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Lightnin' Hopkins Soul Blues (LP, 180g Vinyl, Ltd.)
catalog number: LPPRES7377
weight in Kg 0,405
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Lightnin' Hopkins: Soul Blues (LP, 180g Vinyl, Ltd.)
(2017/Concord) 10 Tracks - HQ reissue of the original 1966 Prestige album! Comes in a heavy carton coverjacket with rice paper inner sleeve. High quality analog mastering using the original master tapes! Limited and numbered deluxe edition of less than 1000 copies!Songs
| Lightnin' Hopkins - Soul Blues (LP, 180g Vinyl, Ltd.) Medium 1 | |||
|---|---|---|---|
| 1: | I'm Going To Build Me A Heaven Of My Own | ||
| 2: | My Babe | ||
| 3: | Too Many Drivers | ||
| 4: | I'm A Crawlin' Black Snake | ||
| 5: | Rocky Mountain Blues | ||
| 6: | I Mean Goodbye | ||
| 7: | The Howling Wolf | ||
| 8: | Black Ghost Blues | ||
| 9: | Darling, Do You Remember Me? | ||
| 10: | Lonesome Graveyard | ||
Artikeleigenschaften von Lightnin' Hopkins: Soul Blues (LP, 180g Vinyl, Ltd.)
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Interpret: Lightnin' Hopkins
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Albumtitel: Soul Blues (LP, 180g Vinyl, Ltd.)
- Format LP
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Genre Blues
- Edition 2 Numbered Edition
- Title Soul Blues (LP, 180g Vinyl, Ltd.)
- Vinyl size LP (12 Inch)
- Vinyl weight 180g Vinyl
- Speed / RPM 33 U/min
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Release date 2017
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Label Concord Music Group
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SubGenre Blues - General
EAN: 0753088737718
- weight in Kg 0.405
Artist description "Hopkins, Lightnin'"
Lightnin' Hopkins
Lightnin' Hopkins is many people's idea of what a blues-singer should be : an endlessly inventive folk-poet, whose imagination is touched by almost everything but whose sing-ing and playing express nothing but the blues. And this, despite nearly 30 years of performing and recording, and all the pressures that might have made him something else, he unswervingly has been. But he has not, outside his own com-munity, been very obviously influential on either American or British rock; his blues, sung by others, are not self-sustaining, as many of the Chicagoans' are.
His early recordings, in the Forties and Fifties, were characterised by thunderous amplification - as any number of reissues demonstrate - but his first ventures into a different market, with acoustic guitar, compensate in subtlety for what they lose in force (e.g. the Folkways and some Bluesville albums). Later sessions placed him with accompanying groups, rarely successfully, though his album for Jewel is an exception.
Through all these records he balances slow blues with vivid boogies, occasionally leaving his guitar to essay an idiosyncratic piano style. Born in Centerville, Texas, in 1912, he spent most of his life in Houston, and his refusal to extract himself from that milieu is the chief reason for his undiminished authenticity as an observer, through the blues, of black life.
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