Howlin' Wolf Little Red Rooster (LP, 180g Vinyl)

Preview: Little Red Rooster (LP, 180g Vinyl)

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catalog number: LP8002
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(Blues Joint) 18 tracks The "Blues Joint Collection" compiles music from the most famous pillars... more

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Howlin' Wolf: Little Red Rooster (LP, 180g Vinyl)

(Blues Joint) 18 tracks

The "Blues Joint Collection" compiles music from the most famous pillars of the blues, whose works provided the template and inspiration for countless rock artists and later generations of blues masters beginning in the mid-1960s.

Originally released in January 1962, this is one of Howlin' Wolf's most popular LPs. Widely recognized as one of the cornerstones of Chicago blues of all time, it was named the third best guitar album of all time by Mojo magazine in 2004.

The first side of this record features iconic singles like "The Red Rooster" (also known as "Little Red Rosster"). The second side, however, is where Howlin' Wolf really steps into the light, delivering his dynamic and unique voice like never before, with songs like "Back Door Man" and his famous variation of "Spoonful" one of the best blues songs ever recorded.

Article properties: Howlin' Wolf: Little Red Rooster (LP, 180g Vinyl)

Interpret: Howlin' Wolf
Album titlle: Little Red Rooster (LP, 180g Vinyl)
Genre Blues
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Vinyl weight 180g Vinyl
Artikelart LP
Label Blues Joint
EAN: 8436563184628
weight in Kg 0.28

Howlin' Wolf - Little Red Rooster (LP, 180g Vinyl) LP 1
01	Shake For Me	Howlin' Wolf
02	The Red Rooster [Aka Little Red Rooster]	Howlin' Wolf
03	You'll Be Mine	Howlin' Wolf
04	Who's Been Talkin'	Howlin' Wolf
05	Wang-Dang-Doodle	Howlin' Wolf
06	Little Baby	Howlin' Wolf
07	Going Back Home	Howlin' Wolf
08	Tail Dragger	Howlin' Wolf
09	I'm The Wolf	Howlin' Wolf
10	Spoonful	Howlin' Wolf
11	Going Down Slow	Howlin' Wolf
12	Down In The Bottom	Howlin' Wolf
13	Back Door Man	Howlin' Wolf
14	Howlin' For My Baby [Aka Howlin' For My Darling]	Howlin' Wolf
15	Tell Me	Howlin' Wolf
16	I've Been Abused	Howlin' Wolf
17	You Gonna Wreck My Life	Howlin' Wolf
18	Poor Boy	Howlin' Wolf

Howlin' Wolf For a guy who didn't see the inside of a recording studio until he was 40... more

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"Howlin' Wolf"

Howlin' Wolf

For a guy who didn't see the inside of a recording studio until he was 40 years old, Chester Arthur Burnett certainly made up for lost time. Of course, the giant known as Howlin' Wolf possessed the most fearsome, feral vocal cords in the annals of electric postwar blues. His wheezing harmonica was as distinctive as his unbeatable flair for showmanship; he routinely rolled around the stage in simulation of sexual ecstasy or climbed the stage curtains like a deranged madman.

"Wolf was the greatest that I've ever known," says his longtime saxist Eddie Shaw. "Wolf was not only a musician, he was an entertainer. That's what I respected him for."

Born June 10, 1910 in White Station, Mississippi (near West Point), Burnett got his stage moniker from his grandfather (the impressively built lad also answered to Big Foot and Bullcow). His family settled in the Delta in 1923, and the great Charley Patton gave him personal tutelage on guitar in '28. Chester picked up harmonica licks from Rice Miller—Sonny Boy Williamson #2—when the harpist was romancing Wolf's sister. He was playing electric guitar on the streets as early as 1938. After returning from an ill-fated Army stint during World War II, the big man got more serious about his music, landing a daily 15-minute program on KWEM in West Memphis in 1949. Sam Phillips caught one of Wolf's broadcasts and was transfixed.

Phillips brought Wolf into his fledgling Memphis Recording Service in the spring of 1951 for a demo date. Sam shipped the results up north to Chess, which requested a full session in either May or August. Accompanying Wolf was his sledgehammer guitarist Willie Johnson, a product of Lake Cormorant, Mississippi (he was born March 4, 1923) who played pretty ninth chords one second and barbed-wire leads the next. Also on hand were drummer Willie Steele and a pianist. How Many More Years and its eerie plattermate Moanin' At Midnight were cut at that first date, and both pierced the R&B charts on Chess, How Many peaking higher at #4.

Meanwhile, Ike Turner had hipped the Bihari brothers to Wolf's talents and they pacted him to RPM, setting up a session at KWEM that September that yielded Morning At Midnight (Moanin' At Midnight in paper-thin disguise), a How Many More Years variant titled Dog Me Around, and two more titles. "The Modern record company would come in, and we would record the same songs for them and get 25 bucks apiece," said Turner. With Wolf now also on RPM, the feud between Leonard Chess and Modern's Bihari brothers ramped up. The battle was ultimately settled the next year when Modern held on to Memphis pianist Rosco Gordon (another Phillips discovery claimed by both labels) while the Wolf went to Chess. Great as Rosco was, looks like Leonard won that round.

Bill Dahl
Chicago, Illinois

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