Blue Cheer Live At The Anti WAA Festival 1989

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catalog number: CD14010013
weight in Kg 0.09

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(2014/Nibelung) 13 tracks. Attractive cover in LP style , first edition strictly... more

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Blue Cheer: Live At The Anti WAA Festival 1989

(2014/Nibelung) 13 tracks.
Attractive cover in LP style, first edition strictly limited to 2000 pieces.
Andrew "Duck" MacDonald - gtrs, Paul Whaley - drums, Dickie Peterson - bass/voc.

Article properties: Blue Cheer: Live At The Anti WAA Festival 1989

Interpret: Blue Cheer
Album titlle: Live At The Anti WAA Festival 1989
Genre Rock
Label NIBELUNG RECORDS
Artikelart CD
EAN: 4000127786036
weight in Kg 0.09

Blue Cheer - Live At The Anti WAA Festival 1989 CD 1
01	Intro Announcement	Blue Cheer
02	Babylon	Blue Cheer
03	Girl Next Door	Blue Cheer
04	Parchman Farm	Blue Cheer
05	Ride With Me	Blue Cheer
06	Second Time Around	Blue Cheer
07	Duck Thing	Blue Cheer
08	Out Of Focus	Blue Cheer
09	Heart Of The City	Blue Cheer
10	Red House	Blue Cheer
11	Voodoo Chile Intro	Blue Cheer
12	Hoochie Coochie Man	Blue Cheer
13	Summertime Blues	Blue Cheer

Blue Cheer. The early San Francisco bands progressed at a tangent to the influence of British... more

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"Blue Cheer"

Blue Cheer. The early San Francisco bands progressed at a tangent to the influence of British power rock bands like Cream and the Jeff Beck Group, but many of their second and third generation outfits were completely overawed by the Britons.

Accordingly, when Blue Cheer — Paul Whaley, drums (from Sacramento's Oxford Circle), Dick Peterson, bass, lead vocals; and Randy Holden, lead guitar — erupted on the scene with shatteringly loud performances and an excessively overburdened version of 'Summertime Blues' (Philips), a hit in summer 1968, there seemed little to dis-tinguish them from British trios apart from extra volume.

By their second album, Outside inside, Holden had been replaced by Leigh Stevens. It is their most interesting album, noteworthy for Paul Whaley's excellent heavy rock drum technique. Like the Grateful Dead, they abounded in mystique and local legend but failed to project their aura of excitement on to any of their four albums.

Too inward-looking, they nevertheless possessed a musical identity which in a later group, Grand Funk Railroad, proved to be a vehicle for enormous success.

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