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Professor Longhair No Buts No Maybes

catalog number: CD263379

weight in Kg 0,107

 

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Professor Longhair: No Buts No Maybes

(1949-57) (72:12/28)
 

Songs

Professor Longhair - No Buts No Maybes CD 1
1: Rockin' With Fess
2: In The Night
3: Look What You're Doin' To Me
4: No Buts, No Maybes
5: Looka No Hair
6: Ball The Wall
7: Tipitina
8: Between the Night And Day
9: Misery
10: Baby Let Me Hold Your Hand
11: Mardi Gras In New Orleans
12: Hey Now Baby
13: Her Mind Is Gone
14: She Walks Right In
15: Oh Well
16: East St. Louis Baby
17: Hadacol Bounce
18: Gone So Long
19: Curley Haired Baby
20: Bald head
21: Been Foolin' Around
22: Between The Night And Day (alt. take)
23: Her Mind Is Gone
24: Boogie Woogie
25: Who's Been Foolin' You
26: Hey Now Baby
27: Walk Your Blues Away
28: Baby Let Me Hold Your Hand (alt. take)

 

Artikeleigenschaften von Professor Longhair: No Buts No Maybes

  • Interpret: Professor Longhair

  • Albumtitel: No Buts No Maybes

  • Format CD
  • Genre R&B, Soul

  • Music Genre R&B / Soul
  • Music Style New Orleans Blues / R&B
  • Music Sub-Genre 932 New Orleans Blues / R&B
  • Title No Buts No Maybes
  • Label HOODOO

  • SubGenre R&B Music - General

  • EAN: 8436028696321

  • weight in Kg 0.107
 
 

Artist description "Professor Longhair"

Professor Longhair, next to Fats Domino, must rank as New Orleans' most influential musician. Born Henry Roeland Byrd in Bogalusa, Louisiana, on Dec. 18, 1918, his family moved to New Orleans when he was still a child.

He soon picked up the wonderfully diverse styles of the old pianists who used to play the clubs and clip joints, and moulded them into his unique way of playing, with Spanish and rhumba accents predominating. He made his first record in 1949 for Star Talent as Professor Longhair and the Shuffling Hungarians and in 1950 'Bald Head' on Mercury was his one and only record to dent the R&B charts. Records for Atlantic, Federal, Wasco, Ebb, Rip and Watch flopped badly although his 1959 Ron recording of 'Go To The Mardi Gras' still sells well every year at New Orleans' annual blow-out.

He was out of work for much of the Sixties, but there has been a welcome revival of interest in his music of late, which has led to many live appearances and a visit to Europe.

 
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