Jackie Wilson NYC 1961-1966 (2-CD)
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- catalog number:CDTOP21428
- weight in Kg 0.12
Jackie Wilson: NYC 1961-1966 (2-CD)
Article properties:Jackie Wilson: NYC 1961-1966 (2-CD)
Interpret: Jackie Wilson
Album titlle: NYC 1961-1966 (2-CD)
Genre Soul
Label Ace Records
Artikelart CD
EAN: 0029667071024
- weight in Kg 0.12
| Wilson, Jackie - NYC 1961-1966 (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Believe i'll love on | Jackie Wilson | ||
| 02 | Me, my mother's son | Jackie Wilson | ||
| 03 | 3 days 1 hour 30 minutes | Jackie Wilson | ||
| 04 | I've gotta get back (country boy) | Jackie Wilson | ||
| 05 | All my lovin' | Jackie Wilson | ||
| 06 | Soul galore | Jackie Wilson | ||
| 07 | Think twice | Jackie Wilson | ||
| 08 | Please don't hurt me (i've never been in love before) | Jackie Wilson | ||
| 09 | No pity (in the naked city) | Jackie Wilson | ||
| 10 | I'm so lonely | Jackie Wilson | ||
| 11 | I can't stand another (hurt in my heart) | Jackie Wilson | ||
| 12 | Watch out | Jackie Wilson | ||
| 13 | She's all right | Jackie Wilson | ||
| 14 | Soul time | Jackie Wilson | ||
| 15 | Silent one | Jackie Wilson | ||
| 16 | Change me | Jackie Wilson | ||
| 17 | Haunted house | Jackie Wilson | ||
| 18 | I'm travelin' on | Jackie Wilson | ||
| 19 | Expressions | Jackie Wilson | ||
| 20 | Dream | Jackie Wilson | ||
| 21 | Big boss line | Jackie Wilson | ||
| 22 | Twistin' & shoutin' (doing the monkey) | Jackie Wilson | ||
| 23 | Hold me, need me | Jackie Wilson | ||
| 24 | the record over | Jackie Wilson | ||
| Wilson, Jackie - NYC 1961-1966 (2-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | The new breed | Jackie Wilson | ||
| 02 | Say i do | Jackie Wilson | ||
| 03 | Shake a hand | Jackie Wilson | ||
| 04 | Don't laugh at me | Jackie Wilson | ||
| 05 | Love (is where you find it) | Jackie Wilson | ||
| 06 | You can't have your cake and eat it too | Jackie Wilson | ||
| 07 | Call her up | Jackie Wilson | ||
| 08 | What good am i without you? | Jackie Wilson | ||
| 09 | Shake! shake! shake! | Jackie Wilson | ||
| 10 | Baby workout | Jackie Wilson | ||
| 11 | I just can't help it | Jackie Wilson | ||
| 12 | My tale of woe | Jackie Wilson | ||
| 13 | Baby that's all (the love that wouldn't die) | Jackie Wilson | ||
| 14 | I hurt so bad (somebody help me) | Jackie Wilson | ||
| 15 | Tears (don't mind who cries them) | Jackie Wilson | ||
| 16 | Sing (and tell the blues so long) | Jackie Wilson | ||
| 17 | I found love | Jackie Wilson | ||
| 18 | There's nothing like love | Jackie Wilson | ||
| 19 | The dancing man | Jackie Wilson | ||
| 20 | You don't know what it means | Jackie Wilson | ||
| 21 | Years from now | Jackie Wilson | ||
| 22 | The test of time | Jackie Wilson | ||
| 23 | Lonely life | Jackie Wilson | ||
| 24 | I'm comin' on back to | Jackie Wilson | ||
Jackie Wilson
Lonely Teardrops
Obwohl er mit To Be Loved und Reet Petite beachtlich gut abgeschnitten hatte, gelang Jackie Wilsons großer Durchbruch mit Lonely Teardrops. Die Autoren/Produzenten waren Berry Gordy, der natürlich Motown Records gründete, und Roquel Billy Davis aka Tyran Carlo, der später für Chess produzieren und I'd Like To Teach The World To Sing mitschreiben würde. "Wir wussten nicht einmal, dass wir bezahlt werden sollten", erzählte Davis 2003 von seinem Deal mit Wilsons Manager Nat Tarnopol. Davis wuchs im Norden Detroits auf und war ein Cousin von Wilson (ihre Väter waren Onkel und Neffe).
Er war auch ein Cousin des verstorbenen Lawrence Payton of the Four Tops. Bei der Lonely Teardrops Session sagte Davis zu Bob Pruter: "Der Song begann als langsamer Blues, aber wir änderten ihn im Studio, um ihn optimistischer zu machen. Während dieser Zeit war das Cha-Cha sehr beliebt in Detroit, und wir versuchten,'Lonely Teardrops' mehr Cha-Cha-Geschmack zu verleihen. Wilson sang mit adernackendem Überschwang, und Davis und Gordy entlockten einem kleinen Ensemble einen bemerkenswert vollen Klang. Abgesehen von einem Bariton-Saxophon, gab es nur Gitarren, Bass, Perkussion und Chor. Gitarrenarpeggios ersetzten die Pizzicato-Saiten, die Gordy und Davis wahrscheinlich wollten.
Das Tamburin wurde später in unzähligen Motown-Produktionen eingesetzt. Als die Isley Brothers den Song auf der Bühne aufführten, tauschten sie auf der Linie "say you will" hin und her und improvisierten nach einigen Berichten einen völlig neuen Song, Shout, aus Wilsons Outro. Andere Berichte haben jedoch die Isleys, die Shout from Come Back To, den Flip von To Be Loved, improvisieren. Wilson und seine Umgebung hatten keinen Grund, von der Vorstellung von Lonely Teardrops enttäuscht zu sein. Er erreichte die Spitze der R&B-Charts und Platz 7 der Pop-Charts.
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Read more at: https://www.bear-family.de/various-blowing-the-fuse-1958-classics-that-rocked-the-jukebox.html
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