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Lightnin' Hopkins Lightnin' - The Blues Of Lightnin' Hopkins (LP, 180g Vinyl)

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  • LPAPRJ1019
  • 0.4
(2015/Analogue Productions) 10 tracks - Reproduction of the original 1962 album! Remastered from... more

Lightnin' Hopkins: Lightnin' - The Blues Of Lightnin' Hopkins (LP, 180g Vinyl)

(2015/Analogue Productions) 10 tracks - Reproduction of the original 1962 album! Remastered from the origibnal analogue tapes

Article properties: Lightnin' Hopkins: Lightnin' - The Blues Of Lightnin' Hopkins (LP, 180g Vinyl)

  • Interpret: Lightnin' Hopkins

  • Album titlle: Lightnin' - The Blues Of Lightnin' Hopkins (LP, 180g Vinyl)

  • Genre Blues

  • Label ANALOGUE PRODUCTION

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl weight 180g Vinyl
  • Artikelart LP

  • EAN: 0753088101939

  • weight in Kg 0.4
Hopkins, Lightnin' - Lightnin' - The Blues Of Lightnin' Hopkins (LP, 180g Vinyl) LP 1
01 Automobile Blues Lightnin' Hopkins
02 You Better Watch Yourself Lightnin' Hopkins
03 Mean Old Frisco Lightnin' Hopkins
04 Shinin' Moon Lightnin' Hopkins
05 Come Back Baby Lightnin' Hopkins
06 Thinkin' 'Bout An Old Friend Lightnin' Hopkins
07 The Walkin' Blues Lightnin' Hopkins
08 Back To new Orleans Lightnin' Hopkins
09 Katie Mae Lightnin' Hopkins
10 Down There Baby Lightnin' Hopkins
Lightnin' Hopkins Lightnin' Hopkins is many people's idea of what a blues-singer should be... more
"Lightnin' Hopkins"

Lightnin' Hopkins

Lightnin' Hopkins is many people's idea of what a blues-singer should be : an endlessly inventive folk-poet, whose imagination is touched by almost everything but whose sing-ing and playing express nothing but the blues. And this, despite nearly 30 years of performing and recording, and all the pressures that might have made him something else, he unswervingly has been. But he has not, outside his own com-munity, been very obviously influential on either American or British rock; his blues, sung by others, are not self-sustaining, as many of the Chicagoans' are.

 

His early recordings, in the Forties and Fifties, were characterised by thunderous amplification - as any number of reissues demonstrate - but his first ventures into a different market, with acoustic guitar, compensate in subtlety for what they lose in force (e.g. the Folkways and some Bluesville albums). Later sessions placed him with accompanying groups, rarely successfully, though his album for Jewel is an exception.

Through all these records he balances slow blues with vivid boogies, occasionally leaving his guitar to essay an idiosyncratic piano style. Born in Centerville, Texas, in 1912, he spent most of his life in Houston, and his refusal to extract himself from that milieu is the chief reason for his undiminished authenticity as an observer, through the blues, of black life.

PLUG IT IN! TURN IT UP!
Electric Blues 1939-2005. - The Definitive Collection!

 

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