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Fats Domino 'They Call Me The Fat Man' Antoine 'Fats' Domino - The Legendary Imperial Masters (4-CD Box, Cut-Out)

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catalog number: CDS796784

weight in Kg 0,820

$94.26 *
 
 

Fats Domino: 'They Call Me The Fat Man' Antoine 'Fats' Domino - The Legendary Imperial Masters (4-CD Box, Cut-Out)

Video von Fats Domino - 'They Call Me The Fat Man' Antoine 'Fats' Domino - The Legendary Imperial Masters (4-CD Box, Cut-Out)

(1991/EMI) 100 tracks (many first time original stereo), 1950s Imperial masters, US-Longbox with stunning 88 page, 4 color booklet! Cut-out with 2 small holes in barcode (see picture).
Factory sealed stock copy (Bear Family Records).

new stock with small marks in barcode


 

Songs

Fats Domino - 'They Call Me The Fat Man' Antoine 'Fats' Domino - The Legendary Imperial Masters (4-CD Box, Cut-Out) Medium 1
1: The Fat Man  
2: She's My Baby  
3: Little Bee  
4: Boogie Woogie Baby  
5: Hey! Las Bas Boogie  
6: Every Night About This Time  
7: Careless Love  
8: Don't Lie To Me  
9: Goin' Home  
10: Mardi Gras In New Orleans  
11: Goin' To The River  
12: Swanee River Hop  
13: Please Don't Leave me  
14: Domino Stomp  
15: Rose Mary  
16: Where Did You Stay  
17: You Can Pack Your Suitcase  
18: Love Me  
19: I Know  
20: Don't You Know  
21: All By Myself  
22: Ain't It A Shame  
23: La La  
24: Blue Monday  
25: Poor Me  
26: I Can't Go On  
27: I'm In Love Again  
28: Bo Weevil  
29: Don't Blame It On Me  
30: If You Need Me  
31: So Long  
32: My Blue Heaven  
33: Ida Jane  
34: When My Dreamboat Comes Home  
35: What's The Reason I'm Not Pleasing You  
36: Set Me Free  
37: Blueberry Hill  
38: Honey Chile  
39: I'm Walkin'  
40: What Will I Tell My Heart  
41: My Happiness  
42: Don't Decieve Me  
43: The Rooster  
44: Telling Lies  
45: It's You I Love  
46: Valley Of Tears  
47: Wait And See  
48: Sailor Boy  
49: The Big Beat  
50: Little Mary  
51: When I See You  
52: I Still Love You  
53: I Want You To Know  
54: Yes, My Darling  
55: Don't You Know I Love You  
56: Sick And Tired  
57: No, No  
58: I'm Gonna Be A Wheel Some Day  
59: Whole Lotta Loving  
60: Darktown Strutter's Ball  
61: Margie  
62: I Hear You Knocking  
63: Lil' Liza Jane  
64: When The Saints Go Marching In  
65: Country Boy  
66: I'm Ready  
67: I Want To Walk You Home  
68: I've Been Around  
69: Be My Guest  
70: Tell Me That You Love Me  
71: Walking To New Orleans  
72: Don't Come Knocking  
73: La La  
74: Put Your Arms Around Me Honey  
75: Three Nights A Week  
76: Shurah  
77: My Girl Josephine  
78: Natural Born Lover  
79: Ain't Just Like a Woman  
80: It Keeps Raining  
81: What A Price  
82: Fall In Love On Monday  
83: Bad Luck And Trouble  
84: Good Hearted Man  
85: One Night  
86: You Win Again  
87: Let The Four Winds Blow  
88: Your Cheatin' Heart  
89: What A Party  
90: Rockin' Bycicle  
91: Did You Ever See Va Dream Walkin'  
92: Birds And bees  
93: Jambalaya  
94: Do You Know What It Means To Be Miss New Orle  
95: Stop The Clock  
96: My Real Name  
97: Hum Diddy Doo  
98: I Want ToGo Home  
99: Dance With Mr. Domino  
100: Nothing New  

 

Artikeleigenschaften von Fats Domino: 'They Call Me The Fat Man' Antoine 'Fats' Domino - The Legendary Imperial Masters (4-CD Box, Cut-Out)

  • Interpret: Fats Domino

  • Albumtitel: 'They Call Me The Fat Man' Antoine 'Fats' Domino - The Legendary Imperial Masters (4-CD Box, Cut-Out)

  • Format CD
  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Title Antoine 'Fats' Domino - The Legendary Imperial Masters (4-CD Longbox, Cut-Out)
  • Release date 1991
  • Label EMI

  • SubGenre Rock - Rock'n'Roll

  • EAN: 0077779678426

  • weight in Kg 0.820
 
 

Artist description "Domino, Fats"

Fats Domino Obituary


Like the great Louis Armstrong before him, Fats Domino was a perfect ambassador for New Orleans music.

Even at the height of the mid-‘50s rock and roll explosion, when Elvis and Chuck Berry were scaring the bejeezus out of parents with their primal rhythms and suggestive stage antics, Fats was a cherubic presence when seated behind a piano with a sweet smile on his face and a fat horn section by his side. No wonder he was one of the era’s most prolific and universally accepted hitmakers; with trumpeter/bandleader Dave Bartholomew as his co-writer and producer, Domino unleashed an incredible run of hits on Imperial Records that were irresistible to teenagers and their parents alike. Fats always did the Crescent City proud.

Domino, who died at the age of 89 in his beloved home in Harvey, Jefferson Parrish in New Orleans, Louisiana, at night on the 24th of October 2017, had been ailing in recent years after surviving the wrath of Hurricane Katrina in 2005 (he had to be rescued from his Ninth Ward home, which was utterly devastated). But prior to his health woes, Fats never stopped rocking like it was 1957 all over again, always fronting a rollicking band soaked in second-line rhythms and jabbing horns. Domino never seemed like he was just going through the motions; whenever he launched into his raucous set closer When The Saints Go Marching In, it was instant Mardi Gras time.

Antoine Domino

Born February 26, 1928 in the Big Easy, Antoine Domino, Jr. was a shy lad of Creole descent who spoke French before he learned English. Influenced by boogie piano specialists Albert Ammons (whose Swanee River Boogie became one of Domino’s enduring showpieces), Meade Lux Lewis, and Amos Milburn, Fats was given his nickname by bassist Billy Diamond, whose band he played with at the Hideaway Club beginning in 1946. Domino was making a name in his own right by ’49, when he met Bartholomew, who brought Imperial owner Lew Chudd to the Hideaway to check out the promising newcomer. The end result was a record contract that would make immense profits for the label and Domino as it stretched for more than a decade. 

The Fat Man, a cleaned-up adaptation of Champion Jack Dupree’s Junker Blues, was Domino’s Imperial debut and just missed the top of the R&B hit parade in early 1950. Fats achieved R&B stardom long before rock and roll reared its impudent head, scoring major hits with Every Night About This Time (1950), Goin’ Home, Going To The River (both 1952), and Please Don’t Leave Me and Something’s Wrong (both 1953). Everything changed when Domino released the stop-time rocker Ain’t It A Shame in 1955.

Typically a Domino/Bartholomew collaboration, it not only paced the R&B charts but went Top Ten pop despite a Pat Boone cover. Rock and roll was exploding all over, and Fats was one of the rowdy music’s first true heroes. Of course, having a crack band at his behest whenever he ventured into Cosimo Matassa’s studio in the French Quarter sure didn’t hurt. Herbert Hardesty, who was prominently featured with Domino’s band for decades, took the lion’s share of the sax solos on Domino’s hits, with studio stalwart Lee Allen handling the rest.

Domino was a rock and roll superstar

For the rest of the decade, Domino was a rock and roll superstar, thanks to blockbusters that included I’m In Love Again, When My Dreamboat Comes Home, Blueberry Hill (his top seller of all), and Blue Monday in 1956, I’m Walkin’ the next year, Whole Lotta Loving in ’58, I’m Ready, I Want To Walk You Home, and Be My Guest in ’59, and the plaintive Walking To New Orleans and My Girl Josephine at the beginning of the new decade. Domino memorably guested in the rock and roll flicks ‘The Girl Can’t Help It,’ ‘Jamboree,’ and ‘The Big Beat,’ headlined countless package shows that barnstormed the U.S. and helped knock down segregation barriers, starred on network TV programs, and remained singularly free of scandal as he loyally doted on his huge family back home when he wasn’t on the road.

After an amazing run on Imperial (all of his masters for the label are available on Bear Family’s eight-CD boxed set ‘Out of New Orleans’), Domino moved over to the ABC-Paramount label in 1963. But by then, the glory years of New Orleans rock and roll were long in the history books. Domino made more platters for Mercury and Reprise, often recording away from his home base, and toured far and wide as the oldies circuit welcomed him with open arms. Eventually Domino decided to retire from the road altogether, limiting his performances to venues that were close to home.

New Orleans was filled with great performers during the ‘50s, but there was only one Fat Man. Monumentally influential to a generation or two of Louisiana musicians (especially the pioneers of the swamp pop movement), he was the very definition of New Orleans rock and roll—as all the gold records adorning his wall during the pre-Katrina days so eloquently attested.

 --Bill Dahl

Fats Domino Fats Domino - Fats Rocks

Read more at: https://www.bear-family.com/domino-fats-fats-domino-fats-rocks.html
Copyright © Bear Family Records

 
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