Lee Hazlewood It's A Cause And Cure (LP, 180g Vinyl)

Preview: It's A Cause And Cure (LP, 180g Vinyl)

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catalog number: LPLITA132
weight in Kg 0.4

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(2015/Light In The Attic) 13 tracks - Album remastered from the original tapes with bonus... more

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Lee Hazlewood: It's A Cause And Cure (LP, 180g Vinyl)

(2015/Light In The Attic) 13 tracks - Album remastered from the original tapes with bonus tracks. Liner notes by Hunter Lea with exclusive interviews and archive photos. LP comes in a deluxe gatefold Stoughton tip-on jacke. Originally released in 1967

Article properties: Lee Hazlewood: It's A Cause And Cure (LP, 180g Vinyl)

Interpret: Lee Hazlewood
Album titlle: It's A Cause And Cure (LP, 180g Vinyl)
Label LIGHT IN THE ATTIC
Genre Country
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Vinyl weight 180g Vinyl
Edition 2 Deluxe Edition
Artikelart LP
EAN: 0826853013215
weight in Kg 0.4

Hazlewood, Lee - It's A Cause And Cure (LP, 180g Vinyl) LP 1
01	The Girls In Paris	Lee Hazlewood
02	Jose	Lee Hazlewood
03	The Old Man And His Guitar	Lee Hazlewood
04	The Nights	Lee Hazlewood
05	I Am A Part	Lee Hazlewood
06	Home (I'm Home)	Lee Hazlewood
07	After Six	Lee Hazlewood
08	Suzi Jane Is Back In Town	Lee Hazlewood
09	In Our Time	Lee Hazlewood
10	Dark In My Heart	Lee Hazlewood
11	Frenesi	Lee Hazlewood's Woodchucks
12	Muchacho	Lee Hazlewood's Woodchucks
13	Batman	Lee Hazlewood's Woodchucks

Lee Hazelwood Lee Hazelwood, born in 1929 in Mannford, Oklahoma, went to Southern Methodist... more

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"Lee Hazlewood"

Lee Hazelwood

Lee Hazelwood, born in 1929 in Mannford, Oklahoma, went to Southern Methodist University before the Army took him to Korea. On his discharge in 1953, he became one of the most popular deejays in Phoenix, Arizona, where he broadcast C&W music locally. In 1955, he branched out into songwriting and began dabbling in record production after experimenting in his radio studio. His production of 'The Fool', by Sanford Clark, sold 800,000 copies on Dot Records in 1956 and Dot subsequently signed him as a record pro-ducer for a year, but he failed to make another hit. In 1957, he teamed up with entrepreneur Lester Sill and they formed the Jamie label in Philadelphia with a distribu-tor and Dick Clark of Bandstand fame.

Through Bandstand, they launched Duane Eddy with the 'twangy' guitar sound which made him a star. In three and a half years, Hazelwood sold 20 million Duane Eddy records which despite their crass commerciality were the earliest 'sound' productions in rock. In 1961, Hazelwood and Sill formed the Gregmark label which scored with Phil Spector-produced records by the Paris Sisters (Sill and Hazelwood had earlier run two less successful labels called Trey and East-West). They parted company in 1962 and Hazelwood formed an unsuccessful label, Eden.

In 1964, he left the business but the following year, Jimmy Bowen at Reprise asked him to produce the bubblegum trio of Dino, Desi and Billy for whom he pro-duced four consecutive hits. He also began recording Nancy Sinatra at Reprise and established her as a potent chart-force with 'These Boots Are Made For Walkin" and re-corded countrified duets, like 'Jackson', with her. In the late Sixties, be ran his own LHI label in Hollywood but lack of success ended the project.

Always something of a bohemian, Hazelwood — now in semi-retirement — commutes between homes in Sweden, Paris and Los Angeles.

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