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David Allan Coe The Original Outlaw Of Country Music 2-CD

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catalog number: CDKING3520

weight in Kg 0,200


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David Allan Coe: The Original Outlaw Of Country Music 2-CD

(2001/KING) 34 tracks new recordings !


David Allan Coe - The Original Outlaw Of Country Music 2-CD Medium 1
1: Long Haired Country Boy  
2: Mona Lisa Lost Her Smile  
3: Papa Loved Mama  
4: Would You Lay With Me  
5: Folsom Prison Blues  
6: Branded Man  
7: I Never Cheated On You  
8: Roll On Eighteen Wheeler  
9: Lonesome Fugitive  
10: Mansion On The Hill  
11: Ride 'em Cowboy  
12: Four Walls  
13: Six Days On The Road  
14: He Stopped Loving Her Today  
15: White Line Fever  
16: Fighting Side Of Me  
17: House Of The Rising Sun  
David Allan Coe - The Original Outlaw Of Country Music 2-CD Medium 2
1: Tennessee Whiskey  
2: The Ride  
3: If That Ain't Country  
4: You Never Even Called Me By My Name  
5: Take This Job And Shove It  
6: Train Of Love  
7: Willie, Waylon And Me  
8: Be Careful Of Stones That You Throw  
9: Frankie And Johnny  
10: How Fast Them Trucks Can Go  
11: Long Black Veil  
12: Just Because  
13: Please Come To Blosom  
14: Me And Bobby McGee  
15: Mama Tried  
16: Truck Driving Man  
17: Waiting For A Train  


Artikeleigenschaften von David Allan Coe: The Original Outlaw Of Country Music 2-CD

  • Interpret: David Allan Coe

  • Albumtitel: The Original Outlaw Of Country Music 2-CD

  • Format CD
  • Genre Country

  • Title The Original Outlaw Of Country Music 2-CD
  • Release date 2001
  • Label KING

  • SubGenre Country - General

  • EAN: 0792014352021

  • weight in Kg 0.200

Artist description "Coe, David Allan"


David Allan Coe auf Bear Family Records Wir sind ehrlich stolz darauf, das einzige Label zu sein, das Coes beste Aufnahmen in dieser umfassenden Form anbieten darf. (Bear Family Records) David Allan Coe Der ewig aufmüpfige Außenseiter gehört zu den schillerndsten und unberechenbarsten Künstlern der Country Music und der gesamten Musikszene.

Als Pionier der Outlaw-Bewegung hatte David Allan Coe selbst zwar keine Hits, schrieb aber etliche für andere Interpreten, darunter Would You Lay With Me In A Field Of Stone und Take This Job And Shove It. Coe war hyperaktiv: Während seiner 13 Jahre bei Columbia hat er fast jedes Jahr zwei Alben veröffentlicht. Diesmal geht es um die Zeit von 1982 bis 1985. 'Castles In The Sand' und 'Hello In There'entstanden 1983. Kritiker sind sich einig: 'Castles In The Sand' gehört zu den unterschätztesten Alben jener Zeit – und zu den ungewöhnlichsten. Coe schrieb für dieses Album nur drei Songs, bei einem weiteren war er Co-Autor. Der Titel-Song ist Bob Dylan gewidmet, einem der beiden am häufigtsen falsch verstandenen Künstler ihrer Generation – der andere ist Coe selbst. David Allan Coe ahmt Dylans Stimme während der kompletten Strophen nach und singt die Refrains mit seiner eigenen. Titel 2 ist eine Funky-Version von Dylans Gotta Serve Somebody, eingespielt mit Lacy J. Dalton. Ebenfalls ein Highlight ist die unheimliche Cover-Version von The Ride, einem Nr.-4-Country-Hit von 1983: Darin erscheint der Geist von Hank Williams, um seine Hilfe anzubieten.

Hello In There läuft zweigleisig: Provinz & Stadt. Einmal mehr mischt David Allan Coe Eigenkompositionen mit Cover-Versionen und Ausgrabungen, die seine Gefühle zu jener Zeit reflektieren. Anspiel-Tips sind Hello In There von John Prine, Jerry Butlers He (Will Break Your Heart) und Gotta Travel On von Billy Grammer.


Epic self-mythologist David Allan Coe arrived in Nashville on November 3, 1968, one year and one day after his release from Marion Correctional Institute in Ohio. He signed with music publisher Audie Ashworth, who'd just signed J.J. Cale. After trying to land a contract for Coe without any success, Ashworth encouraged him to get a day job. Coe resisted. "If you get a steady job you start living like citizen people," he said. "You run up debt, and then you need the steady job to pay off the debt." And so Coe stayed with friends and got by on little.

"Columnist Jack Hurst was the guy that really got me started," said Coe. "He'd seen my car, the hearse, parked down at the Grand Ole Opry. He come down, wrote a story about me." Hurst's piece piqued the interest of producer-label owner Shelby Singleton, who was flush with money from Harper Valley PTA. With that money, he bought the old Sun Records catalog, and along with the Sun tapes came a would-be producer from Memphis named Teddy Paige, who'd been in one of the last acts on Sun, the Jesters. "I talked to Coe," said Singleton, "and he told his stories. He wanted to be a country singer. I said, 'Lemme hear something.' He started singing all these songs about prison life. I said, 'Hell, ain't none of them songs country.' He said he had hundreds more prison songs up in Ohio, so I give him and Teddy Paige two hundred dollars and told them to bring 'em back." This was the only song on Coe's first LP that he didn't write or cowrite. It was the work of one of Ashworth's songwriters, Hank Mills, who'd written the best song ever about Nashville, Kay. Like the rest of the LP, it was set to an insistent Jimmy Reed beat.


Coe went on to write Would You Lay With Me In A Field Of Stone and Take This Job And Shove It. There were rumors that Paige died in the Jonestown massacre, but the truth was stranger. He went to Hastings, England where he became a medievalist named Count Edward MacDonald. Forsaking the guitar for the lute, he played at restaurants and medieval festivals. In June 2003, he was arrested for wounding a neighbor with a sword. Jailed for life, he was taken to Ashen Hill medium secure psychiatric hospital in Sussex, England.

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