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John Lee Hooker From Detroit To Chicago

From Detroit To Chicago
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  • CD5321223
  • 0.1
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Superb compilation,recordings originally made for Modern, J-V-B, and Vee Jay. Excellent...more

John Lee Hooker: From Detroit To Chicago

Superb compilation,recordings originally made for Modern, J-V-B, and Vee Jay. Excellent mastering! - Digipak w/ booklet.

Article properties:John Lee Hooker: From Detroit To Chicago

  • Interpret: John Lee Hooker

  • Album titlle: From Detroit To Chicago

  • Label UNIVERSAL

  • Genre Blues

  • Artikelart CD

  • EAN: 0600753212233

  • weight in Kg 0.1
Hooker, John Lee - From Detroit To Chicago CD 1
01Shake, Holler & RunJohn Lee Hooker
02Taxi DriverJohn Lee Hooker
03I'm ReadyJohn Lee Hooker
04Hug And Squeeze YouJohn Lee Hooker
05Boogie RamblerJohn Lee Hooker
06No More Doggin'John Lee Hooker
07Unfriendly WomanJohn Lee Hooker
08Mambo ChillunJohn Lee Hooker
09Time Is MarchingJohn Lee Hooker
10I'm So Worried BabyJohn Lee Hooker
11Baby LeeJohn Lee Hooker
12DimplesJohn Lee Hooker
13Every NightJohn Lee Hooker
14The Road Is So RoughJohn Lee Hooker
15Troubled BluesJohn Lee Hooker
16I'm So ExcitedJohn Lee Hooker
17I See You When You're WeakJohn Lee Hooker
18Little WheelJohn Lee Hooker
19Rosie MaeJohn Lee Hooker
20You Can Lead My BabyJohn Lee Hooker
21I Love You, HoneyJohn Lee Hooker
22You've Taken My WomanJohn Lee Hooker
John Lee Hooker After nomadically label-hopping for the first seven years of his... more
"John Lee Hooker"

John Lee Hooker

After nomadically label-hopping for the first seven years of his astonishingly prolific recording career, Mississippi Delta émigré John Lee Hooker settled into a relatively exclusive relationship with Chicago’s Vee-Jay Records in 1955. Things had changed dramatically on the R&B front since 1949; no longer would a haunting solo blues piece like the Hook’s Boogie Chillen (it’s on BCD 16921, Disc One) find its way to the top of the charts now that rock 'n' roll had captured the teenage demographic.

Still, there remained a solid southern market for blues, and John Lee was happy to help fill it on Vee-Jay through 1964 (granted, there were dalliances with a number of other labels during that span). His first Vee-Jay date, conducted in Chicago in October of ’55, found him in the company of labelmate Jimmy Reed, guitarist Eddie Taylor (a steadying presence for both Reed and Hooker whenever they entered the studio), bassist George Washington, and drummer Tom Whitehead, who had been playing sessions with the Boogie Man since 1953 and clearly knew the territory.

Reed was absent for Hooker’s Vee-Jay encore session, held March 27, 1956, but the rhythm section remained constant. Among the enduring gems laid down that day was the rollicking Dimples, a standard in John Lee’s repertoire from then on. He’s listed as writing it with Jimmy Bracken, the co-owner of Vee-Jay. Hooker was fretting an electric guitar instead of the acoustic he used on his first Detroit sessions (ironically, he’d have to retrieve it when the folk-blues trend hit).

Hooker’s Vee-Jay stint produced some of the most polished recordings he ever made, thanks to stellar musicianship by Taylor and his comrades, who seemed to cope with Hooker’s erratic timing better than just about anyone else he’d recorded with. At the end of 1958, John Lee would find his way back onto the R&B charts for the first time in more than seven years with I Love You Honey. He scored nationally again in 1960 with No Shoes. But as it turned out, the John Lee Hooker story was just getting underway.

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!
Electric Blues 1939-2005. - The Definitive Collection!

 

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