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Ray Charles Genius Loves Company (2-LP, 180g Vinyl, Ltd.)

Genius Loves Company (2-LP, 180g Vinyl, Ltd.)
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catalog number: LPPA009

weight in Kg 0,600


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$82.47 *

Ray Charles: Genius Loves Company (2-LP, 180g Vinyl, Ltd.)

Video von Ray Charles - Genius Loves Company (2-LP, 180g Vinyl, Ltd.)

(2004/Pure Audiophile) 12 tracks - Pure Audiophile Records, Ltd. is printed on the spine, back cover and each record label. Issued under the exclusive license to Concord Records is printed on both the back cover as well as each record label. Manufactured and Distributed by Pure Audiophile Records, Ltd. is printed on the back cover.


Ray Charles - Genius Loves Company (2-LP, 180g Vinyl, Ltd.) Medium 1
1: Here We Go Again (with Norah Jones)  
2: Sweet Potato Pie (with James Taylor)  
3: You Don't Know Me With (with Diana Krall)  
4: Sorry Seems To Be The Hardest Word (with Elton John)  
5: Fever (with Natalie Cole)  
6: Do I Ever Cross Your Mind (with Bonnie Raitt)  
Ray Charles - Genius Loves Company (2-LP, 180g Vinyl, Ltd.) Medium 2
1: It Was A Very Good Year (with Willie Nelson)  
2: Hey Girl (with Michael McDonald)  
3: Sinner's Prayer (with B.B. King)  
4: Heaven Help Us All (with Gladys Knight)  
5: Over The Rainbow (with Johnny Mathis)  
6: Crazy Love (with Van Morrison)  


Artikeleigenschaften von Ray Charles: Genius Loves Company (2-LP, 180g Vinyl, Ltd.)

  • Interpret: Ray Charles

  • Albumtitel: Genius Loves Company (2-LP, 180g Vinyl, Ltd.)

  • Format LP
  • Genre R&B, Soul

  • Edition 2 Limited Edition
  • Title Genius Loves Company (2-LP, 180g Vinyl, Ltd.)
  • Vinyl size LP (12 Inch)
  • Vinyl weight 180g Vinyl
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Release date 2004
  • Label Pure Audiophile

  • SubGenre R&B Music - Soul

  • EAN: 0187337000009

  • weight in Kg 0.600

Artist description "Charles, Ray"

Ray Charles

Ray Charles

Losing Hand

(Charles Calhoun)

Atlantic 1037


Ray Charles had only recently joined the roster of Atlantic Records when he waxed the mournful blues Losing Hand on May 17, 1953 with a New York session crew consisting of saxists Dave McRae, Freddie Mitchell, and Pinky Williams, bassist Lloyd Trotman, drummer Connie Kay, and guitarist Mickey Baker, whose slippery chords cascade downward like thick, murky molasses. Brother Ray didn't use a guitarist on his subsequent Atlantic sides, making Baker's presence quite unusual (arranger Jesse Stone wrote the song under his alias of Charles Calhoun). Ray had yet to explode with his groundbreaking gospel/blues synthesis, although his impassioned vocal and two-fisted piano offered clues as to his immediate future.

"He still was being recorded in the conventional way, like you'd record almost any single singing artist," said Ray's late co-producer, Jerry Wexler. "We got the backing musicians, we got the arranger Jesse Stone, we rehearsed, and so on."

Born in Albany, Georgia on September 23, 1930 but raised in Greenville, Florida, Ray Charles Robinson lost his sight as a child but gained a love for music—blues, boogie-woogie, jazz, country—that was unshakable. He left the state school for the blind at 15, his piano skills already formidable, and somehow made his way cross-country from Jacksonville, Florida to Seattle. Jack Lauderdale of Swing Time/Down Beat Records brought Charles and his McSon Trio aboard in 1949. His first release was a hit and two more after that too, though his predilection for imitating Nat King Cole and Charles Brown hadn't been tamed yet.

Swing Time was experiencing financial difficulties in 1952, so Lauderdale peddled Charles' contract to Atlantic. There Ray would transform R&B with his daring gospel/blues synthesis on the smashes I've Got A Woman, Hallelujah I Love Her So, and What'd I Say (speaking of advancements in electric instrumentation, he played a Wurlitzer piano on the latter). His sessions were like no other at Atlantic.

"They were exciting, edifying, thrilling," said Wexler. "We're talking about Ray Charles. There were no downers. I mean, there was never anything negative or worrying, because Ray Charles had the whole thing figured out from beginning to end. And so, as would be the case with many other sessions, when there had to be some direction from us because we weren't going anywhere, or some changes to be made, that wasn't the case with Ray."

Of course, Ray's ceaseless musical experiments rendered him a superstar right up to his June 10, 2004 death. No wonder they called him a genius.

- Bill Dahl -
Chicago, Illinois


Electric Blues 1939-2005. - The Definitive Collection!

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