Anthony Newley What Kind Of Fool Am I? (CD)

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catalog number: CD703721
weight in Kg 0.1

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(Armoury Records) 14 tracks more

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Anthony Newley: What Kind Of Fool Am I? (CD)

(Armoury Records) 14 tracks

Article properties: Anthony Newley: What Kind Of Fool Am I? (CD)

Interpret: Anthony Newley
Album titlle: What Kind Of Fool Am I? (CD)
Genre Pop
Artikelart CD
Label Armoury Records
EAN: 5036369703721
weight in Kg 0.1

Newley, Anthony - What Kind Of Fool Am I? (CD) CD 1
01	Autumn	Anthony Newley
02	Bebom	Anthony Newley
03	Centrefold	Anthony Newley
04	Do You Mind?	Anthony Newley
05	Nearly Wonderful	Anthony Newley
06	Rainbows	Anthony Newley
07	Remember	Anthony Newley
08	The Candy Man	Anthony Newley
09	The Way That I Did	Anthony Newley
10	Too Much Woman	Anthony Newley
11	What Kind Of Fool Am I?	Anthony Newley
12	White Boy	Anthony Newley
13	Who Can I Turn To (When Nobody Needs Me)	Anthony Newley
14	Why?	Anthony Newley

Anthony Newley, Anthony Newley, the child actor who became the darling of the Las Vegas... more

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"Anthony Newley"

Anthony Newley,

Anthony Newley, the child actor who became the darling of the Las Vegas night-club circuit, flirted very briefly with rock'n'roll during his transition period. Born in Hackney, London, in 1931, his most famous juvenile role was that of the Artful Dodger in Oliver Twist (1948). In 1959, having successfully bridged the gap to adult parts, he played a con-scripted rock'n'roll singer in the film Idle on Parade and also sang and co-wrote the title song.

An infectious rock number despite the fact that it was primarily intended as parody (note the amount of voice echo) it entered the charts and launched Newley on a recording career. His follow-ups, however, were plaintive ballads (Why?', 'Do You Mind?', `D-Darling' etc.) and three more of these (`Gonna Build A Mountain', 'Once In A Lifetime' and 'What Kind Of Fool Am I?') were the mainstays of Stop the World, I Want to Get Off!, the new-wave stage musical he wrote with Leslie Bricusse in 1961.

The show not only broadened and revitalized the regimented structure of the musical, but also established the public image that Newley maintains today of the dynamic, but tortured, all-round entertainer.

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