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Johnny Adams Best Of Johnny Adams - New Orleans Tan Canary (2-LP)

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(Mardi Gras) 19 tracks, gatefold cover. This is the ultimate 2-LP record set of Johnny Adams'... more

Johnny Adams: Best Of Johnny Adams - New Orleans Tan Canary (2-LP)

(Mardi Gras) 19 tracks, gatefold cover.
This is the ultimate 2-LP record set of Johnny Adams' hits, originally released as individual 45 RPM records by WATCH and HEP ME Records.

Article properties: Johnny Adams: Best Of Johnny Adams - New Orleans Tan Canary (2-LP)

  • Interpret: Johnny Adams

  • Album titlle: Best Of Johnny Adams - New Orleans Tan Canary (2-LP)

  • Label MARDI GRAS RECORDS

  • Genre Blues

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Artikelart LP

  • EAN: 0096094200310

  • weight in Kg 0.45
Adams, Johnny - Best Of Johnny Adams - New Orleans Tan Canary (2-LP) LP 1
01 Release Me Johnny Adams
02 Reconsider Me Johnny Adams
03 I Believe I'll Find Happiness Johnny Adams
04 Hell Yes, I Cheated Johnny Adams
05 You Made A New Man Out Of Me Johnny Adams
06 Tell It Like It Is Johnny Adams
07 It's A Part Of Me Johnny Adams
08 Love Me Now Johnny Adams
09 Stay With Me (And Stay In Love) Johnny Adams
10 Share Your Love With Me Johnny Adams
Adams, Johnny - Best Of Johnny Adams - New Orleans Tan Canary (2-LP) LP 2
01 Who Will The Next Fool Be Johnny Adams
02 Baby I Love You Johnny Adams
03 I'll Never Fall In Love Again Johnny Adams
04 After All The Good Is Gone Johnny Adams
05 Stairway To Heaven Johnny Adams
06 The Greatest Love Johnny Adams
07 It's You Baby, It's You Johnny Adams
08 Spanish Harlem Johnny Adams
09 Some Day Johnny Adams
Johnny Adams Reconsider Me Johnny Adams Reconsider Me   They called Johnny... more
"Johnny Adams"

Johnny Adams

Reconsider Me

Johnny Adams

Reconsider Me

 

They called Johnny Adams the Tan Canary around his New Orleans homebase, so mellifluous were his rich, burnished tones. In a city with a musical legacy built around the funky second-line parade beat, Adams was a classy balladeer with a multi-octave range whose melismatic pipes were capable of swooping down into a deep baritone and then up to a falsetto with the greatest of ease.

Born January 5, 1932 in the Big Easy, the rail-thin Adams got a late start in the music biz because he was busy singing in service of the Lord. His secular jump in 1959 came at the behest of his neighbor, composer Dorothy LaBostrie (she'd cleaned up the lyrics to Little Richard's Tutti-Frutti). "She always knew I could sing, so she just decided to ask," said the late Adams. She wrote him the tasty ballad I Won't Cry, produced by a young Mac 'Dr. John' Rebennack for Joe Ruffino's Ric label. Johnny had a local hit his first time out, and more fine Ric 45s followed. "I was more or less just a singer then," he said. "I wasn't an artist. I was just a singer."  Rebennack co-wrote the Ray Charles-tinged A Losing Battle, which did dent the R&B charts on Ric in 1962.

Adams was part of a Crescent City contingent that journeyed up to Detroit in '63 to audition for Berry Gordy (others included Earl King and Chris Kenner). But Ruffino reportedly threatened a lawsuit, knocking a Motown deal off the table. After Ruffino's death, Johnny's contract went to Joe Assunto at Watch Records. There he revived Release Me, a country classic that first hit for Jimmy Heap in 1954. "We just heard that playing, between Esther Phillips and Engelbert Humperdinck," said Adams. "We just decided to do it." Shelby Singleton's Nashville-based SSS International logo picked it up in '68, and Adams joined a long list of singers to hit with the weeper.

The gut-wrenching soul ballad Reconsider Me, penned by Singleton staffers Mira Smith and Margaret Lewis and cut in Nashville, proved Johnny's biggest SSS hit, sailing to #8 R&B and #28 pop. "These ladies were doing a lot of writing for Jo Jo Benson and Peggy Scott at the time," said Adams. "You know, changing country songs into blues." Lewis and Smith also supplied his next hit, I Can't Be All Bad.

Beginning in 1983, Johnny reached a new demographic at Rounder Records. He gave the songbooks of Percy Mayfield and Doc Pomus album-length examinations, exquisitely delving into contrasting blues and jazz material without ever faltering. "They got a whole lot of New Orleans music," Adams reasoned. "I try to make mine different when I can." Prostate cancer killed him on September 14, 1998. 

- Bill Dahl -

Various - Sweet Soul Music

Various - Sweet Soul Music 30 Scorching Classics From 1965

Read more at: https://www.bear-family.de/various-sweet-soul-music-30-scorching-classics-from-1965.html
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