Joey Castle Rock & Roll Daddy-O (CD)
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- catalog number: BCD15560
- weight in Kg 0.115
Joey Castle: Rock & Roll Daddy-O (CD)
Excerpt from the booklet Rock & Roll Daddy-O (CD) BCD15560
I first heard Cliff Rivers' (Joey Castle) recording of True Lips in 1976 or 1977 and it instantly became a favorite of mine. Released in 1964, True Lips sold only a few thousand copies and most of those in Britain. It was, unfor-tunately, Joey's best selling record. True Lips had made such an impression upon me that I became obsessed with finding out more about the artist who recorded this outstanding release.
While working on 'The Other Kings' LP, I had managed to trace down Maurice Keeys, the writer of Marsha and an acquaintance of Joey's. Keeys seemed to know little more about Joey (Cliff Rivers) than he established, however, that Joey Castle and Cliff Rivers were the same artist, and both these names were pseudonyms for Joseph Castaldo. This was about 1978 or 1979, and was the first bit of informantion I was able to gather about the art-ist.
Keeys also told me a brief story about how he and Joey met Sid Prosen, the owner of Thanks Records. This was really the only useful information which Maurice Keeys was able to supply. He hadn't seen Joey in years nor knew how to get in touch with him. In all seriousness, though, he stated he'd try to "... find him on the street". I was amused but desperate for information so one month later I wasted another long distance phone call to Maurice Keeys. He hadn't metJoey on the street and I gave up on Maurice Keeys.
Sid Prosen had -and probably still has a- keen eye for talent but liked pseudo-nyms. For example, he didn't like the sound of Simon and Garfunkel, so he recorded them under the name of Tom and Jerry. He didn't like the name Joey Castle, so he recorded him under the name of Cliff Rivers. Sid Prosen was unable to help in my search for the elusive Joey Castle. Mr. Prosen's only link to Joey consisted of a nearly 20 year old address in the Bronx which I already had. He also knew, as I did, that Joey wasn't there any longer. Sid Prosen did remember that Joey had a handicapped sister but knew nothing else about Joey or his career. Sid Prosen was surprised to learn of the RCA and Headline releases - I guess Joey made no mention of them to him. Neither S id Prosen nor I knew, at that time, about the Presley demos.
During my many trips to New York I would continually call all the Castaldos listed in the phone book trying to find a relative of Joey. If you take all the New York boroughs and a common Italian name like Castaldo, you've created no easy task. Anyway, initially, I failed. I had either skipped the right one or failed for some other unexplained reason.
It was now 1982, and I was again in New York. I had a little free time and what better way to spend it than looking for Joey Castle! I began calling the Castaldos and this time I got lucky. On the other end of the telephone I was talking to one of Joey's cousins. She couldn't help me very much but would have someone call me who could. A short time later Joey's nephew phoned me. He also knew little about Joey's career but gave me Joey's mother's ad-dress and phone number. Joey's mother was a kind woman who had a hard life looking after an invalid daughter with little time left to follow her son's career.
Family members told me that the one person who took an interest and knew a considerable amount about Joey's career was his father. He was buried the day that I managed to track down Joey's mother. Although it was too late to include the new biographical information in 'The Other Kings' album, I knew someday someone would release a Joey Castle record and I would be able to reveal this newly gathered information.
Joseph Fohn Castaldo was born on June 24, 1942, in the Bronx, N.Y. He decided to record under the name of Castle to take advantage of the name recognition which his uncle, the big band leader Lee Castle, had earlier achieved. At only sixteen years of age Joey Castle marched into RCA Victor with a demo tape, and on the basis of that tape managed to persuade RCA to record him.
Article properties: Joey Castle: Rock & Roll Daddy-O (CD)
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Interpret: Joey Castle
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Album titlle: Rock & Roll Daddy-O (CD)
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Genre Rock'n'Roll
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Label Bear Family Records
- Preiscode AH
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Artikelart CD
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EAN: 4000127155603
- weight in Kg 0.115
| Castle, Joey - Rock & Roll Daddy-O (CD) CD 1 | ||||
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| 01 | True Lips | Joey Castle |
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| 02 | Don't Knock It | Joey Castle |
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| 03 | That Ain't No Thing But Right | Joey Castle |
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| 04 | Please Love Me | Joey Castle |
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| 05 | Shake Hands With A Fool | Joey Castle |
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| 06 | Come A Little Closer Baby | Joey Castle |
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| 07 | Wild Love | Joey Castle |
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| 08 | Rock And Roll Daddy-O | Joey Castle |
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| 09 | Marsha | Joey Castle |
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| 10 | That Ain't Nothing But Right (take 12) | Joey Castle |
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| 11 | Lease Love Me (take 10) | Joey Castle |
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| 12 | That Ain't Nothing But Right (take 15) | Joey Castle |
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| 13 | Phantom Lover | Joey Castle |
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| 14 | That's My Secret | Joey Castle |
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| 15 | Cathy | Joey Castle |
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| 16 | Lucy Ann | Joey Castle |
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Joey Castle
Geboren am 24. Juni 1942 in New York. Gestorben am 15. Dezember 1978.
Joseph Castaldo war erst sechzehn Jahre alt, als er unter dem Namen Joey Castle ins RCA Victor Studio B in New York kam, um die Songs für seine Debüt-Single zu schneiden. Er war in der Bronx aufgewachsen, und da er schon früh vom Rock'n'Roll angezogen wurde, nahm er einige Demotapes auf, die ihm einen Vertrag mit derselben großen Firma einbrachten, die die Platten von Elvis Presley herausbrachte.
Zweifellos ein erfüllter Traum für jeden amerikanischen Teenager, obwohl im Falle von Joey der Traum nur wenige Monate später zu Ende ging, als seine Songs ("Come a Little Closer Baby" s/w "That Ain't Nothing But Right") nicht in die Charts kamen und RCA ihn absetzte. Billboard's Review wies auf Castle's stilisierten Gesang hin, fand aber keinen Unterschied zu den vielen anderen Sängern, die im Sommer 1958 versuchten, auf den Markt zu kommen. Die Ablehnung von RCA hat Joey nicht gebrochen, der immer mehr Demoaufnahmen machte und im Raum New York auftrat. Im Februar 1959 verkündete ein Nachrichtenclip auf Billboard, dass eine Rock'n'Roll-Band namens Joey Castle and the Knights bei Counterpoint unterschrieben hatte. 1949 von Bill Fox und Jerry Newman als Esoteric Records gegründet, hatte sich das Label auf Klassik-Alben spezialisiert, änderte aber 1957 seinen Namen und trat zwei Jahre später mit der Unterzeichnung von Jazz, Pop und Folks-Künstlern in den Singles-Bereich ein.
Dennoch hat Joey bei Counterpoint keine Veröffentlichung gesehen. Stattdessen paarte Ende 1959 ein weiteres New Yorker Independent-Label (Headline Records) "Wild Love" und "Rock and Rock Daddy-0" (sic) und brachte eine Platte heraus, die Joey Castle und den Daddy-as zugeschrieben wurde. Joey's Stimme klingt hier reifer als in seinen vorherigen Aufnahmen und Kritiken war diesmal etwas schöner, obwohl die Single auch nicht in die Charts kam. Zu diesem Zeitpunkt war Joseph Castaldos Beitrag zum Rock'n'Roll in seiner Blütezeit beendet.
In den frühen sechziger Jahren benutzte er das Pseudonym Cliff Rivers, um ein paar Songs zu schneiden, die er mitgeschrieben hatte: "Wahre Lippen" und "Marsha". Die Tracks wurden im Juni 1963 von Thanks! veröffentlicht, einer kleinen Firma, die von Sid Prosen gegründet wurde, und erfreuten sich einer kleinen Popularität in Großbritannien, wo die Platte unter dem Londoner Label vertrieben wurde. Außerdem hat Joey seine Stimme auf einige Demos von Hill & Range, dem Verlag, der die Kontrolle über die von Elvis aufgenommenen Songs hatte, gesetzt. Er spielte immer wieder lokale Auftritte und machte gelegentlich Aufnahmen, bevor er 1978 einem Gehirntumor erlag.
(Carlos A.del Bosque)
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