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Tito Puente Mambo Gozón (CD)

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(Saludos Amigos) 18 tracks more

Tito Puente: Mambo Gozón (CD)

(Saludos Amigos) 18 tracks

Article properties: Tito Puente: Mambo Gozón (CD)

Puente, Tito - Mambo Gozón (CD) CD 1
01 Carioca Tito Puente
02 New Cha-Cha Tito Puente
03 Timbalito Tito Puente
04 El Agitador Tito Puente
05 Latin Flight Tito Puente
06 Tito Meets Woody Tito Puente
07 Mambo Buda Tito Puente
08 Cha-Cha Chá De Los Pollos (Cha-Cha For Chicks) Tito Puente
09 Que Será (What Is It) Tito Puente
10 Pá Los Rumberos (For Dancers) Tito Puente
11 Cuban Fantasy Tito Puente
12 El Cayuco Tito Puente
13 3-D Mambo Tito Puente
14 Hong Kong Mambo Tito Puente
15 Mambo Gozón Tito Puente
16 Varsity Drag Tito Puente
17 Agua Limpia Todo Tito Puente
18 Llegó Miján Tito Puente
Tito Puente Bandleader and percussionist Tito Puente, who rode to fame on the heels of the... more
"Tito Puente"

Tito Puente

Tito PuenteBandleader and percussionist Tito Puente, who rode to fame on the heels of the 1950s mambo craze and for the next five decades helped define Latin jazz, died June 1, 2000. He was 77. Puente, who was recently treated for a heart problem, died at NYU Medical Center in New York.

Puente recorded more than 100 albums in his more than 60 years in the business. He won his fifth Grammy in February for best traditional tropical Latin performance for Mambo Birdland, and has been nominated for the award 10 times. Puente brought the timbales, a pair of single-headed drums mounted on stands and played with sticks, from behind the band to the front of the bandstand and played standing up.

"In front of a bandstand you've got to be a showman," Puente said. "Once, I was strictly a musician with a long face and back to the audience. Now I'm a showman, selling what I'm doing, giving the people good vibes." Puente joked that he profited off the talent of Santana, whose early hits include Puente's Oye Como Va. "Every time he plays 'Oye Como Va,' I get a nice royalty check," Puente said. "The excitement of the rhythms and the beat make people happy," he said in a 1997 Associated Press interview. "We try to get our feelings to the people, so they enjoy it. It is not music for a funeral parlor."

The eldest son of Puerto Rican parents, Puente was born Ernest Anthony Puente Jr. in New York City on April 20, 1923. (Some references give other years.) His father, Ernest Sr., was a foreman in a razor-blade factory. His mother called her son Ernestito, Little Ernest, then shortened the name to Tito. It was his mother who first discerned his musical talent and enrolled him in a piano class when he was 7. Puente studied drums for years before switching to timbales. He studied conducting, orchestration and theory at the Juilliard School from 1945 to '47 on the GI Bill.

Talking about his Latin/Jazz fusion, Puente said, "Some jazz bands, like Kenton's, had added Latin rhythms, and it sounded good to me. So I figured I might as well do the same thing. I start off writing a straight jazz arrangement, then I just add a Latin rhythm section."

Tito Puente Night Beat - Mucho Puente, Plus

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