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Lightnin' Hopkins Blues Master Works (180g) (2-LP,1-CD)

Blues Master Works (180g) (2-LP,1-CD)
Please inform me as soon as the product is available again.

catalog number: LPDB002

weight in Kg 0,600


Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (if available from supplier)

$38.88 *

Lightnin' Hopkins: Blues Master Works (180g) (2-LP,1-CD)

(2013/Delta Blues) 27 tracks. Incl. download code.

(2013/Delta Blues) 27 tracks.



Lightnin' Hopkins - Blues Master Works (180g) (2-LP,1-CD) Medium 1
1: Katie Mae blues  
2: That mean old twister  
3: Can't get that woman off my mind  
4: Miss me blues  
5: Come back baby  
6: Traveller's blues  
7: Sugar mama  
8: Howling wolf blues  
9: Baby child  
10: See see rider  
11: Whiskey headed woman  
12: Shotgun  
13: Lightning blues  
Lightnin' Hopkins - Blues Master Works (180g) (2-LP,1-CD) Medium 2
1: Airplane blues  
2: T' model blues  
3: Tryin' to find a friend  
4: Fast life  
5: European blues  
6: Automobile blues  
7: Henny penny blues  
8: Whiskey blues  
9: Penitentiary blues  
10: All I got is gone  
11: Praying ground blues  
12: Freight train blues  
13: Nothin' but the blues  
14: Sittin' here thinkin'  


Artikeleigenschaften von Lightnin' Hopkins: Blues Master Works (180g) (2-LP,1-CD)

  • Interpret: Lightnin' Hopkins

  • Albumtitel: Blues Master Works (180g) (2-LP,1-CD)

  • Format LP
  • Genre Blues

  • Title Blues Master Works (180g) (2-LP,1-CD)
  • Vinyl size LP (12 Inch)
  • Vinyl weight 180g Vinyl
  • Speed / RPM 33 U/min
  • Release date 2013

  • SubGenre Blues - General

  • EAN: 5024952630028

  • weight in Kg 0.600

Artist description "Hopkins, Lightnin'"

Lightnin' Hopkins

Lightnin' Hopkins is many people's idea of what a blues-singer should be : an endlessly inventive folk-poet, whose imagination is touched by almost everything but whose sing-ing and playing express nothing but the blues. And this, despite nearly 30 years of performing and recording, and all the pressures that might have made him something else, he unswervingly has been. But he has not, outside his own com-munity, been very obviously influential on either American or British rock; his blues, sung by others, are not self-sustaining, as many of the Chicagoans' are.


His early recordings, in the Forties and Fifties, were characterised by thunderous amplification - as any number of reissues demonstrate - but his first ventures into a different market, with acoustic guitar, compensate in subtlety for what they lose in force (e.g. the Folkways and some Bluesville albums). Later sessions placed him with accompanying groups, rarely successfully, though his album for Jewel is an exception.

Through all these records he balances slow blues with vivid boogies, occasionally leaving his guitar to essay an idiosyncratic piano style. Born in Centerville, Texas, in 1912, he spent most of his life in Houston, and his refusal to extract himself from that milieu is the chief reason for his undiminished authenticity as an observer, through the blues, of black life.

Electric Blues 1939-2005. - The Definitive Collection!


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