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Lightnin' Hopkins Blues Master Works (180g) (2-LP,1-CD)

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(2013/Delta Blues) 27 tracks. Incl. download code. more

Lightnin' Hopkins: Blues Master Works (180g) (2-LP,1-CD)

(2013/Delta Blues) 27 tracks. Incl. download code.

Article properties: Lightnin' Hopkins: Blues Master Works (180g) (2-LP,1-CD)

  • Interpret: Lightnin' Hopkins

  • Album titlle: Blues Master Works (180g) (2-LP,1-CD)

  • Genre Blues

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Vinyl weight 180g Vinyl
  • Label DELTA BLUES

  • Artikelart LP

  • EAN: 5024952630028

  • weight in Kg 0.6
Hopkins, Lightnin' - Blues Master Works (180g) (2-LP,1-CD) LP 1
01 Katie Mae blues Lightnin' Hopkins
02 That mean old twister Lightnin' Hopkins
03 Can't get that woman off my mind Lightnin' Hopkins
04 Miss me blues Lightnin' Hopkins
05 Come back baby Lightnin' Hopkins
06 Traveller's blues Lightnin' Hopkins
07 Sugar mama Lightnin' Hopkins
08 Howling wolf blues Lightnin' Hopkins
09 Baby child Lightnin' Hopkins
10 See see rider Lightnin' Hopkins
11 Whiskey headed woman Lightnin' Hopkins
12 Shotgun Lightnin' Hopkins
13 Lightning blues Lightnin' Hopkins
Hopkins, Lightnin' - Blues Master Works (180g) (2-LP,1-CD) LP 2
01 Airplane blues Lightnin' Hopkins
02 T' model blues Lightnin' Hopkins
03 Tryin' to find a friend Lightnin' Hopkins
04 Fast life Lightnin' Hopkins
05 European blues Lightnin' Hopkins
06 Automobile blues Lightnin' Hopkins
07 Henny penny blues Lightnin' Hopkins
08 Whiskey blues Lightnin' Hopkins
09 Penitentiary blues Lightnin' Hopkins
10 All I got is gone Lightnin' Hopkins
11 Praying ground blues Lightnin' Hopkins
12 Freight train blues Lightnin' Hopkins
13 Nothin' but the blues Lightnin' Hopkins
14 Sittin' here thinkin' Lightnin' Hopkins
Lightnin' Hopkins Lightnin' Hopkins is many people's idea of what a blues-singer should be... more
"Lightnin' Hopkins"

Lightnin' Hopkins

Lightnin' Hopkins is many people's idea of what a blues-singer should be : an endlessly inventive folk-poet, whose imagination is touched by almost everything but whose sing-ing and playing express nothing but the blues. And this, despite nearly 30 years of performing and recording, and all the pressures that might have made him something else, he unswervingly has been. But he has not, outside his own com-munity, been very obviously influential on either American or British rock; his blues, sung by others, are not self-sustaining, as many of the Chicagoans' are.

 

His early recordings, in the Forties and Fifties, were characterised by thunderous amplification - as any number of reissues demonstrate - but his first ventures into a different market, with acoustic guitar, compensate in subtlety for what they lose in force (e.g. the Folkways and some Bluesville albums). Later sessions placed him with accompanying groups, rarely successfully, though his album for Jewel is an exception.

Through all these records he balances slow blues with vivid boogies, occasionally leaving his guitar to essay an idiosyncratic piano style. Born in Centerville, Texas, in 1912, he spent most of his life in Houston, and his refusal to extract himself from that milieu is the chief reason for his undiminished authenticity as an observer, through the blues, of black life.

PLUG IT IN! TURN IT UP!
Electric Blues 1939-2005. - The Definitive Collection!

 

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