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Joe Louis Walker Between A Rock And The Blues

Between A Rock And The Blues
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  • 0.107
He's one oft the most-experienced artists on the blues circuit. Walker's a great player with a... more

Joe Louis Walker: Between A Rock And The Blues

He's one oft the most-experienced artists on the blues circuit. Walker's a great player with a trademark vocal style. Duke Robillard has been producing. And I am somewhat disappointed. There are great moments on this CD like the powerful opening track. You'll get some mighty rockers, low ballads, Chicago, Texas, and Westcoast style blues. A pretty chaotic collection of styles and sounds. - Digipak. JOE LOUIS WALKER - gtrs/voc, BRUCE KATZ - pno/org, JESSE WILLIAMS - bass, MARK TEIXEIRA - drums. Special guests: DUKE ROBILLARD - gtr, SUGAR RAY NORCIA - hca, plus horns.

Article properties: Joe Louis Walker: Between A Rock And The Blues

  • Interpret: Joe Louis Walker

  • Album titlle: Between A Rock And The Blues

  • Label DIXIE FROG

  • Genre Blues

  • Artikelart CD

  • EAN: 0794881937622

  • weight in Kg 0.107
Walker, Joe Louis - Between A Rock And The Blues CD 1
01 I'm Tide Joe Louis Walker
02 Eyes Like A Cat Joe Louis Walker
03 Black Widow Spider Joe Louis Walker
04 If There's A Heaven Joe Louis Walker
05 Way To Expensive Joe Louis Walker
06 I've Been Down Joe Louis Walker
07 Prisoner Of Misery Joe Louis Walker
08 Hallways Joe Louis Walker
09 Tell Me Why Joe Louis Walker
10 Blackjack Joe Louis Walker
11 Big Fine Woman Joe Louis Walker
12 Send You Back Joe Louis Walker
Joe Louis Walker HighTone's other major ‘80s electric blues guitar discovery was Joe... more
"Joe Louis Walker"

Joe Louis Walker

HighTone's other major ‘80s electric blues guitar discovery was Joe Louis Walker. Although he couldn't quite muster the same pop crossover response as labelmate Robert Cray, Walker forged his own distinctive sound, beginning with his 1986 debut album ‘Cold Is The Night.'

Walker came into the world Christmas Day of 1949 in San Francisco. He soaked up the city's rich blues scene in his teens, absorbing his guitar lessons at the Matrix Club. "I used to play with the guys that came in. I played with Earl Hooker quite a bit. I sort of jumped onstage with Lightnin' Hopkins once and got kicked off," says Walker. "Freddie King, he let me play his guitar when he'd come to town. Sam, I'd see Magic Sam when he came to town. Hubert Sumlin, I've known Hubert quite a few years. When he was playing with Wolf, he'd come out and play the Fillmore, the Sunday matinees. Of course, Muddy. I was 16, 17."

Walker roomed with Michael Bloomfield in the Bay Area during the late ‘60s, leading to a 1969 Chicago jaunt. "Bloomfield sent me there," says Joe. "Said Otis Rush had a gig, which I didn't get. But just as well, because I wasn't really cut out to be, at that time, a Chicago guy." He didn't copy any of his heroes too closely. "I was told by many people, ‘Joe, don't try to be me, and don't try to be somebody else. Be yourself, because a bad version of you is better than you trying to have a good version of me.' I never was one of those guys to sit down and try to copy B.B. King note for note, or Albert King, or Freddy King. I enjoy the hell out of ‘em, but I figure if I'm gonna do this here, I might as well do it and put my own stamp on it."

Walker got away from the blues for an extended time, studying music at San Francisco State University and singing gospel with the Spiritual Corinthians. But a 1985 European tour as a member of the Mississippi Delta Blues Band got him back in harness, and when he returned to San Francisco, Walker formed his band, the Boss Talkers. He sent a demo tape to HighTone bosses Bruce Bromberg and Larry Sloven, and they brought him aboard the label. "He came to us, and he was a local artist to us," says Bromberg. "And we went up to see him. So we went for it."

Bromberg and Dennis Walker, the same pair that produced Cray at HighTone, also supervised ‘Cold Is The Night.' Its brooding, intense title track made a perfect introduction to Walker's haunting attack. The Boss Talkers (keyboardist Kevin Zuffi, drummer Steve Griffith, and bassist Eric Ajaye replacing Henry Oden on this track only) were stark and tasty throughout the LP, cut in Los Angeles.

Like the champion boxer of the same name, Walker kept on punching at HighTone with ‘The Gift' (1988), ‘Blue Soul' (1989), and two volumes of ‘Live At Slim's' in the early ‘90s before moving over to better-bankrolled PolyGram for a half-dozen discs later in the decade. His rough-edged vocals strike just the right balance with his electrifying fretwork, and he's highly adept on slide as well as single-string soloing.

Walker knows what his fans expect. "Basically, if I make a Joe Louis Walker record, it's not like ‘Joe Louis Walker plays this or that.' They're gonna like the record because of what I try to do," he says. "I think that people will enjoy it. I hope they do. If they don't, I always like to say, ‘It ain't my first record. It won't be my last!'"

 

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!

Electric Blues 1939-2005. - The Definitive Collection!

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Tracklist
Walker, Joe Louis - Between A Rock And The Blues CD 1
01 I'm Tide
02 Eyes Like A Cat
03 Black Widow Spider
04 If There's A Heaven
05 Way To Expensive
06 I've Been Down
07 Prisoner Of Misery
08 Hallways
09 Tell Me Why
10 Blackjack
11 Big Fine Woman
12 Send You Back