Trini Lopez Trini Lopez At P.J.s (1963) 180g Vinyl - Limited Edition
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- catalog number:LPEX44069
- weight in Kg 0.48
Trini Lopez: Trini Lopez At P.J.s (1963) 180g Vinyl - Limited Edition
"TRINI AT PJ'S STANDS THE TEST OF TIME...Wonderful songs, brilliantly performed."
With the release of this album in April 1963 Trini Lopez became one of the biggest singing stars of the Folk Revival. "Trini Lopez at PJ's" made it to #2 on the Billboard charts and stayed in the Top 40 for over a year. The album included the chart-topping "If I Had a Hammer" which reached number one in 36 countries and was a radio favorite for many years. The hit single sold more than 4 million copies and the album sold over a million and was awarded a gold record.
This was the album that made Lopez an instant success and the live party-a-go-go atmosphere of the record did much to put Trini's likable energy over the top. What he did, at the head of a trio with Mickey Jones on drums and Dick Brant on bass, was to make folk-pop swing. Other songs include "This Land Is Your Land," and "Gotta Travel On." It could be surmised that by treating such material in this fashion, Lopez had a tiny influence upon the subsequent folk-rock movement...Though, Lopez was more the all-around entertainer with a Latin lilt than he was a pure folk singer, so you also get "America" (from West Side Story), "La Bamba," Ray Charles' "What'd I Say," "Volare," and "When the Saints Go Marching In."
He scored thirteen chart singles through 1968 and became one of the country's top nightclub performers of that era.
Article properties:Trini Lopez: Trini Lopez At P.J.s (1963) 180g Vinyl - Limited Edition
Interpret: Trini Lopez
Album titlle: Trini Lopez At P.J.s (1963) 180g Vinyl - Limited Edition
Genre Pop
- Geschwindigkeit 33 U/min
- Vinyl record size LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Vinyl weight 180g Vinyl
Label EXHIBIT RECORDS
Artikelart LP
EAN: 0780014406912
- weight in Kg 0.48
Lopez, Trini - Trini Lopez At P.J.s (1963) 180g Vinyl - Limited Edition LP 1 | ||||
---|---|---|---|---|
01 | A-me-ri-ca | Trini Lopez | ||
02 | If I Had a Hammer | Trini Lopez | ||
03 | Bye Bye Blackbird | Trini Lopez | ||
04 | Cielito Lindo | Trini Lopez | ||
05 | This Land Is Your Land | Trini Lopez | ||
06 | What'd I Say | Trini Lopez | ||
07 | La Bamba | Trini Lopez | ||
08 | Granada | Trini Lopez | ||
09 | Medley: Gotta Travel On-Down by the Riverside-Marianne-When the Saints Go Marching In- Volare | Trini Lopez | ||
10 | Unchain My Heart | Trini Lopez |
Trini Lopez
Trini Lopez was born Trinidad López III on May 15, 1937 in Dallas, Texas. His father, Trinidad López II, worked as an actor and singer and taught him how to play the guitar while Trini was growing up in poverty with four sisters and a brother. He attended Dallas Elementary School and later N.R. Cro- zier Technical High School which he soon had to quit for work as his family needed financial support. After working as a busker on Dallas’ streets for a time, Lopez formed his own band and started to play clubs in Texas and New Mexico. At a gig in Wichita Falls, Trini met deejay Snuff Garrett, who introduced Trini to Buddy Holly. Through Holly, Trini met Hol- ly’s producer Norman Petty, which resulted only in a jam ses- sion at Petty’s Clovis studio (a dispute between Trini and his band at Petty’s studio resulted in Lopez not waxing any vo- cals; the band adopted the name of The Big Beats and cut several 45s for Columbia).
Trini started to write and perform his own songs, which came to the attention of John F. Sheffield, who was looking for artists he could record on his brand new label Volk Records, which he had established in June of ’58. He found Lopez and his band in a Dallas nightclub. Volk 101, The Right To Rock b/w Just Once More, was issued in August of 1958 and was the first release for both, artist and label. Sheffield worked hard to promote the record, managing to get a pop record review in the September 1, 1958 issue of ‘Billboard’ maga- zine. This attracted the interest of King Records in Cincinnati, Ohio; its owner Syd Nathan offered Lopez a three-year re- cording contract. Trini’s first King release came in January 1959.
Although Lopez made a slew of recordings for King, he didn’t score a hit and left when his contract ran out. Popular music was changing by then, and Trini Lopez started to concentrate on his folk music roots. Lopez signed a con- tract with Reprise Records in early 1963. It didn’t take long for Trini Lopez to sail up the charts with the help of producer Don Costa; his revival of Pete Seeger and Lee Hays’ If I Had A Hammer soared to #3 on ‘Billboard’s’ Hot 100 during the summer of 1963. Lopez placed thirteen Hot 100 hits in ‘Bill- board’ between 1963 and 1968. His LP ‘Trini Lopez at PJ’s’ went all the way to #2 on ‘Billboard’s’ pop album charts and became his best selling album. Lopez’s long stint with Re- prise Records lasted until 1970. Trini Lopez soon wanted a second string to his bow. He started acting in movie and TV roles, and his mentor was singer, actor, and founder of Reprise Records, Frank Sinatra. Lopez...
Marc Mittelacher in August 2020
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