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Blue Cheer Live At The Anti WAA Festival 1989

Live At The Anti WAA Festival 1989
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  • CD14010013
  • 0.09
(2014/Nibelung) 13 tracks. Attractive cover in LP style , first edition strictly... more

Blue Cheer: Live At The Anti WAA Festival 1989

(2014/Nibelung) 13 tracks.
Attractive cover in LP style, first edition strictly limited to 2000 pieces.
Andrew "Duck" MacDonald - gtrs, Paul Whaley - drums, Dickie Peterson - bass/voc.

Article properties: Blue Cheer: Live At The Anti WAA Festival 1989

  • Interpret: Blue Cheer

  • Album titlle: Live At The Anti WAA Festival 1989

  • Genre Rock

  • Label NIBELUNG RECORDS

  • Artikelart CD

  • EAN: 4000127786036

  • weight in Kg 0.09
Blue Cheer - Live At The Anti WAA Festival 1989 CD 1
01 Intro Announcement Blue Cheer
02 Babylon Blue Cheer
03 Girl Next Door Blue Cheer
04 Parchman Farm Blue Cheer
05 Ride With Me Blue Cheer
06 Second Time Around Blue Cheer
07 Duck Thing Blue Cheer
08 Out Of Focus Blue Cheer
09 Heart Of The City Blue Cheer
10 Red House Blue Cheer
11 Voodoo Chile Intro Blue Cheer
12 Hoochie Coochie Man Blue Cheer
13 Summertime Blues Blue Cheer
Blue Cheer. The early San Francisco bands progressed at a tangent to the influence of British... more
"Blue Cheer"

Blue Cheer. The early San Francisco bands progressed at a tangent to the influence of British power rock bands like Cream and the Jeff Beck Group, but many of their second and third generation outfits were completely overawed by the Britons.

 Accordingly, when Blue Cheer — Paul Whaley, drums (from Sacramento's Oxford Circle), Dick Peterson, bass, lead vocals; and Randy Holden, lead guitar — erupted on the scene with shatteringly loud performances and an excessively overburdened version of 'Summertime Blues' (Philips), a hit in summer 1968, there seemed little to dis-tinguish them from British trios apart from extra volume.

By their second album, Outside inside, Holden had been replaced by Leigh Stevens. It is their most interesting album, noteworthy for Paul Whaley's excellent heavy rock drum technique. Like the Grateful Dead, they abounded in mystique and local legend but failed to project their aura of excitement on to any of their four albums.

 Too inward-looking, they nevertheless possessed a musical identity which in a later group, Grand Funk Railroad, proved to be a vehicle for enormous success.

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