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Ruth Brown Late Date With Ruth Brown (CD)

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(Collectables) 12 tracks more

Ruth Brown: Late Date With Ruth Brown (CD)

(Collectables) 12 tracks

Article properties: Ruth Brown: Late Date With Ruth Brown (CD)

Brown, Ruth - Late Date With Ruth Brown (CD) CD 1
01 It Could Happen To You Ruth Brown
02 Why Don't You Do Right? Ruth Brown
03 Bewitched, Bothered And Bewildered Ruth Brown
04 I'm Just A Lucky So And So Ruth Brown
05 I Can Dream, Can't I? Ruth Brown
06 You And The Night And The Music Ruth Brown
07 You'd Be So Nice To Come Home To Ruth Brown
08 We'll Be Together Again Ruth Brown
09 I'm Beginning To See The Light Ruth Brown
10 I Loves You, Porgy Ruth Brown
11 No One Ever Tells You Ruth Brown
12 Let's Face The Music And Dance Ruth Brown
Ruth Brown This Little Girl's Gone Rockin' Ruth Brown This Little Girl's Gone... more
"Ruth Brown"

Ruth Brown

This Little Girl's Gone Rockin'

Ruth Brown

This Little Girl's Gone Rockin'

Ruth Brown acutely felt the changing times at Atlantic Records. She had been there since the label’s inauspicious launch, but saw that her champion, Herb Abramson, was sidelined and would soon be bought out. She didn’t get along as well with his replacement, Jerry Wexler, and felt that the label’s co-founder, Ahmet Ertegun, was becoming remote. One of the artists assigned to Herb Abramson was Bobby Darin, and it took some time for Abramson or anyone at Atlantic to know what to do with him. For Ruth, it was unusual enough just seeing a white performer on the label.

"I often came across him in the studio, trying out little things,” she wrote in her autobiography. “’I hear you’re a songwriter,’ I jived him one day. ‘Why don’t you write me a song?’ He did. It was ‘This Little Girl’s Gone Rockin’,’ and it was produced by two other ex-Brillers, Jerry Leiber and Mike Stoller.” Most sources credit Wexler and Ertegun as A&R men on the session, but Ruth clearly remembers it differently.

A straightforward boogie woogie underpinned by Stoller on piano, it was highlighted by Everett Barksdale on guitar and the always distinctive King Curtis on tenor sax. Ruth damns it with faint praise in her autobiography, but it became her last major pop hit and one of her last R&B hits. Darin’s co-writer, incidentally, was Emanuel Kurtz aka Mann Curtis, who had begun cranking out songs in the early 1940s, and wrote the English words to Let It Be Me. Ruth’s long chart career was winding down, although she performs to this day. Darin’s other contribution to Ruth’s tenure at Atlantic was to advise her to audit the label for unpaid royalties.

 

Various - Blowing The Fuse 1958 - Classics That Rocked The Jukebox

Read more at: https://www.bear-family.de/various-blowing-the-fuse-1958-classics-that-rocked-the-jukebox.html
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