Pressearbeit / Media Deutschland:
Shack Media Promotion Agency
Tom Redecker - Postfach 1627 - 27706 Osterholz-Scharmbeck
Tel.: 04791-980642 - Fax: 04791-980643 info@shackmedia.de  www.shackmedia.de

Automatically scanned from the original press reviews by an OCR software, the text files in our Press Archive may contain errors and mutilations. We will eliminate these errors whenever time allows. We apologize for any inconvenience. 

Pressearbeit / Media Deutschland: Shack Media Promotion Agency Tom Redecker - Postfach 1627 - 27706 Osterholz-Scharmbeck Tel.: 04791-980642 -  Fax:... read more »
Close window
Bear Family Records Press Archive

Pressearbeit / Media Deutschland:
Shack Media Promotion Agency
Tom Redecker - Postfach 1627 - 27706 Osterholz-Scharmbeck
Tel.: 04791-980642 - Fax: 04791-980643 info@shackmedia.de  www.shackmedia.de

Automatically scanned from the original press reviews by an OCR software, the text files in our Press Archive may contain errors and mutilations. We will eliminate these errors whenever time allows. We apologize for any inconvenience. 

Press Archive - Battleground Korea - Songs and Sounds of America’s Forgotten War - Living Blues
VARIOUS ARTISTS Battleground Korea: Songs and Sounds of America's Forgotten War Bear Family Records - BCD1 751 8 The Korean War (1950-53) is often ad-dressed as the "forgotten war" (or "conflict"). largely because of its relatively indecisive end. Following closely after the war to end all wars." it concluded with an armistice that 65 years later remains fraught. demonstrated most recently through "denuclearization" efforts and insult battles that drew upon Elton John hits. Battleground Korea. which collects 121 tracks about the war, reveals that it was hardly "forgotten" during its time, and addresses a wide range of topics on the battlefield and the home front. The set is likewise catholic in drawing from multiple genres—about a quarter of the tracks here are blues/R&B/African American gospel. the majority are from a broad array of country styles, and these are complemented by mainstream pop songs.
Press Archiv - Modern Sound Quintet Otinku (LP, 180g Vinyl) - Mojo
Inspired by The Modern Jazz Quartet, they swapped vibes for steelpans.
The title track, written by I Ghanaian conga player Kofi Ayivor and Barbadian pianist John Roachford, introduces the Modern Sound Quintet's philosophy in just under four minutes of hypnotic percussive rhythm. Blending African tribal beats with calypso, reggae, high life and modern jazz, this is music as possibility and cultural unity.

Recorded in Stockholm in 1971 for EMI Finland, it's historically important, as one of the first records to introduce steelpan to Europe via the band's Trinidadian pannist Rudy Smith. He's behind the captivating originals Sugar Daddy, Ursia and Flamenco Groove. The remaining tracks include covers of Herbie Mann's Memphis Underground, here a furious furore of trap drums and pans, and Miles Davis's Bag's Groove, an experiment in jazz subversion and jarring pan dissonance. Lois Wilson
Press Archive - Various - The Bill Haley Connection (CD) - Mojo
29 Roots And Covers Of Bill Haley & His Comets BEAR FAMILY. CD Entertaining selection of tunes by people Bill covered and those who covered Bill. People sometimes forget, but in 1956 Bill Haley's songs were the sound of revolution. After showings of the film Rock Around The Clock, the Manchester Guardian sniffed that "a youth danced on the roof of a parked car, another performed a 'snake dance' in a dazed, hypnotised fashion." Who wouldn't? Bill had excellent taste in covers: vocal group sides (Burn That Candle by The Cues), R&B belters (Jimmy Preston's Rock The Joint) or Count Basie's 1938 big band workout Stop Beatin' Around The Mulberry Bush.