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Patsy Cline Sweet Dream - The Complete Decca Studio Masters 1960-63 (2-CD)

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(Hip-O-Select/Geffen) 51 tracks - 6-panel digipac with 24 page booklet. Limited Edition more

Patsy Cline: Sweet Dream - The Complete Decca Studio Masters 1960-63 (2-CD)

(Hip-O-Select/Geffen) 51 tracks - 6-panel digipac with 24 page booklet. Limited Edition

Article properties: Patsy Cline: Sweet Dream - The Complete Decca Studio Masters 1960-63 (2-CD)

  • Interpret: Patsy Cline

  • Album titlle: Sweet Dream - The Complete Decca Studio Masters 1960-63 (2-CD)

  • Genre Country

  • Year of publication 2010
  • Label GEFFEN RECORDS

  • Artikelart CD

  • EAN: 0602527273891

  • weight in Kg 0.12
Cline, Patsy - Sweet Dream - The Complete Decca Studio Masters 1960-63 (2-CD) CD 1
01 I fall to pieces Patsy Cline
02 Shoes Patsy Cline
03 Lovin'in vain Patsy Cline
04 True love Patsy Cline
05 San antonio rose Patsy Cline
06 The wayward wind Patsy Cline
07 A poor man's roses (or a rich man's gold) Patsy Cline
08 Crazy Patsy Cline
09 Who can i count on Patsy Cline
10 Seven lonely days Patsy Cline
11 Love you so much it hurts Patsy Cline
12 Foolin'around Patsy Cline
13 Have you ever been lonely (have you ever been blue) Patsy Cline
14 South of the border (down mexico way) Patsy Cline
15 Walkin' after midnight Patsy Cline
16 Strange Patsy Cline
17 You're stronger than me Patsy Cline
18 She's got you Patsy Cline
19 You made me love you(i didn't want to do it) Patsy Cline
20 You belong to me Patsy Cline
21 Heartaches Patsy Cline
22 Your cheatin'heart Patsy Cline
23 That's my desire Patsy Cline
24 Half as much Patsy Cline
25 Lonely street Patsy Cline
26 Anytime Patsy Cline
Cline, Patsy - Sweet Dream - The Complete Decca Studio Masters 1960-63 (2-CD) CD 2
01 You were only fooling (while i was falling in love) Patsy Cline
02 I can't help it (if i'm falling in love with you) Patsy Cline
03 You're stronger than me Patsy Cline
04 When i get thru with you (you'll love me too) Patsy Cline
05 Imagine that Patsy Cline
06 So wrong Patsy Cline
07 Why can't he be you Patsy Cline
08 Your kinda love Patsy Cline
09 When you need a laugh Patsy Cline
10 Leavin'on your mind Patsy Cline
11 Back in baby's arms Patsy Cline
12 Tra le la le la triangle Patsy Cline
13 That's how heartache begins Patsy Cline
14 Faded love Patsy Cline
15 Someday (you'll want me to want you) Patsy Cline
16 Love letters in the sand Patsy Cline
17 Blue moon of kentucky Patsy Cline
18 Sweet dreams (of you) Patsy Cline
19 Always Patsy Cline
20 Does your heart beat for me Patsy Cline
21 Bill bailey, won't you please come home Patsy Cline
22 He called me baby Patsy Cline
23 Crazy arms Patsy Cline
24 You took him off my hands Patsy Cline
25 I'll sail my ship alone Patsy Cline
Patsy Cline Stop,  Look And Listen  To the general public, Patsy Cline's name... more
"Patsy Cline"

Patsy Cline

Stop,  Look And Listen 

To the general public, Patsy Cline's name and legend will forever be linked to four crossover pop hits and her tragic death in that infamous private plane crash on March 5, 1963. Savvier listeners say her legacy rests on the creamy, flawless ballads she recorded for Decca between November 1960 and February 1963.

But what if a frustrated, disheartened Patsy Cline never recorded another note after her 4-Star contract expired in 1960? Those obsessed with trade charts would tab her as the 'one-hit wonder' who spent a career seeking that elusive follow-up to Walkin' After Midnight. But country and rockabilly collectors would rank her among the era's greatest dynamic female singers, ranking alongside of Charline Arthur, Wanda Jackson, Brenda Lee, Rose Maddox, Janis Martin and Kay Starr.

Sure, the ballads Cline was handed in the studio between 1955 and 1960 were mediocre at best, embarrassing at worst. But her brassy, nicotine-fueled vocals absolutely shine on the uptempo material reissued here. Arguably these recordings – not the lush, later Decca productions that Owen Bradley midwifed – reveal the 'true' Patsy Cline.

Cline's story has been told often, most notably in Margaret Jones' definitive biography 'Patsy: The Life And Times Of Patsy Cline' (HarperCollins, 1994), Ellis Nassour's earlier 'Patsy Cline' (Leisure, 1981), and Paul Kingsbury's notes for a now-deleted MCA box set, 'The Patsy Cline Collection'. In a nutshell, she was born Virginia Patterson Hensley September 8, 1932 in Gore, Tennessee. Encouraged by an older half-sister, she taught herself piano as a child. The family moved to Winchester, Virginia, where she made her radio debut over WINC in 1948. Impressed by her talent, gospel singer Wally Fowler suggested she try out for the Grand Ole Opry, but her young age kept her off the Ryman stage.

She allegedly took the stage name 'Patsy' from WLS singer Patsy Montana, although some claim it was a childhood contraction of her middle name. By  1952 she began singing with Bill Peer's Melody Boys, dressed in a flashy cowgirl outfit sewn by her mother. In March 1953 she married construction worker Gerald Cline, reportedly to ward off Peer's constant advances.

When Washington, DC record producer Lillian Claiborne became her manager in 1954, she arranged for Cline to record about a dozen songs at Ben Adelman's local studio. Adelman had some connections in the music industry. A year earlier he placed Jimmy Dean's Bumming Around with Bill McCall's 4-Star Records, scoring a #5 Billboard country hit.

Impressed by Cline's bold performances, Adelman brought Cline's demos to McCall's Pasadena 4-Star's offices. McCall saw potential in the singer, signing her to a two-year contract in September 1954. The terms were ethically questionable, calling for sixteen releasable sides, paying $50 per master plus a royalty of 2.34 percent of a record's retail price. As biographer Margaret Jones noted, this was less than half [of ?] the going royalty paid by most labels. "That meant if she had a modest hillbilly hit of 25,000, the most she would stand to make after all the standard deductions would be $440," Jones wrote.

Far more ominous was McCall's fine print: "The musical compositions to be recorded shall be mutually agreed on by you and us, and each recording shall be subject to our approval as satisfactory, for manufacture and sale." In a nutshell, Cline could only record material owned and administered by McCall's publishing companies.

McCall's one-year 'option to renew' clause also proved problematic. "When she was broke, she would call McCall and ask for an advance against future royalties," Jones explained. "McCall would give her money but would require an extension on her contract." Cline renewed her contract three times between March 30 and November 29, 1956, tying her to 4-Star into summer 1960.

Dissatisfied with the Adelman tapes, Cohen asked Cline to record a demo session in Decca's New York studios, backed by Peer's Melody Boys. Cline cut four songs at this November 1954 session. How Cohen responded to these now lost tracks is uncertain. Ellis Nassour claims that Cohen wanted to buy Cline's contract outright, but McCall refused his offer. While conceding that this demo session helped secure the Coral contract, Jones says that Cohen was dissatisfied with what he heard.

Believing the singer would be better served by Nashville sidemen, Cohen arranged to have Cline record at Owen Bradley's Film and Recording Studio on June 1, 1955. Although the exact personnel is unknown, musicians on this session are generally believed to be Grady Martin and Harold Bradley, guitars; Tommy Jackson, fiddle; Don Helms, steel; Bob Moore; bass; Farris Coursey, drums; and Owen Bradley on piano. Four songs were recorded, two of them ballads 'co-written' by W.S. Stevenson, actually a Bill McCall pseudonym lifting William Shakespeare's initials and Robert Louis Stevenson's last name. Cline shined on the two upbeat numbers heard here, Turn The Cards Slowly and Honky Tonk Merry-Go-Round. Cline's first two Coral releases showcased the ballads, relegating her livelier songs to the flip sides. Neither single dented the charts.

Meanwhile, Cline's career was on the rise, thanks to her association with Washington, DC-area broadcaster and promoter Connie B. Gay. Cline became a semi-regular on Gay's daily 'Town & Country Time' radio and television shows. In September 1955 she was featured on Gay's 'Town & Country Jamboree,' a live Saturday night extravaganza hosted by Jimmy Dean. By year's end the show emerged as the region's most popular musical showcase, reaching an estimated 500,000 viewers.

In January 1956 Cline returned to Bradley's Nashville studio for her second session. ..

Patsy Cline Stop, Look And Listen - Gonna Shake This Shack Tonight
Read more at: https://www.bear-family.com/cline-patsy-stop-look-and-listen-gonna-shake-this-shack-tonight.html
Copyright © Bear Family Records

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Tracklist
Cline, Patsy - Sweet Dream - The Complete Decca Studio Masters 1960-63 (2-CD) CD 1
01 I fall to pieces
02 Shoes
03 Lovin'in vain
04 True love
05 San antonio rose
06 The wayward wind
07 A poor man's roses (or a rich man's gold)
08 Crazy
09 Who can i count on
10 Seven lonely days
11 Love you so much it hurts
12 Foolin'around
13 Have you ever been lonely (have you ever been blue)
14 South of the border (down mexico way)
15 Walkin' after midnight
16 Strange
17 You're stronger than me
18 She's got you
19 You made me love you(i didn't want to do it)
20 You belong to me
21 Heartaches
22 Your cheatin'heart
23 That's my desire
24 Half as much
25 Lonely street
26 Anytime
Cline, Patsy - Sweet Dream - The Complete Decca Studio Masters 1960-63 (2-CD) CD 2
01 You were only fooling (while i was falling in love)
02 I can't help it (if i'm falling in love with you)
03 You're stronger than me
04 When i get thru with you (you'll love me too)
05 Imagine that
06 So wrong
07 Why can't he be you
08 Your kinda love
09 When you need a laugh
10 Leavin'on your mind
11 Back in baby's arms
12 Tra le la le la triangle
13 That's how heartache begins
14 Faded love
15 Someday (you'll want me to want you)
16 Love letters in the sand
17 Blue moon of kentucky
18 Sweet dreams (of you)
19 Always
20 Does your heart beat for me
21 Bill bailey, won't you please come home
22 He called me baby
23 Crazy arms
24 You took him off my hands
25 I'll sail my ship alone