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BLUE MAGIC: Greatest Hits
Article properties: BLUE MAGIC: Greatest Hits
|Blue Magic - Greatest Hits LP 1|
|01||Sideshow||BLUE MAGIC|| |
|02||Stop To||BLUE MAGIC|| |
|03||Welcome To The Club||BLUE MAGIC|| |
|04||What's Come Over Me||BLUE MAGIC|| |
|05||Love Has Found Its Way To ,E||BLUE MAGIC|| |
|06||Spell||BLUE MAGIC|| |
|07||Look Me Up||BLUE MAGIC|| |
|08||Three Ring Circus||BLUE MAGIC|| |
|09||Grateful Part One||BLUE MAGIC|| |
|10||Grateful Part Two||BLUE MAGIC|| |
|11||Summer Show||BLUE MAGIC|| |
|12||Chasing Rainbows||BLUE MAGIC|| |
Philadelphia remained ground zero for sweet-harmonizing vocal groups. Case in point: Blue Magic. Their lead vocalist Ted ‘Wizard’ Mills possessed a falsetto that rivaled that of Russell Thompkins, Jr. of The Stylistics. Like them, Blue Magic specialized in intimate romantic ballads. They had plenty of success doing it.
Mills was fronting a quintet called The Topics when he met Alan Rubens and Steve Bernstein. They financially backed a demo by the group at Philly’s Sigma Sound that was produced by guitarist Norman Harris, moonlighting from his regular gig with MFSB. A demo of Spell, penned by Mills, was good enough to issue on Atco in late ’72, though it came out under the flashier moniker of Blue Magic. It rose to #30 the following spring.
Then the braintrust canned everyone but Ted, bringing in a young group from Northwest Philly formerly called Shades of Love that consisted of tenors Keith Beaton and Vernon Sawyer, Vernon’s brother Wendell on baritone, and bass Richard Pratt to back him. The new lineup debuted on Blue Magic’s Atco encore, Look Me Up (written by Harris and Allan Felder), which went to #36 R&B. Near year’s end, Stop To Start proved their biggest seller yet, stopping at #14 R&B.
Bobby Eli and Vinnie Barrett (aka Gwen Woolfolk) were inspired to write Blue Magic’s only R&B chart-topper by visiting an antique museum featuring circus toys. They got to work on Sideshow, which took several months to complete. Harris loved it and asked to produce and arrange it on Blue Magic. With Harris and Eli on guitar, Ronnie Baker on bass, Earl Young manning the drums, and Ron Kersey on the 88s, Mills wrapped his heavenly high tenor around the lovely ballad at Sigma Sound and ended up with a #1 smash that June that went to #8 pop.
Eli and Barrett stayed under the big top when creating Blue Magic’s encore hit Three Ring Circus, again helmed by Harris at Sigma. It climbed to #5 R&B that autumn, again underscoring Mills’ entrancing balladry. The front man wrote Chasing Rainbows, his group’s top seller of ’75, while Eli and Barrett were behind Blue Magic’s ’76 hit Grateful. Before year’s end, the quintet shifted to the WMOT logo. Pratt left after their ‘81 album for Capitol, so a four-man lineup was responsible for Magic #, Blue Magic’s last hit for Mirage in ‘83. Mills is now magical on his own.
- Bill Dahl -