Tony Orlando & Dawn To Be With You - Tony Orlando & Dawn Series No.6 (CD)

Preview: To Be With You - Tony Orlando & Dawn Series No.6 (CD)

To Be With You - Tony Orlando & Dawn Series No.6 (CD)

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catalog number: CDELEK006
weight in Kg 0.11

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(Rhino) 14 Tracks - Rhino's very rare 'First time on CD'-series. Number 6 presents the reissue of... more

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Tony Orlando & Dawn: To Be With You - Tony Orlando & Dawn Series No.6 (CD)

(Rhino) 14 Tracks - Rhino's very rare 'First time on CD'-series. Number 6 presents the reissue of the original 1976 Elektra album plus 4 bonus solo sides by Orlando! Factory sealed!

Article properties: Tony Orlando & Dawn: To Be With You - Tony Orlando & Dawn Series No.6 (CD)

Interpret: Tony Orlando & Dawn
Album titlle: To Be With You - Tony Orlando & Dawn Series No.6 (CD)
Genre Pop
Label Elektra Records
Artikelart CD
EAN: 0823753730693
weight in Kg 0.11

Orlando, Tony & Dawn - To Be With You - Tony Orlando & Dawn Series No.6 (CD) CD 1
01	Cupid	Tony Orlando & Dawn
02	To Be With You	Tony Orlando & Dawn
03	Caress Me Pretty Music	Tony Orlando & Dawn
04	Selfish One	Tony Orlando & Dawn
05	Happy Man	Tony Orlando & Dawn
06	Midnight Love Affair	Tony Orlando & Dawn
07	Talk To Me	Tony Orlando & Dawn
08	You're All I Need To Get By	Tony Orlando & Dawn
09	Growin' On Me	Tony Orlando & Dawn
10	When The Party's Over	Tony Orlando & Dawn
11	Don't Let Go	Tony Orlando & Dawn
12	I Count The Tears	Tony Orlando & Dawn
13	Bring It On Home To Me	Tony Orlando & Dawn
14	Save The Last Dance For Me	Tony Orlando & Dawn

Tony Orlando, Tony Orlando, born in New York, on April 3, 1944, first worked as a singer... more

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"Tony Orlando & Dawn"

Tony Orlando,

Tony Orlando, born in New York, on April 3, 1944, first worked as a singer on demonstration discs for Don Kirshner's famous Brill Building music publishing operation. Orlando cut the originals of 'Will You Still Love Me To-morrow' and 'Some Kind Of Wonderful' (hits for the Shirelles and the Drifters) before Kirshner realized his potential as a singer in his own right. He specialized in the perfectly organized pop single and had three hits on Epic during 1961: 'Halfway To Paradise' (a British hit for Billy Fury), 'Bless You' (Top Twenty) and `Happy Times'. As a vocalist, he was one of the first 'blue-eyed soul' singers and the productions — by Kirshner and Al Nevins — were almost symphonic.

But despite the rich strings, Spanish guitars, castanets and girl choruses, it was Orlando that you heard. Hours of practice in acappella groups had helped to perfect a distinctive voice which often outshone the Goffin-King songs he was given. Machine-tooled, market-tested pop can be fine when you hum like Ben E. King. Although the Orlando voice disappeared later in the Sixties, he re-appeared in the next decade with a string of equally successful records with Dawn

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