothers
23	Not One Minute More	The Isley Brothers

The Isley Brothers Rudolph (born on April 1, 1939), Ronald (May 21, 1941) and O'Kelly (Dec.... more

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"The Isley Brothers"

The Isley Brothers

Rudolph (born on April 1, 1939), Ronald (May 21, 1941) and O'Kelly (Dec. 25, 1937) survived twenty years of musical changes, scoring definitive hits in each era along the way, to emerge as one of the most innova-tive black groups of the Seventies. Raised in Cincinnati, Ohio, the brothers moved to New York in 1957 where they recorded mediocre doo-wop /rock'n'roll sides for Teenage, and George Goldner's Cindy, Mark X, and Gone labels be-fore signing with RCA.

Produced by Hugo and Luigi, their driving gospel style enlivened a weak selection of pop materi-al, but was best displayed by 'Shout' (1959), an exciting adap-tation of the climax to their wild stage act which has since become a rock classic. They next worked with writer/ producers Leiber and Stoller (Atlantic, 1961-62) and Bert Berns (Wand, 1962-63; UA, 1963-64) who tried unsuccessfully to fit their raw sound into a commercial package, although it was Berns who gave them 'Twist And Shout' (1962), a one-take, end-of-session dance riff that became their first Top Twenty pop hit, later immortalized by the Beatles. Forming their own production company, T-Neck, in 1964-65 they cut several memorable sides (including the rousing 'Testify' and dramatic ballad 'The Last Girl') fea-turing their young guitarist, Jimi Hendrix, before joining Tamla the following year.

After hitting with some typically slick corporation pro-duct (the Top Twenty 'This Old Heart Of Mine' and 'I Guess I'll Always Love You', for example, in 1966) the trio were relegated to second-rate material and quit to revive T-Neck in 1969. From their first release, the million-selling 'It's Your Thing', they projected a new heavy image and soon began using two younger brothers (Ernie, on guitar, and Marvin, on bass) and Chris Jasper (keyboards) to create 'progressive' hits that anticipated modern trends in black music and brought them to the attention of wider audiences.

By the early Seventies they were interpreting songs by Steve Stills (the Top Twenty hit 'Love The One You're With', 1971) and Dylan May Lady Lay', 1971) and including Hendrix's trau-matic 'Machine Gun' in their act. In 1973, they crystallized all their influences and ideas in the highly acclaimed 3+3 album, which included the million-selling 'That Lady'. Subsequent releases in a similar style (Live It Up, The Heat Is On) have kept them in the forefront of black music.

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