Lee Hazlewood The Cowboy And The Lady (LP, 180g Vinyl, Ltd.)

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catalog number: LPLITA160
weight in Kg 0.49

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(2017/Light In The Attic) 17 tracks - Album remastered from pristine LHI master tapes - Includes... more

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Lee Hazlewood: The Cowboy And The Lady (LP, 180g Vinyl, Ltd.)

(2017/Light In The Attic) 17 tracks

- Album remastered from pristine LHI master tapes
- Includes non-album LHI singles as bonus tracks
- Download card for all of Ann-Margret’s LHI tracks including previously unreleased tracks
- Liner notes by Hunter Lea including interviews with Ann-Margret &, Suzi Jane Hokom
- Essay by Lydia Hyslop
- LP housed in a deluxe gatefold Stoughton tip-on jacket

The “Cowboy” moved slowly out of the booth and into the studio. You could tell by the look in his eyes, that the half-dozen shots of Chivas Regal had put his ego to rest, and he was ready to sing with the “Lady.” They Sang for three nights – the “Cowboy” and the “Lady”, and the Gods were kind, and their album was finished on time. Herein, lie the results…some good, some bad and some more. - Lee Hazlewood

“He had that wonderful, raw sense of humor and that good ol’ boy accent. He certainly could turn a phrase.” - Ann-Margret

In 1969 Lee Hazlewood’s personal record label LHI Records was flush with major label cash and Lee wanted to make Ann-Margret his next big star. In the quest for a hit, the pair recorded fuzzed out acid rock (“It’s A Nice World To Visit (But Not To Live In)” &, “You Turned My Head Around,”) orchestral pop (“Sleep in the Grass” &, “Chico”) and a genuine country album cut in Nashville.
Light in the Attic Records is proud to continue it’s Lee Hazlewood archival series with an expanded reissue of Lee &, Ann-Margret’s The Cowboy &, The Lady. The album is Hazlewood’s truest country album and a perfect example of the genre hopping he was afforded at LHI with unlimited creative freedom and money to burn. Recorded over a weekend in Nashville with the help of Charlie McCoy and some Nashville session musicians.

“That was 47 years and about 5000 sessions ago.” – Charlie McCoy

With improvised lines like “Look at her standing there with chili all over her dress / If I knew her better, I’d give her a puppy,” the sessions were loose and fun, with most tracks cut in one or two takes.

,“I had done things in Nashville before. I worked with The Jordanaires in ’62 or ’63. We did a lot of things. I had worked with Charlie McCoy, Floyd Cramer, and Chet Atkins. I love the feeling of Nashville.” – Ann-Margret

A whirlwind year of lear jet promo tours, magazine photo shoots, television specials and cutting records for LHI wasn’t able to bring the success that Lee and Ann-Margret pushed for. A second LHI album with Ann-Margret was planned but never recorded. Within a year of making the trip to Nashville, Lee would be living in Sweden full-time and Ann-Margret would focus on her acting career for the better part of a decade. Nothing exemplifies Lee’s “throw it against the wall and see if it sticks” record production of the LHI era like his work with Ann-Margret. Though it didn’t stick, and it didn’t sell, Lee’s adventure with Ann-Margret is an extravagant tangent that has since grown a cult following…

Article properties: Lee Hazlewood: The Cowboy And The Lady (LP, 180g Vinyl, Ltd.)

Interpret: Lee Hazlewood
Album titlle: The Cowboy And The Lady (LP, 180g Vinyl, Ltd.)
Label LIGHT IN THE ATTIC
Genre Country
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Vinyl weight 180g Vinyl
Edition 2 Deluxe Edition
Artikelart LP
EAN: 0826853016018
weight in Kg 0.49

Hazlewood, Lee - The Cowboy And The Lady (LP, 180g Vinyl, Ltd.) LP 1
01	Am I That Easy To Forget	Lee Hazlewood
02	Only Mama That'll Walk The Line	Lee Hazlewood
03	Greyhound Bus Depot	Lee Hazlewood
04	Walk On Out Of My Mind	Lee Hazlewood
05	Hangin' On	Lee Hazlewood
06	Victims Of The Night	Lee Hazlewood
07	Break My Mind	Lee Hazlewood
08	You Can't Imagine	Lee Hazlewood
09	Sweet Thing	Lee Hazlewood
10	No Regrets	Lee Hazlewood
11	Dark End Of The Street	Lee Hazlewood
12	You Turned My Head Around	Lee Hazlewood
13	It's A Nice World To Visit (But Not To Live In)	Lee Hazlewood
14	Sleep In The Grass	Lee Hazlewood
15	Chico	Lee Hazlewood
16	Sam	Lee Hazlewood
17	He Rode Away (backing track)	Lee Hazlewood

Lee Hazelwood Lee Hazelwood Lee Hazelwood, geboren 1929 in Mannford, Oklahoma, ging an die... more

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"Lee Hazlewood"

Lee Hazelwood

Lee Hazelwood, geboren 1929 in Mannford, Oklahoma, ging an die Southern Methodist University, bevor die Armee ihn nach Korea brachte. Nach seiner Entlassung 1953 wurde er einer der beliebtesten DJs in Phoenix, Arizona, wo er C&W-Musik lokal ausstrahlte. 1955 begann er mit dem Songwriting und begann nach Experimenten in seinem Radiostudio mit der Plattenproduktion. Seine Produktion von'The Fool' von Sanford Clark verkaufte sich 1956 auf Dot Records und Dot unterschrieb ihn ein Jahr lang als Plattenproduzent, aber er schaffte keinen weiteren Hit. 1957 gründete er zusammen mit dem Unternehmer Lester Sill das Label Jamie in Philadelphia mit einem Distributor und Dick Clark von Bandstand.

Über Bandstand lancierten sie Duane Eddy mit dem'twangy' Gitarrensound, der ihn zum Star machte. In dreieinhalb Jahren verkaufte Hazelwood 20 Millionen Duane Eddy Platten, die trotz ihrer krassen Kommerzialisierung die ersten'Sound'-Produktionen im Rock waren. 1961 gründeten Hazelwood und Sill das Gregmark-Label, das mit von Phil Spector produzierten Platten der Paris Sisters punktete (Sill und Hazelwood hatten zuvor zwei weniger erfolgreiche Labels namens Trey und East-West geführt). Sie trennten sich 1962 und Hazelwood gründete ein erfolgloses Label, Eden.

1964 verließ er das Unternehmen, doch im folgenden Jahr bat ihn Jimmy Bowen bei Reprise, das Bubblegum-Trio von Dino, Desi und Billy zu produzieren, für das er vier aufeinanderfolgende Hits produzierte. Er fing auch an, Nancy Sinatra bei Reprise aufzunehmen und etablierte sie als starke Chart-Kraft mit'These Boots Are Made For Walkin' und nahm mit ihr Country-Duette wie'Jackson' auf. In den späten sechziger Jahren führte er sein eigenes LHI-Label in Hollywood, aber der Mangel an Erfolg beendete das Projekt.

Hazelwood - jetzt in Altersteilzeit - pendelt zwischen Wohnungen in Schweden, Paris und Los Angeles.

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