John Lee Hooker Alone - Live At Hunter College 1976 (2-LP, 180g Vinyl)
- catalog number: LPBMG4050538870771
- weight in Kg 0.57
John Lee Hooker: Alone - Live At Hunter College 1976 (2-LP, 180g Vinyl)
John Lee Hooker's entire legendary 1976 solo concert, recorded live at New York's Hunter College, is available as a 2-LP set on 180g vinyl. Included are the pristine and revered performances of "Boom Boom," "Crawlin' King Snake" and "One Bourbon, One Scotch, One Beer," along with brand new artwork and liner notes by Kent Cooper. This is the first time both sets will be packaged together on vinyl and released worldwide.
Article properties: John Lee Hooker: Alone - Live At Hunter College 1976 (2-LP, 180g Vinyl)
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Interpret: John Lee Hooker
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Album titlle: Alone - Live At Hunter College 1976 (2-LP, 180g Vinyl)
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Genre Blues
- Geschwindigkeit 33 U/min
- Vinyl record size LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Vinyl weight 180g Vinyl
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Artikelart LP
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Label BMG RIGHTS
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EAN: 4050538870770
- weight in Kg 0.57
| Hooker, John Lee - Alone - Live At Hunter College 1976 (2-LP, 180g Vinyl) LP 1 | ||||
|---|---|---|---|---|
| 01 | I Miss You So | John Lee Hooker | ||
| 02 | Jesse James | John Lee Hooker | ||
| 03 | Dark Room | John Lee Hooker | ||
| 04 | I'll Never Get Out of These Blues Alive | John Lee Hooker | ||
| 05 | Boogie Chillun | John Lee Hooker | ||
| 06 | When My First Wife Left Me | John Lee Hooker | ||
| 07 | Boom Boom | John Lee Hooker | ||
| 08 | One Bourbon, One Scotch, One Beer | John Lee Hooker | ||
| Hooker, John Lee - Alone - Live At Hunter College 1976 (2-LP, 180g Vinyl) LP 2 | ||||
|---|---|---|---|---|
| 01 | Feel Good | John Lee Hooker | ||
| 02 | Some People | John Lee Hooker | ||
| 03 | TB | John Lee Hooker | ||
| 04 | Baby, Please Don't Go | John Lee Hooker | ||
| 05 | M ama Killed A Chicken | John Lee Hooker | ||
| 06 | Hobo | John Lee Hooker | ||
| 07 | Tired Of Being Your Doggie | John Lee Hooker | ||
| 08 | I'll Night Long | John Lee Hooker | ||
| 09 | Crawlin' King Snake | John Lee Hooker | ||
John Lee Hooker
After nomadically label-hopping for the first seven years of his astonishingly prolific recording career, Mississippi Delta émigré John Lee Hooker settled into a relatively exclusive relationship with Chicago’s Vee-Jay Records in 1955. Things had changed dramatically on the R&B front since 1949; no longer would a haunting solo blues piece like the Hook’s Boogie Chillen (it’s on BCD 16921, Disc One) find its way to the top of the charts now that rock 'n' roll had captured the teenage demographic.
Still, there remained a solid southern market for blues, and John Lee was happy to help fill it on Vee-Jay through 1964 (granted, there were dalliances with a number of other labels during that span). His first Vee-Jay date, conducted in Chicago in October of ’55, found him in the company of labelmate Jimmy Reed, guitarist Eddie Taylor (a steadying presence for both Reed and Hooker whenever they entered the studio), bassist George Washington, and drummer Tom Whitehead, who had been playing sessions with the Boogie Man since 1953 and clearly knew the territory.
Reed was absent for Hooker’s Vee-Jay encore session, held March 27, 1956, but the rhythm section remained constant. Among the enduring gems laid down that day was the rollicking Dimples, a standard in John Lee’s repertoire from then on. He’s listed as writing it with Jimmy Bracken, the co-owner of Vee-Jay. Hooker was fretting an electric guitar instead of the acoustic he used on his first Detroit sessions (ironically, he’d have to retrieve it when the folk-blues trend hit).
Hooker’s Vee-Jay stint produced some of the most polished recordings he ever made, thanks to stellar musicianship by Taylor and his comrades, who seemed to cope with Hooker’s erratic timing better than just about anyone else he’d recorded with. At the end of 1958, John Lee would find his way back onto the R&B charts for the first time in more than seven years with I Love You Honey. He scored nationally again in 1960 with No Shoes. But as it turned out, the John Lee Hooker story was just getting underway.
Bill Dahl
Chicago, Illinois
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