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Achim Reichel Blues In Blond (LP, 12inch Maxi Single, 180g Vinyl)

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  • LPBMG35970
  • 0.45
(BMG) 15 tracks Achim Reichels Blues In Blond von 1981 erscheint nun erstmalig als 180... more

Achim Reichel: Blues In Blond (LP, 12inch Maxi Single, 180g Vinyl)

(BMG) 15 tracks

Achim Reichels Blues In Blond von 1981 erscheint nun erstmalig als 180 Gramm-Vinyl-Pressung.
Zum Originalalbum wird es eine ebenfalls 180g schwere Bonus 12-Inch geben, mit der bekannten Liveversion von Der Spieler und drei weitere rare Stücke. Als eines der vier bedeutendsten Alben des Urvaters aller deutscher Rockmusik erscheinen neben Blues In Blond in einem vierteiligen Vinyl Re-Release die Alben Regenballade (1978), Melancholie Und Sturmflut (1991) und erstmalig auch Wilde Wassermann Balladen & Mythen (2001) auf Vinyl.
Von Krautrock-Studiomeister Eroc (Grobschnitt) neu für den Plattenspieler abgemischt, gibt es die lange Zeit nicht auf Vinyl erhältlich gewesenen Platten nun in bester Soundqualität.

Blues In Blond ist Achim Reichels erstes Album, das in Kollektivarbeit mit Jörg Fauser entstand.
Fauser schrieb die Texte, wobei beide gemeinsam dafür die Themen festlegten, und Reichel komponierte die Musik und produzierte das Album.
Der Song Der Spieler ist ein Beispiel des gemeinsamen Verständnisses und der Verbundenheit zwischen den beiden Künstlern.
Gegen alle Erwartungen entwickelte sich Der Spieler zum Super-Hit und obwohl mit 5: 30 min überhaupt nicht radiotauglich, brachte er eine Einladung in die ZDF-Hitparade und erlangte Goldstatus.
Heute hat der Song längst Evergreen-Status und ist laut Rolling Stone mit Reichels unvergesslichen Gitarren-Riff, Percussion-Einsatz und Todes-Beat, einer der besten deutschen Songs aller Zeiten.

Article properties: Achim Reichel: Blues In Blond (LP, 12inch Maxi Single, 180g Vinyl)

  • Interpret: Achim Reichel

  • Album titlle: Blues In Blond (LP, 12inch Maxi Single, 180g Vinyl)

  • Label BMG

  • Genre Folk

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl weight 180g Vinyl
  • Edition 2 Deluxe Edition
  • Artikelart LP

  • EAN: 4050538535976

  • weight in Kg 0.45
Reichel, Achim - Blues In Blond (LP, 12inch Maxi Single, 180g Vinyl) LP 1
01 Der Spieler Achim Reichel
02 Ich Hab Von Dir Geträumt Achim Reichel
03 Mama Stadt Achim Reichel
04 Eckenliegerblues Achim Reichel
05 Der Schatten An Der Wand Achim Reichel
06 In Einer Fremden Stadt Achim Reichel
07 Kettchen Am Fuß Achim Reichel
08 Komm In Die Falle, Marie Achim Reichel
09 Apokalypso Ball Achim Reichel
10 Die Stärkste Sonne Sieht Man Nicht Achim Reichel
11 Blues In Blond Achim Reichel
Reichel, Achim - Blues In Blond (LP, 12inch Maxi Single, 180g Vinyl) LP 2
01 Das Atoll Achim Reichel
02 Im Ghetto Achim Reichel
03 Der Spieler Live Achim Reichel
04 Der Midsommernachtstanz Achim Reichel
Achim Reichel Bridge between German versculture and rock music Let's forget at this point... more
"Achim Reichel"

Achim Reichel

Bridge between German versculture and rock music

Let's forget at this point that Achim Reichel started his career in 1962 in the 'Star-Club' with the Rattles, probably the most successful German beat band. Instead, this is about Reichel's search for the roots of German culture. Poetry and music' is an old theme for Achim Reichel. Born in St. Pauli in 1944 as the son of a sailor, the artist began building a bridge between German versculture and rock music more than 25 years ago. At first he became a mentor of the group Ougenweide and fell for old German lyrics and melodies. After 'Dat Shanty-Alb'm' (1976) and 'Klabautermann' (1977) with classical sailor songs, Achim Reichel then set about working on German poetry in his own way. In 1978 he set to music texts by Theodor Fontane (Herr von Ribbeck auf Ribbeck im Havelland), Christian Morgenstern, Joachim Ringelnatz and Johann Wolfgang von Goethe (Der Zauberlehrling). With his album 'Regenballade' Reichel didn't only get praise. "At that time, however, I still had to let myself be looked at in a weird way," he remembers. "According to the motto, 'May we do such music to our poets?'" Nevertheless, the record became a real long runner for Reichel.

But the decisive moment for the Hamburg musician to deal with old German lyrics came after he had read Detlev von Liliencron's 'Pidder Lüng': "I really thought: What, something like that can also be poetry? That's interesting. That's a language that's so direct and frontal ... and so hits the twelve. There is so nothing with poetic paraphrase and what the poet is talking about here and so ... that is simply straightforward and linguistically brilliant all around. That's when I got interested in old ballads. In the old days at school we used to have these things just knocked around our ears to learn them by heart. And if you could say that somehow without hurrying, then you got a good grade, but you didn't really know what you were saying. The ollen Ribbeck, we actually had to learn him somehow earlier, also 'John Maynard'" ('Folker!', issue 2/2004).

After his excursions into the world of contemporary poetry (including Jörg Fauser, Kiev Stingl, Jürgen Theobaldy) with albums such as 'Ungeschminkt', 'Blues in Blond' and 'Nachtexpress', Reichel has twice again picked up on old ballads in recent years. Four years ago this was continued on the CD 'Wilder Wassermann' with texts by Heine, Mörike, Storm and Goethe, among others, to whom he gave a fashionable musical dress - the English fiddler Peter Sage and the multi-instrumentalist Frank Wulff from old Ougenweide days contributed to this. Wulff and Sage are also back at the Hamburg musician's latest attempt to find fresh access to the almost inexhaustible supply of German songs, the album 'Volxlieder' released at the end of 2006.
www.achim-reichel.de


Extract from
Various - songwriter in Germany
Vol.1, For whom we sing (3-CD)
/various-songwriter-in-Germany-vol.1-for-who-who-we-sing-3-cd.html

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