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Lightnin' Hopkins Last Night Blues

Last Night Blues
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(1960 'Bluesville') (36:51/08) LIGHTNIN' HOPKINS - gtr/voc, SONNY TERRY - hca/voc, LEONARD... more

Lightnin' Hopkins: Last Night Blues

(1960 'Bluesville') (36:51/08) LIGHTNIN' HOPKINS - gtr/voc, SONNY TERRY - hca/voc, LEONARD GASKIN - bass, BELTON EVANS - drums.

Article properties: Lightnin' Hopkins: Last Night Blues

Hopkins, Lightnin' - Last Night Blues CD 1
01 Rocky Mountain Lightnin' Hopkins
02 Got To Move Your Baby Lightnin' Hopkins
03 So Sorry To Leave You Lightnin' Hopkins
04 Take A Trip With Me Lightnin' Hopkins
05 Last Night Blues Lightnin' Hopkins
06 Lightnin's Stroke Lightnin' Hopkins
07 Hard To Love A Woman Lightnin' Hopkins
08 Conversation Blues Lightnin' Hopkins
Lightnin' Hopkins Lightnin' Hopkins is many people's idea of what a blues-singer should be... more
"Lightnin' Hopkins"

Lightnin' Hopkins

Lightnin' Hopkins is many people's idea of what a blues-singer should be : an endlessly inventive folk-poet, whose imagination is touched by almost everything but whose sing-ing and playing express nothing but the blues. And this, despite nearly 30 years of performing and recording, and all the pressures that might have made him something else, he unswervingly has been. But he has not, outside his own com-munity, been very obviously influential on either American or British rock; his blues, sung by others, are not self-sustaining, as many of the Chicagoans' are.

 

His early recordings, in the Forties and Fifties, were characterised by thunderous amplification - as any number of reissues demonstrate - but his first ventures into a different market, with acoustic guitar, compensate in subtlety for what they lose in force (e.g. the Folkways and some Bluesville albums). Later sessions placed him with accompanying groups, rarely successfully, though his album for Jewel is an exception.

Through all these records he balances slow blues with vivid boogies, occasionally leaving his guitar to essay an idiosyncratic piano style. Born in Centerville, Texas, in 1912, he spent most of his life in Houston, and his refusal to extract himself from that milieu is the chief reason for his undiminished authenticity as an observer, through the blues, of black life.

PLUG IT IN! TURN IT UP!
Electric Blues 1939-2005. - The Definitive Collection!

 

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