Roy Brown Payday Jump

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catalog number: CDTOP1423
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(2015/Ace/24 tracks). 1949-51- Roy Brown's later DeLuxe recordings, taken from the original... more

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Roy Brown: Payday Jump

(2015/Ace/24 tracks).
1949-51- Roy Brown's later DeLuxe recordings, taken from the original acetatesin their best-ever sound.

Article properties: Roy Brown: Payday Jump

Interpret: Roy Brown
Album titlle: Payday Jump
Genre R&B, Soul
Label Ace Records
Artikelart CD
EAN: 0029667063524
weight in Kg 0.1

Brown, Roy - Payday Jump CD 1
01	Boogie at midnight	Roy Brown
02	The blues got me again	Roy Brown
03	I feel that young man's rhythm	Roy Brown
04	End of my journey	Roy Brown
05	Butcher pete part 1	Roy Brown
06	Butcher pete part 2	Roy Brown
07	Special kind of treatment	Roy Brown
08	Pay day jump (wine, women and song) (take 1)	Roy Brown
09	Cadillac baby	Roy Brown
10	Hard luck blues	Roy Brown
11	New rebecca (take 2)	Roy Brown
12	Sweet peach	Roy Brown
13	Love don't love nobody	Roy Brown
14	Dreaming blues	Roy Brown
15	Good man blues	Roy Brown
16	Too much lovin' ain't no good	Roy Brown
17	China blues	Roy Brown
18	Fanny brown's wedding day	Roy Brown
19	Judgement day blues	Roy Brown
20	remake	Special lesson # 1 (take 3)
21	master)	Rockin' at midnight (take 4
22	master) / remake	Miss fanny brown (take 2
23	remake	Mighty mighty man (take 3)
24	Pay day jump (wine, women and song) (take 2)	Roy Brown

Roy Brown and His Mighty Mighty Men With his huge vocal roar and a band that could melt... more

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"Roy Brown"

Roy Brown and His Mighty Mighty Men

With his huge vocal roar and a band that could melt paint off the walls of any juke joint, Roy Brown anticipated the rise of rock and roll. In fact, he spread the news in 1947 with his epochal Good Rocking Tonight, which he wrote and cut in New Orleans for DeLuxe, though Wynonie Harris' cover was the bigger hit.

B.B. King, Bobby Bland, and Jackie Wilson were all deeply influenced vocally by Roy, whose melismatic flights were direct precursors to soul. Odd, then, that Roy's early idol was Bing Crosby! Born September 10, 1925 in New Orleans, Brown was gigging in Galveston when Good Rocking Tonight came to him. He offered it to Harris, who haughtily turned it down. Pianist Cecil Gant was more impressed, contacting Jules Braun of DeLuxe Records in Linden, New Jersey in Brown's behalf. Braun came down to the Crescent City and supervised as Roy laid down his debut classic at Cosimo Matassa's fledgling J&M Studios. But Wynonie changed his mind and covered Good Rocking Tonight, ending up with an R&B chart-topper.

That kicked off an incredible hitmaking streak for Brown on DeLuxe. His 'Long About Midnight topped the R&B charts in late 1948; Boogie At Midnight nearly did the same in '49, and the harrowing Hard Luck Blues was his second number one hit in 1950. Love Don't Love Nobody made it to #2 R&B in late '50; backed by his own Mighty Mighty Men (trumpeter Wilbur Harden, saxists Johnny Fontennette and Leroy 'Batman' Rankin, pianist Edward Santineo, bassist Ike Isaacs, drummer Calvin Shields, and New Orleans guitarist Edgar Blanchard, a very inventive presence), it's a typically exciting tour de force for its writer.

Brown transferred over to King Records in 1952 and the hits mysteriously ceased, despite the singer releasing some of his most thrilling rockers over the next three years. The singer signed with Imperial in '56, trying to cope with the onslaught of the music he'd boldly predicted nearly a decade earlier. Roy enjoyed a 1957 hit with producer Dave Bartholomew's Let The Four Winds Blow, but the handwriting was on the wall. He occasionally recorded throughout the '60s and mounted something of a comeback over the next decade before a heart attack ended this mighty, mighty man's bid on May 25, 1981 in his adopted hometown of Los Angeles.

Bill Dahl
Chicago, Illinois

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