Aretha Franklin: The Atlantic Singles Collection 1967-1970 (2-CD)
The impressive career of soul legend Aretha Franklin lasted over 50 years. The singer wrote one of the most important chapters of her career at Atlantic Records. In 1967 she moved to the American label, where she celebrated her breakthrough with songs like I Never Loved A Man (The Way I Love You) and finally became an icon. With The Atlantic Singles Collection 1967-1970, there is a best-of collection in 2018 that takes a look at this special time.
Article properties: Aretha Franklin: The Atlantic Singles Collection 1967-1970 (2-CD)
|Franklin, Aretha - The Atlantic Singles Collection 1967-1970 (2-CD) CD 1|
|01||I Never Loved A Man||Aretha Franklin|
|02||Do Right Woman, Do Right Man||Aretha Franklin|
|04||Dr Feelgood||Aretha Franklin|
|05||Baby I Love You||Aretha Franklin|
|06||Going Down Slow||Aretha Franklin|
|07||A Natural Woman (You Make Me Feel Like)||Aretha Franklin|
|08||Baby, Baby, Baby||Aretha Franklin|
|09||Chain Of Fools||Aretha Franklin|
|10||Prove It||Aretha Franklin|
|11||Since You've Been Gone||Aretha Franklin|
|12||Ain't No Way||Aretha Franklin|
|14||You Send Me||Aretha Franklin|
|15||The House That Jack Built||Aretha Franklin|
|16||I Say A Little Prayer||Aretha Franklin|
|17||See Saw||Aretha Franklin|
|18||My Song||Aretha Franklin|
|Franklin, Aretha - The Atlantic Singles Collection 1967-1970 (2-CD) CD 2|
|01||The Weight||Aretha Franklin|
|02||Tracks Of My Tears||Aretha Franklin|
|03||I Can't See Myself Leaving You||Aretha Franklin|
|04||Gentle On My Mind||Aretha Franklin|
|05||Share Your Love With Me||Aretha Franklin|
|06||Pledging My Love / The Clock||Aretha Franklin|
|07||Eleanor Rigby||Aretha Franklin|
|08||It Ain't Fair||Aretha Franklin|
|09||Call Me||Aretha Franklin|
|10||Son Of A Preacher Man||Aretha Franklin|
|11||Spirit In The Dark (With The Dixie Flyers)||Aretha Franklin|
|12||The Thrill Is Gone (With The Dixie Flyers)||Aretha Franklin|
|13||Don't Play That Song (With The Dixie Flyers)||Aretha Franklin|
|14||Let It Be (With The Dixie Flyers)||Aretha Franklin|
|15||Border Song||Aretha Franklin|
|16||You And Me (With The Dixie Flyers)||Aretha Franklin|
Contrary to popular opinion, Aretha Franklin had made great records prior to Jerry Wexler signing her to Atlantic. They just hadn't been in tune with the trends of the day. Under Wexler's supervision, Aretha would take her throne as the Queen of Soul.
Born in Memphis on March 25, 1942, Aretha was the daughter of the celebrated Rev. C.L. Franklin, who settled in at Detroit's New Bethel Baptist Church and rose to glory as one of the country's highest profile African-American clergymen, with dozens of albums of his sermons issued on Chess. At 14, Aretha was recording for Chess too, live from her father's church. But C.L. was a worldly man of the cloth, realizing that Aretha's stirring pipes and rock-ribbed piano were destined for mainstream stardom. He gave her his blessing when John Hammond signed her to Columbia in 1960.
Hammond and fellow Columbia producers Bobby Scott, Robert Mersey, Clyde Otis, and Bob Johnston placed the young singer in every context imaginable, from jazz chanteuse to pop songbird, showbiz crooner to soul belter, with only intermittent success. Untapped potential abounded when Aretha joined Atlantic in 1966. Wexler brought her down to Muscle Shoals, where Franklin managed to cut I Never Loved A Man (The Way I Loved You), her first R&B chart-topper, and part of its flip Do Right Woman – Do Right Man before a tussle broke out between a trumpeter and Aretha's hubby, Ted White. Then Fame Studios owner Rick Hall and White got into it. The subsequent fallout meant that Franklin wouldn't go down south to record again.
Wexler brought the Muscle Shoals session aces to New York to continue the project. Could their sound travel? "We were a little bit worried about that. After all, we're young southern guys, and then all of a sudden we're going to New York City to play on these records," says drummer Roger Hawkins. "But really, after the first couple of hours, it was just the same thing, only you're doing it in a different building."
Work began on Aretha's first Atlantic album, and when she and her little sister Carolyn, one of her background singers, started fooling around with Otis Redding's Respect—a #4 R&B hit for him in 1965—everything came together. Wexler inserted the bridge from Sam & Dave's When Something Is Wrong With My Baby for saxman King Curtis to solo over, and Aretha and Carolyn came up with the "sock it to me" line and the spelling out of "R-E-S-P-E-C-T." Aretha stole the tune right out from under Otis' nose (she even slips in a mention of one of her best Columbia sides, Runnin' Out Of Fools, on the fade), making it a number one pop and R&B smash. And in the Queen's hands, Respect became an anthem for the civil rights movement, a non-negotiable demand for African-American empowerment that was tragically overdue.
- Bill Dahl -
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