Jackie Wilson NYC 1961-1966 (2-CD)
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- catalog number: CDTOP21428
- weight in Kg 0.12
Jackie Wilson: NYC 1961-1966 (2-CD)
Article properties: Jackie Wilson: NYC 1961-1966 (2-CD)
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Interpret: Jackie Wilson
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Album titlle: NYC 1961-1966 (2-CD)
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Genre Soul
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Label Ace Records
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Artikelart CD
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EAN: 0029667071024
- weight in Kg 0.12
| Wilson, Jackie - NYC 1961-1966 (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Believe i'll love on | Jackie Wilson | ||
| 02 | Me, my mother's son | Jackie Wilson | ||
| 03 | 3 days 1 hour 30 minutes | Jackie Wilson | ||
| 04 | I've gotta get back (country boy) | Jackie Wilson | ||
| 05 | All my lovin' | Jackie Wilson | ||
| 06 | Soul galore | Jackie Wilson | ||
| 07 | Think twice | Jackie Wilson | ||
| 08 | Please don't hurt me (i've never been in love before) | Jackie Wilson | ||
| 09 | No pity (in the naked city) | Jackie Wilson | ||
| 10 | I'm so lonely | Jackie Wilson | ||
| 11 | I can't stand another (hurt in my heart) | Jackie Wilson | ||
| 12 | Watch out | Jackie Wilson | ||
| 13 | She's all right | Jackie Wilson | ||
| 14 | Soul time | Jackie Wilson | ||
| 15 | Silent one | Jackie Wilson | ||
| 16 | Change me | Jackie Wilson | ||
| 17 | Haunted house | Jackie Wilson | ||
| 18 | I'm travelin' on | Jackie Wilson | ||
| 19 | Expressions | Jackie Wilson | ||
| 20 | Dream | Jackie Wilson | ||
| 21 | Big boss line | Jackie Wilson | ||
| 22 | Twistin' & shoutin' (doing the monkey) | Jackie Wilson | ||
| 23 | Hold me, need me | Jackie Wilson | ||
| 24 | the record over | Jackie Wilson | ||
| Wilson, Jackie - NYC 1961-1966 (2-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | The new breed | Jackie Wilson | ||
| 02 | Say i do | Jackie Wilson | ||
| 03 | Shake a hand | Jackie Wilson | ||
| 04 | Don't laugh at me | Jackie Wilson | ||
| 05 | Love (is where you find it) | Jackie Wilson | ||
| 06 | You can't have your cake and eat it too | Jackie Wilson | ||
| 07 | Call her up | Jackie Wilson | ||
| 08 | What good am i without you? | Jackie Wilson | ||
| 09 | Shake! shake! shake! | Jackie Wilson | ||
| 10 | Baby workout | Jackie Wilson | ||
| 11 | I just can't help it | Jackie Wilson | ||
| 12 | My tale of woe | Jackie Wilson | ||
| 13 | Baby that's all (the love that wouldn't die) | Jackie Wilson | ||
| 14 | I hurt so bad (somebody help me) | Jackie Wilson | ||
| 15 | Tears (don't mind who cries them) | Jackie Wilson | ||
| 16 | Sing (and tell the blues so long) | Jackie Wilson | ||
| 17 | I found love | Jackie Wilson | ||
| 18 | There's nothing like love | Jackie Wilson | ||
| 19 | The dancing man | Jackie Wilson | ||
| 20 | You don't know what it means | Jackie Wilson | ||
| 21 | Years from now | Jackie Wilson | ||
| 22 | The test of time | Jackie Wilson | ||
| 23 | Lonely life | Jackie Wilson | ||
| 24 | I'm comin' on back to | Jackie Wilson | ||
Jackie Wilson
Lonely Teardrops
Jackie Wilson
Lonely Teardrops
Although he’d done respectably well with To Be Loved and Reet Petite, Jackie Wilson’s big breakthrough came with Lonely Teardrops. The writers/producers were Berry Gordy, who would, of course, go on to launch Motown Records, and Roquel Billy Davis aka Tyran Carlo who would later produce for Chess and co-write I’d Like To Teach The World To Sing. “We didn't even know we were supposed to be paid," Davis told 'The Detroit News' in 2003, of his deal with Wilson’s manager, Nat Tarnopol. Davis grew up in Detroit's north end, and was a cousin of Wilson's (their fathers were uncle and nephew).
He was also a cousin of the late Lawrence Payton of the Four Tops. At the Lonely Teardrops session, Davis told Bob Pruter that “the song began as a slow blues, but we changed it in the studio to make it more upbeat. During that period the cha-cha was very popular in Detroit, and we tried to give ‘Lonely Teardrops’ more of a cha-cha flavor.” Wilson sang with vein-popping exuberance, and Davis and Gordy coaxed a remarkably full sound from a small ensemble. Aside from a baritone sax mixed way back, there were only guitars, bass, percussion, and chorus. Guitar arpeggios replaced the pizzicato strings that Gordy and Davis probably wanted.
The tambourine would later be a feature of countless Motown productions. When the Isley Brothers performed the song on stage, they traded back and forth on the line, “say you will,” and by some accounts improvised an entirely new song, Shout, from Wilson’s outro. Other accounts, though, have the Isleys improvising Shout from Come Back To Me, the flip of To Be Loved. Wilson and those around him had no reason to be disappointed with the showing of Lonely Teardrops. It reached the top of the R&B charts and #7 on the pop charts.
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