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The Isley Brothers Motown Anthology (2-CD)

Motown Anthology (2-CD)
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  • CD5321498
  • 0.12
(2009/UNIVERSAL) 52 original mono masters with 12 page booklet. Essential! more

The Isley Brothers: Motown Anthology (2-CD)

(2009/UNIVERSAL) 52 original mono masters with 12 page booklet. Essential!

Article properties: The Isley Brothers: Motown Anthology (2-CD)

  • Interpret: The Isley Brothers

  • Album titlle: Motown Anthology (2-CD)

  • Label UNIVERSAL

  • Genre R&B, Soul

  • Year of publication 2009
  • Artikelart CD

  • EAN: 0600753214985

  • weight in Kg 0.12
Isley Brothers, The - Motown Anthology (2-CD) CD 1
01 Nowhere To Run
02 Stop! In The Name Of Love
03 This Old Heart Of Mine (Is Weak For You)
04 Take Some Time Out For Love
05 I Guess I'll Always Love You
06 Baby Don't You Do It
07 Who Could Ever Doubt My Love
08 Put Yourself In My Place
09 I Hear A Symphonie
10 Just Ain't Enough Love
11 There's No Love Left
12 Seek And You Shall Find
13 Got To Have You Back
14 That's The Way Love Is
15 Whispers (Gettin Louder)
16 Tell Me It's Just A Rumor (Baby)
17 One To Many Heartaches
18 It's Out Of The Question
19 Why When Love Is Gone
20 Save Me From This Misery
21 Little Miss Sweetness
22 Good Things
23 Catching Up On Time
24 Behind A Painted Smile
25 Take Me In Your Arms (Rock Me A Little While)
26 All Because I Love You
Isley Brothers, The - Motown Anthology (2-CD) CD 2
01 Ain't That Real Satisfaction
02 It Moves Me To Tears
03 What Becomes Of The Brokenhearted (Smile)
04 Greeting (This Is Uncle Sam)
05 Leaving Here
06 How Sweet It Is (To Be Loved By You)
07 A Weakspot In My Heart
08 You've Got To Much To Shout About
09 Trouble
10 Nevermore
11 No Good Without You
12 My Love Is Your Love (Forever)
13 Born To Love You
14 Sad Souvenirs
15 Share A Little Love With Me (Somebody)
16 I Can't Help It (I Love You)
17 I Can't Go On Sharing Your Love
18 This Old Heart Of Mine (Is Weak For You)
19 I Guess I'll Always Love You
20 Tell Me It's Just A Rumor (Baby)
21 I guess I'll Always Love You
22 My Love Is Your Love (Forever)
23 Greetings (This Is Uncle Sam)
24 Take Me In Your Arms (Rock Me A Little While)
25 All Because I Love You
The Isley Brothers Rudolph (born on April 1, 1939), Ronald (May 21, 1941) and O'Kelly (Dec.... more
"The Isley Brothers"

The Isley Brothers

Rudolph (born on April 1, 1939), Ronald (May 21, 1941) and O'Kelly (Dec. 25, 1937) survived twenty years of musical changes, scoring definitive hits in each era along the way, to emerge as one of the most innova-tive black groups of the Seventies. Raised in Cincinnati, Ohio, the brothers moved to New York in 1957 where they recorded mediocre doo-wop /rock'n'roll sides for Teenage, and George Goldner's Cindy, Mark X, and Gone labels be-fore signing with RCA.

Produced by Hugo and Luigi, their driving gospel style enlivened a weak selection of pop materi-al, but was best displayed by 'Shout' (1959), an exciting adap-tation of the climax to their wild stage act which has since become a rock classic. They next worked with writer/ producers Leiber and Stoller (Atlantic, 1961-62) and Bert Berns (Wand, 1962-63; UA, 1963-64) who tried unsuccessfully to fit their raw sound into a commercial package, although it was Berns who gave them 'Twist And Shout' (1962), a one-take, end-of-session dance riff that became their first Top Twenty pop hit, later immortalized by the Beatles. Forming their own production company, T-Neck, in 1964-65 they cut several memorable sides (including the rousing 'Testify' and dramatic ballad 'The Last Girl') fea-turing their young guitarist, Jimi Hendrix, before joining Tamla the following year.

After hitting with some typically slick corporation pro-duct (the Top Twenty 'This Old Heart Of Mine' and 'I Guess I'll Always Love You', for example, in 1966) the trio were relegated to second-rate material and quit to revive T-Neck in 1969. From their first release, the million-selling 'It's Your Thing', they projected a new heavy image and soon began using two younger brothers (Ernie, on guitar, and Marvin, on bass) and Chris Jasper (keyboards) to create 'progressive' hits that anticipated modern trends in black music and brought them to the attention of wider audiences.

By the early Seventies they were interpreting songs by Steve Stills (the Top Twenty hit 'Love The One You're With', 1971) and Dylan May Lady Lay', 1971) and including Hendrix's trau-matic 'Machine Gun' in their act. In 1973, they crystallized all their influences and ideas in the highly acclaimed 3+3 album, which included the million-selling 'That Lady'. Subsequent releases in a similar style (Live It Up, The Heat Is On) have kept them in the forefront of black music.

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