Arthur Alexander ...Steppin' Out! (CD)

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catalog number: CDBSR0085
weight in Kg 0.08

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(Big Stir Records) 13 tracks, digipack Das brandneue Soloalbum von Sorrows and Poppes-Gründer... more

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Arthur Alexander: ...Steppin' Out! (CD)

(Big Stir Records) 13 tracks, digipack

Das brandneue Soloalbum von Sorrows and Poppes-Gründer Arthur Alexander, ...Steppin' Out!

Article properties: Arthur Alexander: ...Steppin' Out! (CD)

Interpret: Arthur Alexander
Album titlle: ...Steppin' Out! (CD)
Genre Rock
Artikelart CD
Label Big Stir Records
EAN: 0697566064708
weight in Kg 0.08

Alexander, Arthur - ...Steppin' Out! (CD) CD 1
01	Woman	Arthur Alexander
02	It's Not Love Anymore #2	Arthur Alexander
03	(She's A) Red Hot Lover	Arthur Alexander
04	One Life (Is All You Got)	Arthur Alexander
05	Ashes	Arthur Alexander
06	Oh Lulu, Won't You Be My Girl	Arthur Alexander
07	Why Can't You Come	Arthur Alexander
08	I Miss You	Arthur Alexander
09	A Little Too Much	Arthur Alexander
10	Humming Blues In Four	Arthur Alexander
11	Silver Cloud	Arthur Alexander
12	Fly Away	Arthur Alexander
13	Flying Shadows	Arthur Alexander

Arthur Alexander, born in Sheffield, Alabama, in 1942, was the first hit artist to emerge from... more

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"Arthur Alexander"

Arthur Alexander, born in Sheffield, Alabama, in 1942, was the first hit artist to emerge from Rick Hall's Muscle Shoals studio with a beautifully understated interpretation of the self-penned 'You Better Move On' (1962) — a seminal per-formance, reflected by many later southern soul hits. Recorded before Hall had formed his own Fame label, it was released by Dot who proceeded to market Alexander as a pop singer.

Despite less sensitive productions, he was equally impressive on the Mann /Weil song 'Where Have You Been' and his own 'Anna' (1962) and 'Go Home Girl' (1963), and although he was indifferently received at home, all four records were much admired and covered by British acts (including the Rolling Stones and the Beatles). Subse-quent records for Dot, Sound Stage 7 (1965-9), Monument (1968), and most recently a fine album on Warner Bros., nearly all excellent examples of southern country soul, were ignored until he returned to the Hot Hundred with his own `Everyday I Have To Cry A Little' in 1975.

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