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Ramblin' Oakie
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Terry - Leodie Jackson Fell: Ramblin' Oakie

Article properties: Terry - Leodie Jackson Fell: Ramblin' Oakie

Fell, Terry - Leodie Jackson - Ramblin' Oakie CD 1
01 Paper Heart
02 You Don't Want Me Anymore
03 Stop Your Flirting Little Girl
04 Texas A La Mode
05 Ramblin' Oakie
06 Steeling The Blues
07 Please My Darling Think Of Me
08 You're Tearing My Poor Paper Heart
09 That Naggin' Wife Of Mine -1
10 Double Crossing Mama -1
11 Why Should I Feel So Blue
12 I'm Sorry We Have To Part
13 That Naggin' Wife Of Mine -2
14 Double Crossing Mama -2
15 Please Tell Me Why
16 Waiting For A Love Untrue
17 Steel Guitar Melody
18 I Love You Too Much To Care
19 Down And Out Blues
20 Jackson Stomp
21 You Are My Sunshine
22 Will There Still Be A Light In Your Window
23 Guess I'm Better Off With You
24 Snow Deer
25 Napanee
26 Little By Little
27 With Another In Your Heart
28 My Pretty Little Japanese
Terry Fell What's Good For The Goose Terry Fell What's Good For The Goose One of... more
"Terry - Leodie Jackson Fell"

Terry Fell

What's Good For The Goose

Terry Fell

What's Good For The Goose

One of Buck Owens' early champions - and the first person to function as his manager - was musician Terry Fell. Born in Dora, Alabama, Fell left home as a teenager and headed for California. He eventually started performing and recording in the Los Angeles area in the mid-1940s. He signed with the 4-Star label, before moving on to RCA's "X" imprint, where he scored a hit with Don't Drop It in 1954. It was the B-side, Truck Driving Man, that became a honky-tonk staple and was later adopted by Bill Woods as a theme song. Fell produced sessions for Buck in the summer of 1955 that were to be released on "X." 

When the label folded, however, Fell was transferred to RCA proper, and Owens was dropped. The masters were picked up by Pep Records, for whom Buck soon recorded as Corky Jones. With Buck playing guitar, Terry recorded What's Good For the Goose in Bakersfield. It would be his last recording session for RCA. "They called me and said, 'Go ahead and do the session out there,'" Fell recalled years later. "'Do it where you want to, and use who you want to,' so I guess I went a little wild." Recorded at the Tally studio, the driving piano blues, accented with Buck's stabbing guitar licks, leaned further from Fell's country sensibilities than his typical fare.

He was 45 years old at the time, and RCA wasn't interested in his then-contemporary musical explorations. What's Good For The Goose wasn't released.

Various - The Other Side Of Bakersfield Vol.2, (CD)

1950's & 60's Boppers and Rockers from 'Nashville West'

Rea
d more at: https://www.bear-family.de/various-the-other-side-of-bakersfield-vol.2.html

Copyright © Bear Family Records

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