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FOUR ACES 1946-1955 (CD)

1946-1955 (CD)
 
 
 

catalog number: CDFLY62

weight in Kg 0,107

 

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FOUR ACES: 1946-1955 (CD)

Four Aces - 1946-1955 (CD)
 

Songs

FOUR ACES - 1946-1955 (CD) Medium 1
1: Richard Ain't Gonna Open The Door  
2: I Can See An Angel Walking No.1  
3: You Were My First Affair  
4: I Wonder, I Wonder, I Wonder (part 1)  
5: I Wonder, I Wonder, I Wonder (part 2)  
6: Garbage Man  
7: Put Your Cards On The Table  
8: There's A Rumor Going On  
9: St. Louis Boogie  
10: Cherie  
11: I'll Never Let You Go Again  
12: Richard's Jam  
13: I'm Crying All The Time  
14: This Little Chick Went To Market  
15: Ain't It A Crying Shame  
16: Gumbo  
17: Lazy Navajo  
18: Aces Swing  
19: Too Late  
20: Jumpin' Out  
21: Who Is There To Blame  
22: Till I Go Dreaming Of You  
23: Katie May  
24: Release Me  
25: Whose Arms Are You Missing  
26: I Can See An Angel Walking No.2  

 

Artikeleigenschaften von FOUR ACES: 1946-1955 (CD)

  • Interpret: FOUR ACES

  • Albumtitel: 1946-1955 (CD)

  • Format CD
  • Genre R&B, Soul

  • Music Genre R&B, Soul
  • Music Style Vocal Groups / Doo Wop
  • Music Sub-Genre 255 Vocal Groups/Doo Wop
  • Title 1946-1955 (CD)
  • Label INTERSTATE

  • SubGenre R&B Music - Classic R&B

  • EAN: 0008637106225

  • weight in Kg 0.107
 
 

Artist description "Four Aces, The"

The Four Aces

The Four Aces

Who Is There To Blame

Not to be confused with Al Alberts' pop quartet of the same name from Chester, Pennsylvania who became infinitely more popular (at least from a mainstream perspective), these Four Aces made their musical mark first.

The Original 4 Aces, as they became known after Alberts' crew made such a huge impression from 1951 on, got their start in Fort Worth while still in high school. First tenor James Franks, second tenor Algia Pickett, baritone George Smith, and bass Otha Jackson eventually relocated to San Francisco, and while the war stalled their momentum (three Aces were inducted into the Navy), they reformed after war's end and proceeded to tear up the Bay Area club scene, leading to a deal with Rene La Marre's Trilon label in 1946. Along the way, they became a self-contained unit with Franks picking up the guitar, Smith on piano and Jackson on upright bass.

The Aces waxed their biggest seller, the two-part I Wonder, I Wonder, I Wonder (they only sang on Part 2) at their first Trilon session (see our previous volume). The Aces' half dozen Trilon encores didn't make the same local impression, so they moved on to Bill McCall, Jr.'s 4 Star logo. Or at least some of their masters did. Bob Geddins, one of the Bay Area's top R&B indie producers, reportedly sold 4 Star several Four Aces tracks in 1949, and the company pressed up Lazy Navajo b/w Aces Swing, then Too Late b/w Jumpin' Out, before the year was over.

Penned by George Smith and issued in January of '50, the luxurious ballad Who Is There To Blame was half of the Aces' last 4 Star offering. Otha Jackson sang it with suave assurance over Smith's chunky piano chording (he embarks on an aggressive solo halfway through). Yoked to a Pickett-led Because I'm In Love With You, it was the quartet's 4 Star swan song. By the time Geddins released their rendition of Eddie Miller's country classic Release Me in 1954 on his Big Town logo, necessity forced Geddins to issue it as by The Original 4 Aces to differentiate it from the East Coast's Four Aces (ditto their last release the next year, I Can See An Angel). Franks left the act in 1957, and by year's end their last hand was played.

Bill Dahl

Various - Street Corner Symphonies Vol.03

1951 The Complete Story Of Doo Wop

Read more at: https://www.bear-family.de/various-street-corner-symphonies-vol.03-1951-the-complete-story-of-doo-wop.html
Copyright © Bear Family Records

 
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