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Charlie Patton You're Gonna Need Somebody (4-LP-Box)

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catalog number: MOK300

weight in Kg 1,000

 

Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (if available from supplier)

$141.48 *
 
 

Charlie Patton: You're Gonna Need Somebody (4-LP-Box)

(1929-34) Mississippi
 

Songs

Charlie Patton - You're Gonna Need Somebody (4-LP-Box) Medium 1
1: Pony Blues  
2: A Spoonful Blues  
3: Down The Dirt Road Blues  
4: Prayer Of Death Pt.1  
5: Prayer Of Death Pt.2  
6: Screamin' & Hollerin' The Blues  
7: Banty Rooster Blues  
8: Tom Rushen Blues  
9: It Won't Be Long  
10: Shake It & Break It (But Don't Let It Fall Ma  
11: Pea Vine Blues  
12: Mississippi Bo Weavil Blues  
13: Lord I'm Discouraged  
14: I'm Going Home  
15: Hammer Blues Take 1  
16: I Shall Not Be Moved (alt.)  
17: High Water Everywhere Pt.1  
18: High Water Everywhere Pt.2  
19: I Shall Not Be Moved  
20: Rattlesnake Blues  
21: Going To Move To Alabama  
22: Hammer Blues Take 2  
23: Joe Kirby  
24: Frankie And Albert  
25: Magnolia Blues  
26: Devil Sent The Rain Blues  
27: Runnin' Wild Blues  
28: Some Happy Day  
29: Mean Black Moan  
30: Green River Blues  
31: Some Of These days I'll Be Gone  
32: Elder Green Blues Take 2 (alt.)  
33: Jim Lee Pt.1  
34: Jim Lee Pt.2  
35: Mean Black Cat Blues  
36: Jesus Is A Dying-Bed Maker  
37: Elder Green Blues Take 2  
38: When Your Way Gets Dark  
39: Some Of These Days I'll Be Gone Take 2  
40: Heart Like Railroad Steel  
41: Circle Round The Moon  
42: Your Gonna Need Somebody When You Die  
43: Some Summer Day  
44: Bird Nest Bound  
45: Dry Well Blues  
46: Moon Going Down  
47: High Sheriff Blues  
48: Stone Pony Blues  
49: Jersey Bull Blues  
50: Hang It On The Wall  
51: 34 Blues  
52: Love My Stuff  
53: Poor Me  
54: Revenue Man Blues  

 

Artikeleigenschaften von Charlie Patton: You're Gonna Need Somebody (4-LP-Box)

  • Interpret: Charlie Patton

  • Albumtitel: You're Gonna Need Somebody (4-LP-Box)

  • Format LP
  • Genre Blues

  • Music Genre 992 Vinyl - Blues
  • Music Style 992 Vinyl - Blues
  • Music Sub-Genre 992 Vinyl - Blues
  • Title You're Gonna Need Somebody (4-LP-Box)
  • Vinyl size LP (12 Inch)
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Label MOK

  • SubGenre Blues - General

  • EAN: 8013252453007

  • weight in Kg 1.000
 
 

Artist description "Patton, Charlie"

Charley Patton

 A degree of mystery is always an attractive ingredient in the life of a blues singer and sometimes lends credence to the often misapplied description "THE LEGENDARY".
Much has been written Ilabout Charley Patton. The memories of those who knew him have been dredged wholesale and dedicated researchers have ferreted out from official archives the few meagre records documenting his life. He has been the subject of innumerable interviews, magazine articles and sleeve notes and is one of the few blues singers of his generation to be memorialized in a full-scale biography. Yet despite all this attention, he remains an enigma.

There is not even certainly regarding his date of birth. May 1st 1891 is sometimes noted, but you can also get votes for April of that year or even 1887. Patton's biographers, Calt and Wardlow note that Patton's sister supplied the 1887 date while his parents supplied the 1891 date for a census in 1900. And how do you spell his name: Charley or Charley? In all probability Charley himself did not know his precise age, but Son House reported that he did know his name, which he would spell "C-H-A-R-L-E-Y", out loud - but that was all he could spell and he couldn't write even that. Other contentious facts regard his exact place of birth: Edwards or Bolton, Mississippi, (as the two towns are so close together they are virtually one, the question remains academic). And the identity of his father -was Charley, as has been claimed, a sibling of the Chatmon brothers of Mississippi Sheiks fame? What is fairly clear is that Charley's forebears included both whites and native Americans.


Undisputed is his pre-eminent status as one of the most influential of the first generation of rural black entertainers to commit their work to record. However, there is a variation of opinion regarding the depth of his involvement with the blues and the degree of their importance in his over all repertoire. There is a possibility that his recorded work contained more blues than his live performances.


Patton's recording sessions were controlled by profit conscious executives who saw blues being in vogue and more importantly, selling. Did Patton view himself as a chronicler and commentator on the world around him - or just as an entertainer who would do anything rather than work? In the view of the compilers of these notes these two roles were not mutually exclusive and Patton could satisfactorily fill both at one time. Despite his huge voice, all accounts agree that Charley was of slight stature, weighing in at around 135 pounds. He was light-skinned and had 'good' hair but could be cocky and aggressive. He liked to drink, snort coke and chase women, advertising himself as a Delta dandy by always dressing as well as he could afford to. The reactions of owners who found Charley on their plantations ranged from welcoming him as a contribution to the contentment of their workers to throwing him off the property as a shiftless, negative and disruptive influence.


He sang his fractures and usually fragmented verses in a heavily accented growl that has been the bane of those striving to transcribe his words ever since, and even defeated his contemporary audience from time to time. His act was so noisy, physical and visual, involving much clowning, as he threw his guitar around and played to his audience. In the over heated and alcohol fuelled atmosphere of the jukes, his combination of attractiveness and arrogance led to many encounters with enamoured women - and not a few assaults from outraged men. One of these, in 1933, left Charley with a slit throat and damaged vocal chords which identify the results of his last appearance in a recording studio.


Patton's recording sessions were controlled by profit conscious executives who saw blues being in vogue and more importantly, selling.
By his own (second hand) telling Patton did not take up the guitar until comparatively late, around the age of nineteen. Yet he was already well known and liked as an entertainer in his own area in the early years of the twentieth century. A list of his rivals and playing partners as he travelled around the Delta would include Dick Bankston, Willie Brown, Son House and Tommy Johnson. Charley does not seem to have been meek, he knew he was good and he was aware of the huge success being enjoyed on record by such artists as Blind, Lemon Jefferson and Blind Blake. ...

 
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