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Al Kooper Easy Does It - NYC - A Possible Projetion (2-CD)

Easy Does It - NYC - A Possible Projetion (2-CD)
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Al Kooper: Easy Does It - NYC - A Possible Projetion (2-CD)

Article properties: Al Kooper: Easy Does It - NYC - A Possible Projetion (2-CD)

  • Interpret: Al Kooper

  • Album titlle: Easy Does It - NYC - A Possible Projetion (2-CD)

  • Label RAVEN

  • Genre Beat

  • Artikelart CD

  • EAN: 9398800031821

  • weight in Kg 0.12
Kooper, Al - Easy Does It - NYC - A Possible Projetion (2-CD) CD 1
01 Brand New Day Al Kooper
02 Piano Solo Introduction Al Kooper
03 I Got A Woman Al Kooper
04 Country Road Al Kooper
05 I Bought You The Shoes (You're Walking Away I Al Kooper
06 Introduction Al Kooper
07 Easy Does It Al Kooper
08 Buckskin Boy Al Kooper
09 Love Theme From 'The Landlord' Al Kooper
10 Sad, Sad Sunshine Al Kooper
11 Let The Duchess No Al Kooper
12 She Gets Me Where I Live Al Kooper
13 A Rose And A Baby Ruth Al Kooper
14 Please, Don't Go Al Kooper
15 God Sheds is Grace On Thee Al Kooper
16 New York City (You're A Woman) Al Kooper
17 John The Baptist (Holy John) Al Kooper
18 Can You Hear It Now (500 Miles) Al Kooper
Kooper, Al - Easy Does It - NYC - A Possible Projetion (2-CD) CD 2
01 The Ballad Of The Hard Rock Kid Al Kooper
02 Going Quietly Mad Al Kooper
03 Medley: Oo Wee Baby, I Love You/Love Is A Man Al Kooper
04 Back On My Feet Al Kooper
05 Come Down In Time Al Kooper
06 Dearest Darling Al Kooper
07 Nightmare #5 Al Kooper
08 The Warning (Someone's On The Cross Again) Al Kooper
09 A Possible Projection Of The Future Al Kooper
10 The Man In Me Al Kooper
11 Fly On Al Kooper
12 Please Tell Me Why Al Kooper
13 The Monkey Time Al Kooper
14 Let Your Love Shine Al Kooper
15 Swept For You Baby Al Kooper
16 Bended Knees (Please Don't Leave Me Now) Al Kooper
17 Love Trap Al Kooper
18 Childhood's End Al Kooper
Al Kooper. Few musicians have had a more chequered or more fascinating career than Al Kooper... more
"Al Kooper"

Al Kooper. Few musicians have had a more chequered or more fascinating career than Al Kooper born in New York in 1943. At 13 he was a member of the Royal Teens who had a Top Ten hit with the novelty 'Short Shorts' on ABC in 1958. At 19, with a reputation as a session guitarist, he quit college to work as an apprentice engineer in a recording studio before teaming up with songwriters Bob Brass and Irvine Levine. Despite a No. 1 with `This Diamond Ring' for Gary Lewis and the Playboys in 1965, Kooper didn't enjoy Tin Pan Alley life and spent his time between session work gigging round the folk clubs.

Then Tom Wilson invited Kooper to a session by Bob Dylan. Kooper was determined to play on the session, but Mike Bloomfield was there to play guitar so Kooper muscled in to play organ. He didn't know the first thing about the instrument but felt his way through the take. Dylan was impressed by the amateurish squeezed organ sound and the take was used on the record, 'Like A Rolling Stone'. Kooper later joined Dylan at the famous 1965 Newport Folk Festival electric set before completing the Highway 61 album. His association with both Dylan and Mike Bloomfield stood Kooper in good stead in the future.

In 1966, through Wilson, Kooper came to join the Blues Project. He played on three albums by the group, the two live ones and the studio Projections, until friction with gui-tarist Danny Kalb caused him to leave both the group and New York. In L.A., he gigged around, and unveiled future Blood, Sweat and Tears songs at the Big Sur Folk Festival in 1967. Back in New York Kooper put together a temporary band to play a week at the Café A Go Go in order to fund a trip to England. It was these musicians who became the nucleus for BS and T. However, after the remarkable Child Is Father To The Man album he found the band slipping away into an alien direction and left them to start work with Columbia as a producer. Filling in studio time, he started another trend (which, like jazz rock, was later to get out of hand) by recording an album with Mike Bloomfield and Steve Stills (fresh from Buffalo Springfield) which became Supersession (1968).

Its spectacular success led to a series of live concerts with Mike Bloomfield again captured on the, for the most part excessive album, The Live Adventures Of Al Kooper And Mike Bloomfield (1969). In the Seventies, Kooper released a series of usually weak solo albums of which only Easy Does It and New York City Y ou're A Woman do him any real credit. The latter was mostly recorded in England with members of Elton John's Band. A man never afraid to speak his mind and never the darling of the critics, Kooper's involvement with great pro-jects and seminal schemes singles him out as someone special. Currently he is living in Atlanta, having set up the Sounds Of The South label.

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