Tony Orlando & Dawn Tuneweaving - Tony Orlando & Dawn Series No.2 (CD)
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- catalog number:CDELEK002
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Tony Orlando & Dawn: Tuneweaving - Tony Orlando & Dawn Series No.2 (CD)
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Article properties:Tony Orlando & Dawn: Tuneweaving - Tony Orlando & Dawn Series No.2 (CD)
Interpret: Tony Orlando & Dawn
Album titlle: Tuneweaving - Tony Orlando & Dawn Series No.2 (CD)
Label Sony Music
Genre Pop
Artikelart CD
EAN: 0823753730396
- weight in Kg 0.11
Orlando, Tony & Dawn - Tuneweaving - Tony Orlando & Dawn Series No.2 (CD) CD 1 | ||||
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01 | Freedom For The Stallion | Tony Orlando & Dawn | ||
02 | Jolie | Tony Orlando & Dawn | ||
03 | When We All Sang Along | Tony Orlando & Dawn | ||
04 | Runaway-Happy Together | Tony Orlando & Dawn | ||
05 | Easy Evil | Tony Orlando & Dawn | ||
06 | Tie A Yellow Ribbon Round The Ole Oak Tree | Tony Orlando & Dawn | ||
07 | You're A Lady | Tony Orlando & Dawn | ||
08 | Lazy Susan | Tony Orlando & Dawn | ||
09 | Watch A Clown Break Down | Tony Orlando & Dawn | ||
10 | I Can't Believe How Much I Love You | Tony Orlando & Dawn | ||
11 | I Don't Know You Anymore | Tony Orlando & Dawn | ||
12 | Bonus Tracks:Don't Act Like A Baby | Tony Orlando & Dawn | ||
13 | Vaya Con Dios | Tony Orlando & Dawn | ||
14 | Who Did A Number On Me | Tony Orlando & Dawn | ||
15 | Dance To The Music | Tony Orlando & Dawn | ||
16 | Love The One You're With | Tony Orlando & Dawn | ||
17 | The Spark Of Love Is Kindlin' | Tony Orlando & Dawn |
Tony Orlando,
Tony Orlando, born in New York, on April 3, 1944, first worked as a singer on demonstration discs for Don Kirshner's famous Brill Building music publishing operation. Orlando cut the originals of 'Will You Still Love Me To-morrow' and 'Some Kind Of Wonderful' (hits for the Shirelles and the Drifters) before Kirshner realized his potential as a singer in his own right. He specialized in the perfectly organized pop single and had three hits on Epic during 1961: 'Halfway To Paradise' (a British hit for Billy Fury), 'Bless You' (Top Twenty) and `Happy Times'. As a vocalist, he was one of the first 'blue-eyed soul' singers and the productions — by Kirshner and Al Nevins — were almost symphonic.
But despite the rich strings, Spanish guitars, castanets and girl choruses, it was Orlando that you heard. Hours of practice in acappella groups had helped to perfect a distinctive voice which often outshone the Goffin-King songs he was given. Machine-tooled, market-tested pop can be fine when you hum like Ben E. King. Although the Orlando voice disappeared later in the Sixties, he re-appeared in the next decade with a string of equally successful records with Dawn
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