HART, Beth & JOE BONAMASSA Seesaw (LP, 180g colored Vinyl)
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- catalog number:LPPRD741412
- weight in Kg 0.31
HART, Beth & JOE BONAMASSA: Seesaw (LP, 180g colored Vinyl)
Their first album together, "Don't Explain", charted directly at number 17 in Germany last year - and now blues singer Beth Hart and guitar god Joe Bonamassa present the long-awaited follow-up: "Seesaw".
Beth's raw and powerful blues rock voice envelops the classic soul covers played by Bonamassa and his first-class band, with whom he already toured to sold-out houses in 2013 and climbed straight to number 10 in the Media Control charts with the album "An Acoustic Evening At The Vienna Opera House".
"Beth's voice is very reminiscent of Janis Joplin and Etta James," says producer Kevin Shirley. "These songs allowed her to showcase her voice and her inner self like never before. She did a fantastic job!"
Joe and Beth's tour paths have crossed many times and they have often played the same European festivals. In the spring of 2010, Joe finally saw one of Beth's shows in London and immediately suggested a project together. Shortly afterwards, they released "Don't Explain".
Two years later, the follow-up "Seesaw" is now being released with eleven new tracks. It contains covers of Billie Holiday ("Them There Eyes"), Melody Gardot ("If I Tell You I Love You"), Etta James ("A Sunday Kind Of Love") and, of course, the title track "Seesaw" by soul legend Aretha Franklin.
Article properties:HART, Beth & JOE BONAMASSA: Seesaw (LP, 180g colored Vinyl)
Interpret: HART, Beth & JOE BONAMASSA
Album titlle: Seesaw (LP, 180g colored Vinyl)
Genre Blues
Label J&R ADVENTURES
- Geschwindigkeit 33 U/min
- Vinyl record size LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
Artikelart LP
EAN: 8712725748014
- weight in Kg 0.31
| Hart, Beth - Seesaw (LP, 180g colored Vinyl) LP 1 | ||||
|---|---|---|---|---|
| 01 | Them There Eyes | Beth Hart & Joe Bonamassa | ||
| 02 | Close To My Fire | Beth Hart & Joe Bonamassa | ||
| 03 | Nutbush City Limits | Beth Hart & Joe Bonamassa | ||
| 04 | If I Tell You I Love You | Beth Hart & Joe Bonamassa | ||
| 05 | Rhymes | Beth Hart & Joe Bonamassa | ||
| 06 | Can't Let Go | Beth Hart & Joe Bonamassa | ||
| 07 | Miss Lady | Beth Hart & Joe Bonamassa | ||
| 08 | I Love You More Than You'll Ever Know | Beth Hart & Joe Bonamassa | ||
| 09 | A Sunday Kind Of Love | Beth Hart & Joe Bonamassa | ||
| 10 | Seesaw | Beth Hart & Joe Bonamassa | ||
| 11 | Strange Fruit | Beth Hart & Joe Bonamassa | ||
Beth Hart is on fire. Right now, the Grammy-nominated singer/songwriter is riding a creative tidal wave, firing out acclaimed albums, hooking up with the biggest names in music and rocking the house each night with that celebrated burnt-honey voice. In 2016, the headline news is Beth’s latest album, Fire On The Floor, a release that even this fiercely self-critical artist describes as “pretty frickin’ good.” But let’s not forget the backstory that brought her here…
The Blues Magazine once dubbed Beth Hart “the ultimate female rock star”, and there’s no doubt that her two-decade career is the ultimate thrill-ride. Born in Los Angeles, she released a fistful of hit albums through the ’90s, then reignited in the post-millennium as both a solo artist and the head-turning vocalist for guitar heroes like Joe Bonamassa, Jeff Beck and Slash. “Extraordinary,” wrote The Times of her once-a-generation voice box, while The Guardian praised her “daring, brooding and angry” performances.
But it’s in recent times that Beth has truly blossomed. In April 2015, she released Better Than Home, a critical and commercial smash that topped the iTunes Blues Chart and was crowned #4 Best Blues Album Of The Year by Mojo magazine. The release also reached #1 in the Dutch charts and helped Beth to fill Amsterdam’s Heineken Music Hall with 5,500 fans (her largest club show to date). “Oh, that was so good, man,” she reflects. “I love Holland. They’ve been really good to me.”
The US market has embraced her, too, with Beth packing ever-larger venues in major cities on the Better Than Home tour – including Nashville’s iconic Ryman Auditorium – and receiving a nomination from the American Blues Foundation in the category of Contemporary Blues Female Artist. “It’s unbelievable,” she admits. “This last tour, we were playing much bigger houses than I’d ever played in the States – and they were sold-out.”
Meanwhile, on the other side of the pond, Beth’s rocketing UK profile has never been higher. Recent years have seen auspicious headline sets at the Royal Albert Hall and the Barbican (not to mention the historic Hampton Court Palace with Joe Bonamassa), and in December 2015, she chalked up another first with a spot on Jools Holland’s legendary annual Hootenanny.
Bringing in the New Year with a soulful take on Tell Her You Belong To Me and Nutbush City Limits alongside long-time collaborator Jeff Beck, it spoke volumes that the pair’s performance rapidly became the Hootenanny’s most-watched clip on the BBC’s official YouTube channel (even overtaking heavyweights like Tom Jones and Paul Weller). “Every time Jeff performs, he just kills it,” gushes Beth, who also joins the veteran guitarist for her first-ever appearance at the Hollywood Bowl this year. “To me, he’s the greatest ever.”

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