Gerhard Heinz Grosse deutsche Filmkomponisten Vol.9

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catalog number: BCD16489
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1-CD Digipak with 76-page booklet, 31 tracks. Playing time 78:22 mns. more

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Gerhard Heinz: Grosse deutsche Filmkomponisten Vol.9

1-CD Digipak with 76-page booklet, 31 tracks. Playing time 78:22 mns.

Video von Gerhard Heinz - Grosse deutsche Filmkomponisten Vol.9

Article properties: Gerhard Heinz: Grosse deutsche Filmkomponisten Vol.9

Interpret: Gerhard Heinz
Album titlle: Grosse deutsche Filmkomponisten Vol.9
Label Bear Family Records
Genre Pop
Preiscode AR
Edition 2 Deluxe Edition
Artikelart CD
EAN: 4000127164896
weight in Kg 0.2

Heinz, Gerhard - Grosse deutsche Filmkomponisten Vol.9 CD 1
01	Titelmusik (aus: 'Jeder stirbt für sich allei	Heinz, Gerhard
02	Kleines Prelude (aus: 'Liebesspiele junger Mä	Heinz, Gerhard
03	Titelmusik (aus: 'Blau blüht der Enzian')	Heinz, Gerhard
04	Titelmusik (aus: 'Auf der Alm, da gibtÆs koa	Vienna Studio Chorus
05	Titelmusik (aus: 'Rudi, benimm dich!')	Vienna Girls Studio Chorus
06	RudiÆs Swing Gymnastics (aus: 'Rudi, benimm d	Heinz, Gerhard
07	Musik, Musik - da wackelt die Penne (aus: 'Mu	Ilja Richter, Toni Marshall u.
08	Hilfe, ich liebe Zwillinge! (Twin Bossa) (aus	Heinz, Gerhard
09	Hilfe, ich liebe Zwillinge! (Love Theme) (aus	Heinz, Gerhard
10	Spiel im Laub (aus: ' Die Nackte Gräfin')	Heinz, Gerhard
11	Melody In Love (aus: 'Melody In Love')	Heinz, Gerhard
12	Ah, sensualitÓ (aus: 'Freude am Fliegen')	London Studio Chorus
13	Josefine Mutzenbacher (aus: 'Josefine Mutzenb	Kurt Nachmann
14	Titelmusik (aus: 'Geissel des Fleisches')	Heinz, Gerhard
15	Thema swingy (aus: 'Geissel des Fleisches')	Heinz, Gerhard
16	Die Hulamädchen von Hawaii (aus: 'Geissel des	The Sirs
17	Bar Piano (aus: 'Geissel des Fleisches')	Heinz, Gerhard
18	Bluesy Bar Piano (aus: 'Geissel des Fleisches	Heinz, Gerhard
19	Golden Trumpet (aus: 'Schamlos')	Heinz, Gerhard
20	All You Ever Need Is Beat( aus: 'Schamlos')	Heinz, Gerhard
21	Swinging Sisters (aus: 'Ehepaar sucht Gleichg	Heinz, Gerhard
22	Hey, Little Woman (aus: 'Ehepaar sucht Gleich	Heinz, Gerhard
23	Happy Piano (aus: 'Ehepaar sucht Gleichgesinn	Heinz, Gerhard
24	Im Swimmingpool (aus: 'Ehepaar sucht Gleichge	Heinz, Gerhard
25	Baila la bamba (aus: 'Ehepaar sucht Gleichges	Vienna Studio Chorus mit Gerha
26	Paris Lights (aus: 'Crazy û Total verrückt')	Heinz, Gerhard
27	Der Traum û dritte Phase (aus: 'Lolita am Sch	Heinz, Gerhard
28	The Killing of Maria Gonzales (aus: 'Die Säge	Heinz, Gerhard
29	Titelmusik & Finale (aus: 'Der Schrei der sch	Steffi Vinjak
30	Alaska 1903 (aus: 'Der Schrei der schwarzen W	Heinz, Gerhard
31	Abenteuer in der Wildnis (aus: 'Der Schrei de	Heinz, Gerhard

Gerhard Heinz Schlager, Jazz und wilde Filme – Der Filmkomponist Gerhard Heinz Gerhard... more

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"Gerhard Heinz"

Gerhard Heinz

Schlager, Jazz und wilde Filme – Der Filmkomponist Gerhard Heinz

Gerhard Heinz, born on 9 September 1927 in Vienna, was one of the most productive and versatile composers of German-Austrian cinema. During his long career he worked for such diverse film directors as Dr. Harald Reinl, Alfred Vohrer, Kurt Nachmann, Franz Antel and Franz Josef Gottlieb. The stylistically comprehensively educated Heinz mastered the craft of composing perfectly within a very tight time frame. Typical for many popular German films of the sixties and seventies was the almost equal importance of orchestral passages with sung titles. These films were shaped by the composer like no other, which made him one of the few successful and versatile crossovers between orchestral music, jazz and pop.

Already in his childhood he played music, at first at the request of his parents. They wished for their son to learn to play the piano. Heinz remembers: "But during the war there was nowhere a piano. If you wanted to play, you had to be able to play a portable instrument. So I learned the clarinet." Soon after the end of the war he was asked to join a small orchestra. "On February 13, 1946, I returned from a prisoner of war and played on February 15, 1946. Actually none of us could really work according to notes, so there was nothing else but jazz. Everyone just as best he could..."

The first fee was a sandwich, worth a fortune at that time, and then a quarter of wine at midnight. "After drinking the wine, I was suddenly awake again." While the immediate engagements in the post-war period were even more improvised than planned, professional engagements were soon added. In 1948, the time of the currency reform, Heinz "was engaged by the then already very well-known jazz musician Hans Koller. Later he gained a worldwide reputation as a jazz saxophonist. "That's where I started the piano." Altogether he performed with Koller for more than two years.

Music was of great importance to Heinz, but at the same time he studied electrical engineering at the Vienna University of Technology. His life took a decisive turn when he was engaged in 1950 for the entertainment orchestra of Horst Winter, who was "then a very well-known and sought-after singer in Austria". "He had problems with his orchestra at the time. Some of the musicians wanted to stay in Vienna permanently and just play in the studio, the other part wanted to go on tour with him. He was looking for a replacement and I went to him." Winter had got himself a Hammond organ. "This was the only Hammond organ in Austria at that time and the hallmark of being'modern', so to speak. It was the first instrument in the direction of electronic music, because it was an electric instrument. "For me, this was the key to everything that was good and expensive in music." Heinz had a perfect command of the Hammond organ, which also caused a sensation nationwide. The music producer Gerhard Mendelson, then recording manager of the Vienna department of the record company Polydor, engaged the young musician. Heinz recorded current pop and dance titles for the Polydor in the'Hammondsound'.

Auszug aus dem Booklet BCD16489 - Gerhard Heinz Grosse deutsche Filmkomponisten
Read more at: https://www.bear-family.de/heinz-gerhard-grosse-deutsche-filmkomponisten-vol.9.html
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Customer evaluation for "Grosse deutsche Filmkomponisten Vol.9"

From: Redecker On: 13 Mar 2014

Nicht weniger als ein Stück Zeitgeschichte haben die Produzenten Richard Weize und Arild Rafalzik hier zusammengestellt. Dem Hörer bietet sich eine in ihrer Umfassendheit seltene Kompilation der Filmmusik des westdeutschen Films von seinen Anfängen bis in die 80er Jahre.
Cinema Musica 1/2012

From: Redecker On: 13 Mar 2014

Die CD bietet einen nostalgisch-beschwingten Blick zurück in eine herrlich verrückte Kinodekade. Das 76-seitige Booklet beinhaltet zahlreiche Abbildungen sowie Hintergrundinformationen zum Komponisten und den von ihm vertonten Filmen.
Jazzecho Mai 2012

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