Joe Louis Walker Electric Electric (LP, Colored Vinyl, Ltd.)

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Electric Electric (LP, Colored Vinyl, Ltd.)

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catalog number: LPCLO2391
weight in Kg 0.36

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(Cleopatra Records) 9 tracks, gatefold cover, colored (red) vinyl. Joe Louis Walker, one of the... more

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Joe Louis Walker: Electric Electric (LP, Colored Vinyl, Ltd.)

(Cleopatra Records) 9 tracks, gatefold cover, colored (red) vinyl.

Joe Louis Walker , one of the most celebrated and respected blues musicians working today, returns with some of the most electrifying recordings of his four-plus decade career!

This exceptionally versatile set features incredible new compositions like the stomping blues opener "Uptown Girl Blues" and the brass-driven "Bad Betty" as well as killer covers of The Eagles' "Hotel California" and Warren Zevon's "Werewolves Of London"!

Plus special guest appearances by Waddy Wachtel, Doyle Bramhall II and the incomparable B.B. King Blues Band!

Walker is a touring dog like no other, and he has a string of shows planned to support this album and excite his enormously supportive fan base.

Article properties: Joe Louis Walker: Electric Electric (LP, Colored Vinyl, Ltd.)

Interpret: Joe Louis Walker
Album titlle: Electric Electric (LP, Colored Vinyl, Ltd.)
Genre Blues
Label CLEOPATRA RECORDS
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Artikelart LP
EAN: 0889466239113
weight in Kg 0.36

Walker, Joe Louis - Electric Electric (LP, Colored Vinyl, Ltd.) LP 1
01	Uptown Girl Blues	Joe Louis Walker
02	Wine	Joe Louis Walker
03	Bad Betty	Joe Louis Walker
04	Gone & Alone	Joe Louis Walker
05	Regal Blues	Joe Louis Walker
06	Hotel California	Joe Louis Walker
07	Make No Mistake	Joe Louis Walker
08	Two Trains Running	Joe Louis Walker
09	Werewolves Of London	Joe Louis Walker

Joe Louis Walker HighTone's other major ‘80s electric blues guitar discovery was Joe... more

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"Joe Louis Walker"

Joe Louis Walker

HighTone's other major ‘80s electric blues guitar discovery was Joe Louis Walker. Although he couldn't quite muster the same pop crossover response as labelmate Robert Cray, Walker forged his own distinctive sound, beginning with his 1986 debut album ‘Cold Is The Night.'

Walker came into the world Christmas Day of 1949 in San Francisco. He soaked up the city's rich blues scene in his teens, absorbing his guitar lessons at the Matrix Club. "I used to play with the guys that came in. I played with Earl Hooker quite a bit. I sort of jumped onstage with Lightnin' Hopkins once and got kicked off," says Walker. "Freddie King, he let me play his guitar when he'd come to town. Sam, I'd see Magic Sam when he came to town. Hubert Sumlin, I've known Hubert quite a few years. When he was playing with Wolf, he'd come out and play the Fillmore, the Sunday matinees. Of course, Muddy. I was 16, 17."

Walker roomed with Michael Bloomfield in the Bay Area during the late ‘60s, leading to a 1969 Chicago jaunt. "Bloomfield sent me there," says Joe. "Said Otis Rush had a gig, which I didn't get. But just as well, because I wasn't really cut out to be, at that time, a Chicago guy." He didn't copy any of his heroes too closely. "I was told by many people, ‘Joe, don't try to be me, and don't try to be somebody else. Be yourself, because a bad version of you is better than you trying to have a good version of me.' I never was one of those guys to sit down and try to copy B.B. King note for note, or Albert King, or Freddy King. I enjoy the hell out of ‘em, but I figure if I'm gonna do this here, I might as well do it and put my own stamp on it."

Walker got away from the blues for an extended time, studying music at San Francisco State University and singing gospel with the Spiritual Corinthians. But a 1985 European tour as a member of the Mississippi Delta Blues Band got him back in harness, and when he returned to San Francisco, Walker formed his band, the Boss Talkers. He sent a demo tape to HighTone bosses Bruce Bromberg and Larry Sloven, and they brought him aboard the label. "He came to us, and he was a local artist to us," says Bromberg. "And we went up to see him. So we went for it."

Bromberg and Dennis Walker, the same pair that produced Cray at HighTone, also supervised ‘Cold Is The Night.' Its brooding, intense title track made a perfect introduction to Walker's haunting attack. The Boss Talkers (keyboardist Kevin Zuffi, drummer Steve Griffith, and bassist Eric Ajaye replacing Henry Oden on this track only) were stark and tasty throughout the LP, cut in Los Angeles.

Like the champion boxer of the same name, Walker kept on punching at HighTone with ‘The Gift' (1988), ‘Blue Soul' (1989), and two volumes of ‘Live At Slim's' in the early ‘90s before moving over to better-bankrolled PolyGram for a half-dozen discs later in the decade. His rough-edged vocals strike just the right balance with his electrifying fretwork, and he's highly adept on slide as well as single-string soloing.

Walker knows what his fans expect. "Basically, if I make a Joe Louis Walker record, it's not like ‘Joe Louis Walker plays this or that.' They're gonna like the record because of what I try to do," he says. "I think that people will enjoy it. I hope they do. If they don't, I always like to say, ‘It ain't my first record. It won't be my last!'"

Bill Dahl
Chicago, Illinois

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