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James Brown & Various Motherlode (LP, 180g Vinyl)

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  • LPB0029346
  • 0.55
(Universal Music) 13 tracks, gatefold sleeve Motherlode is a classic James Brown compilation... more

James Brown & Various: Motherlode (LP, 180g Vinyl)

(Universal Music) 13 tracks, gatefold sleeve

Motherlode is a classic James Brown compilation album that focuses primarily on his funk recordings from the late 1960s and early 1970s and includes live performances, remixes, and studio recordings.
This is the first vinyl release of the expanded version of “Motherlode” from 2003, a 2-LP set on 180g vinyl in a gatefold sleeve, featuring a number of tracks that have never before been available on LP. Highlights include the live performance of “Say It Loud - I'm Black and I'm Proud,” “I Got Ants in My Pants (and I Want to Dance),” the chart hit “She's the One,” and more.




Article properties: James Brown & Various: Motherlode (LP, 180g Vinyl)

  • Interpret: James Brown & Various

  • Album titlle: Motherlode (LP, 180g Vinyl)

  • Genre R&B, Soul

  • Label Universal Music

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl weight 180g Vinyl
  • Artikelart LP

  • EAN: 0602577163432

  • weight in Kg 0.55
Brown, James - Motherlode (LP, 180g Vinyl) LP 1
01 There It Is James Brown & Various
02 She's The One James Brown & Various
03 Since You've Been Gone James Brown & Various
04 Untitled Instrumental James Brown & Various
05 Say It Loud (Say It Live) James Brown & Various
06 Can I Get Some Help James Brown & Various
07 You Got To Have A Mother For Me James Brown & Various
08 Funk Bomb James Brown & Various
Brown, James - Motherlode (LP, 180g Vinyl) LP 2
01 Baby, Here I Come James Brown & Various
02 People Get Up And Drive Your Funky Soul James Brown & Various
03 I Got Ants In My Pants (And I Want To Dance) James Brown & Various
04 You've Changed James Brown & Various
05 Bodyheat James Brown & Various
James Brown with JB's Always one of soul music‘s leading innovators and by his own... more
"James Brown & Various"

James Brown with JB's

Always one of soul music‘s leading innovators and by his own nomination The Hardest Working Man in Show Business, James Brown had many a brainstorm. One of the lesser-remembered was the three-part single.

Two-siders were commonplace, but JB’s funk-dripping jams often went so long that they were pressed up on singles in three parts: Part 1 as the A-side, the other two squeezed onto side B. Soul Brother Number 1 used the gimmick on his 1970 R&B chart-topper Super Bad, and he brought it back for Soul Power, cut during an all-night session on January 26, 1971 at Rodel Studios in Washington, D.C. (Brown’s organization was hunkered down at Loew‘s Palace Theater there).

Brown’s band had changed drastically since the days of Papa’s Got A Brand New Bag and Cold Sweat. Saxist Maceo Parker, guitarist Jimmy Nolen, and drummer Clyde Stubblefield had all defected. In their place was a crew that featured brothers Phelps ‘Catfish‘ Collins and William ‘Bootsy‘ Collins driving the funk on guitar and bass. They were abetted by a core group of trusted Brown vets: drummer John ‘Jabo‘ Starks, tenor saxist St. Clair Pinckney, Bobby Byrd on organ and spirited responsorial vocals, and trombonist Fred Wesley, who had been gone for a while but returned to the fold to whip the newcomers into shape.

The Godfather of Soul’s legion of fans didn’t even notice all the uproar in James‘ organization. He started 1971 with the #4 R&B seller Get Up, Get Into It, Get Involved (Part 1) prior to the release of Soul Power, which blasted up to #3 R&B and #29 pop that spring (Wesley stepped out for an extended solo on Part 2, taking Maceo’s place as Brown’s instrumental foil). Over the course of the summer, Brown topped the R&B hit parade twice, with Part 1 of Hot Pants (She Got To Use What She Got, To Get What She Wants) (his biggest pop crossover item of the year, maxing out at #15), and Part 1 of Make It Funky.

By spring, the Collins brothers were off Brown’s payroll, itching to do their own thing and ending up with George Clinton’s Parliament-Funkadelic. James plugged in more talented young players and kept on dishing up the funk. Nobody did it better. 

Various Sweet Soul Music 26 Scorching Classics 1971
Read more at: https://www.bear-family.com/various-sweet-soul-music-26-scorching-classics-1971.html
Copyright © Bear Family Records

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