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HOOKER, John Lee Don't Look Back

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(1956-64 'Vee Jay') (58:06/20)more

HOOKER, John Lee: Don't Look Back

(1956-64 'Vee Jay') (58:06/20)

Article properties:HOOKER, John Lee: Don't Look Back

  • Interpret: HOOKER, John Lee

  • Album titlle: Don't Look Back

  • Label SNAPPER

  • Genre Blues

  • Artikelart CD

  • EAN: 0636551002028

  • weight in Kg 0.107
Hooker, John Lee - Don't Look Back CD 1
01DimplesHOOKER, John Lee
02Unfriendly WomanHOOKER, John Lee
03Everybody Rockin'HOOKER, John Lee
04I'm So ExcitedHOOKER, John Lee
05Crawlin' Black SpiderHOOKER, John Lee
06Little WheelHOOKER, John Lee
07I Love You, HoneyHOOKER, John Lee
08Boogie ChillunHOOKER, John Lee
09Hobo BluesHOOKER, John Lee
10Moanin' BluesHOOKER, John Lee
11Dirty Ground DogHOOKER, John Lee
12My First Wife Left MeHOOKER, John Lee
13Boom BoomHOOKER, John Lee
14Whiskey And WimmenHOOKER, John Lee
15ProcessHOOKER, John Lee
16Blues Before SunriseHOOKER, John Lee
17This Is HipHOOKER, John Lee
18Birmingham BluesHOOKER, John Lee
19Big Legs, Tight SkirtHOOKER, John Lee
20Don't Look BackHOOKER, John Lee
John Lee Hooker After nomadically label-hopping for the first seven years of his... more
"HOOKER, John Lee"

John Lee Hooker

After nomadically label-hopping for the first seven years of his astonishingly prolific recording career, Mississippi Delta émigré John Lee Hooker settled into a relatively exclusive relationship with Chicago’s Vee-Jay Records in 1955. Things had changed dramatically on the R&B front since 1949; no longer would a haunting solo blues piece like the Hook’s Boogie Chillen (it’s on BCD 16921, Disc One) find its way to the top of the charts now that rock 'n' roll had captured the teenage demographic.

Still, there remained a solid southern market for blues, and John Lee was happy to help fill it on Vee-Jay through 1964 (granted, there were dalliances with a number of other labels during that span). His first Vee-Jay date, conducted in Chicago in October of ’55, found him in the company of labelmate Jimmy Reed, guitarist Eddie Taylor (a steadying presence for both Reed and Hooker whenever they entered the studio), bassist George Washington, and drummer Tom Whitehead, who had been playing sessions with the Boogie Man since 1953 and clearly knew the territory.

Reed was absent for Hooker’s Vee-Jay encore session, held March 27, 1956, but the rhythm section remained constant. Among the enduring gems laid down that day was the rollicking Dimples, a standard in John Lee’s repertoire from then on. He’s listed as writing it with Jimmy Bracken, the co-owner of Vee-Jay. Hooker was fretting an electric guitar instead of the acoustic he used on his first Detroit sessions (ironically, he’d have to retrieve it when the folk-blues trend hit).

Hooker’s Vee-Jay stint produced some of the most polished recordings he ever made, thanks to stellar musicianship by Taylor and his comrades, who seemed to cope with Hooker’s erratic timing better than just about anyone else he’d recorded with. At the end of 1958, John Lee would find his way back onto the R&B charts for the first time in more than seven years with I Love You Honey. He scored nationally again in 1960 with No Shoes. But as it turned out, the John Lee Hooker story was just getting underway.

Bill Dahl
Chicago, Illinois

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Tracklist
Hooker, John Lee - Don't Look Back CD 1
01 Dimples
02 Unfriendly Woman
03 Everybody Rockin'
04 I'm So Excited
05 Crawlin' Black Spider
06 Little Wheel
07 I Love You, Honey
08 Boogie Chillun
09 Hobo Blues
10 Moanin' Blues
11 Dirty Ground Dog
12 My First Wife Left Me
13 Boom Boom
14 Whiskey And Wimmen
15 Process
16 Blues Before Sunrise
17 This Is Hip
18 Birmingham Blues
19 Big Legs, Tight Skirt
20 Don't Look Back