Bob Dylan The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (3LP + 2CD, 180g Vinyl. Limited Edition)
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- catalog number:LPSNY512443
- weight in Kg 1.9
Bob Dylan: The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (3LP + 2CD, 180g Vinyl. Limited Edition)
Article properties:Bob Dylan: The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (3LP + 2CD, 180g Vinyl. Limited Edition)
Interpret: Bob Dylan
Album titlle: The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (3LP + 2CD, 180g Vinyl. Limited Edition)
Label Sony
Genre Folk
- Geschwindigkeit 33 U/min
- Vinyl record size LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Vinyl weight 180g Vinyl
- Edition 2 Deluxe Edition
Artikelart LP
EAN: 0888751244313
- weight in Kg 1.9
| Dylan, Bob - The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (3LP + 2CD, 180g Vinyl. Limited Edition) LP 1 | ||||
|---|---|---|---|---|
| 01 | Love Minus Zero No Limit (Take 2, Acoustic) 3:09 | Bob Dylan | ||
| 02 | I'll Keep It with Mine (Take 1, Piano Demo) 4:10 | Bob Dylan | ||
| 03 | Bob Dylan's 115th Dream (Take 1 & 2, Solo Acoustic) 6:14 | Bob Dylan | ||
| 04 | She Belongs to Me (Take 1, Solo Acoustic) 2:56 | Bob Dylan | ||
| 05 | Subterranean Homesick Blues (Take 1, Alternate Take) 2:37 | Bob Dylan | ||
| 06 | Outlaw Blues (Take 2, Alternate Take) 3:28 | Bob Dylan | ||
| 07 | On the Road Again (Take 4, Alternate Take) 2:30 | Bob Dylan | ||
| 08 | Farewell, Angelina (Take 1, Solo Acoustic) 5:26 | Bob Dylan | ||
| 09 | If You Gotta Go, Go Now (Take 2, Alternate Take) 2:48 | Bob Dylan | ||
| 10 | You Don't Have to Do That (Take 1, Solo Acoustic) 0:49 | Bob Dylan | ||
| 11 | California (Take 1, Solo Acoustic) 3:04 | Bob Dylan | ||
| 12 | Mr Tambourine Man (Take 3 with Band, Incomplete) 3:22 | Bob Dylan | ||
| 13 | It Takes a Lot to Laugh, It Takes a Train to Cry (Take 8, Alternate Take) 3:28 | Bob Dylan | ||
| 14 | Sitting on a Barbed Wire Fence (Take 2) 3:58 | Bob Dylan | ||
| 15 | Medicine Sunday (Take 1) 1:00 | Bob Dylan | ||
| Dylan, Bob - The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (3LP + 2CD, 180g Vinyl. Limited Edition) LP 2 | ||||
|---|---|---|---|---|
| 01 | Like a Rolling Stone (Take 5, Rehearsal (Edited)) 1:43 | Bob Dylan | ||
| 02 | Like a Rolling Stone (Take 11, Alternate Take) 5:55 | Bob Dylan | ||
| 03 | Desolation Row (Take 2, Piano Demo) 1:59 | Bob Dylan | ||
| 04 | Desolation Row (Take 1, Alternate Take) 11:16 | Bob Dylan | ||
| 05 | Tombstone Blues (Take 1, Alternate Take) 7:29 | Bob Dylan | ||
| 06 | Positively 4th Street (Take 5, Alternate Take) 4:22 | Bob Dylan | ||
| 07 | Can You Please Crawl Out Your Window (Take 1, Alternate Take (Edited)) 4:03 | Bob Dylan | ||
| 08 | Just Like Tom Thumb's Blues (Take 3, Rehearsal) 5:37 | Bob Dylan | ||
| 09 | Highway 61 Revisited (Take 3, Alternate Take) 3:28 | Bob Dylan | ||
| Dylan, Bob - The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (3LP + 2CD, 180g Vinyl. Limited Edition) LP 3 | ||||
|---|---|---|---|---|
| 01 | Queen Jane Approximately (Take 5, Alternate Take) 6:01 | Bob Dylan | ||
| 02 | Visions of Johanna (Take 5, Rehearsal) 7:39 | Bob Dylan | ||
| 03 | She's Your Lover Now (Take 6, Rehearsal) 4:56 | Bob Dylan | ||
| 04 | Lunatic Princess (Take 1) 1:18 | Bob Dylan | ||
| 05 | Leopard-Skin Pill-Box Hat (Take 8, Alternate Take) 3:26 | Bob Dylan | ||
| 06 | One of Us Must Know (Sooner or Later) (Take 19, Alternate Take) 5:09 | Bob Dylan | ||
| 07 | Stuck Inside of Mobile with the Memphis Blues Again (Take 13, Alternate Take) 4:01 | Bob Dylan | ||
| 08 | Absolutely Sweet Marie (Take 1, Alternate Take) 5:04 | Bob Dylan | ||
| 09 | Just Like a Woman (Take 4, Alternate Take) 5:18 | Bob Dylan | ||
| 10 | Pledging My Time (Take 1, Alternate Take) 3:21 | Bob Dylan | ||
| 11 | I Want You (Take 4, Alternate Take) 2:51 | Bob Dylan | ||
| 12 | Highway 61 Revisited (Take 7, False ) 0:32 | Bob Dylan | ||
| Dylan, Bob - The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (3LP + 2CD, 180g Vinyl. Limited Edition) LP 4 | ||||
|---|---|---|---|---|
| 01 | Love Minus Zero No Limit (Take 2, Acoustic) 3:09 | Bob Dylan | ||
| 02 | I'll Keep It with Mine (Take 1, Piano Demo) 4:10 | Bob Dylan | ||
| 03 | Bob Dylan's 115th Dream (Take 1 & 2, Solo Acoustic) 6:14 | Bob Dylan | ||
| 04 | She Belongs to Me (Take 1, Solo Acoustic) 2:56 | Bob Dylan | ||
| 05 | Subterranean Homesick Blues (Take 1, Alternate Take) 2:37 | Bob Dylan | ||
| 06 | Outlaw Blues (Take 2, Alternate Take) 3:28 | Bob Dylan | ||
| 07 | On the Road Again (Take 4, Alternate Take) 2:30 | Bob Dylan | ||
| 08 | Farewell, Angelina (Take 1, Solo Acoustic) 5:26 | Bob Dylan | ||
| 09 | If You Gotta Go, Go Now (Take 2, Alternate Take) 2:48 | Bob Dylan | ||
| 10 | You Don't Have to Do That (Take 1, Solo Acoustic) 0:49 | Bob Dylan | ||
| 11 | California (Take 1, Solo Acoustic) 3:04 | Bob Dylan | ||
| 12 | Mr Tambourine Man (Take 3 with Band, Incomplete) 3:22 | Bob Dylan | ||
| 13 | It Takes a Lot to Laugh, It Takes a Train to Cry (Take 8, Alternate Take) 3:28 | Bob Dylan | ||
| 14 | Like a Rolling Stone (Take 5, Rehearsal (Edited)) 1:43 | Bob Dylan | ||
| 15 | Like a Rolling Stone (Take 11, Alternate Take) 5:55 | Bob Dylan | ||
| 16 | Sitting on a Barbed Wire Fence (Take 2) 3:58 | Bob Dylan | ||
| 17 | Medicine Sunday (Take 1) 1:00 | Bob Dylan | ||
| 18 | Desolation Row (Take 2, Piano Demo) 1:59 | Bob Dylan | ||
| 19 | Desolation Row (Take 1, Alternate Take) 11:16 | Bob Dylan | ||
| Dylan, Bob - The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (3LP + 2CD, 180g Vinyl. Limited Edition) LP 5 | ||||
|---|---|---|---|---|
| 01 | Tombstone Blues (Take 1, Alternate Take) 7:29 | Bob Dylan | ||
| 02 | Positively 4th Street (Take 5, Alternate Take) 4:22 | Bob Dylan | ||
| 03 | Can You Please Crawl Out Your Window (Take 1, Alternate Take (Edited)) 4:03 | Bob Dylan | ||
| 04 | Just Like Tom Thumb's Blues (Take 3, Rehearsal) 5:37 | Bob Dylan | ||
| 05 | Highway 61 Revisited (Take 3, Alternate Take) 3:28 | Bob Dylan | ||
| 06 | Queen Jane Approximately (Take 5, Alternate Take) 6:01 | Bob Dylan | ||
| 07 | Visions of Johanna (Take 5, Rehearsal) 7:39 | Bob Dylan | ||
| 08 | She's Your Lover Now (Take 6, Rehearsal) 4:56 | Bob Dylan | ||
| 09 | Lunatic Princess (Take 1) 1:18 | Bob Dylan | ||
| 10 | Leopard-Skin Pill-Box Hat (Take 8, Alternate Take) 3:26 | Bob Dylan | ||
| 11 | One of Us Must Know (Sooner or Later) (Take 19, Alternate Take) 5:09 | Bob Dylan | ||
| 12 | Stuck Inside of Mobile with the Memphis Blues Again (Take 13, Alternate Take) 4:01 | Bob Dylan | ||
| 13 | Absolutely Sweet Marie (Take 1, Alternate Take) 5:04 | Bob Dylan | ||
| 14 | Just Like a Woman (Take 4, Alternate Take) 5:18 | Bob Dylan | ||
| 15 | Pledging My Time (Take 1, Alternate Take) 3:21 | Bob Dylan | ||
| 16 | I Want You (Take 4, Alternate Take) 2:51 | Bob Dylan | ||
| 17 | Highway 61 Revisited (Take 7, False ) 0:32 | Bob Dylan | ||
Bob Dylan
Bob Dylan - The Answer My Friend Is Blowin' In The Wind
Literaturnobelpreis 2016 geht an Bob Dylan!
Der Sänger und Songwriter wird für seine poetischen Neuschaffungen in der großen amerikanischen Tradition des Songschreibens geehrt.
Bob Dylan - bürgerlich Robert Zimmermann - wurde als Sohn eines jüdischen Kaufmanns geboren und wuchs in der Kleinstadt Hibbing auf. Nach einem abgebrochenen Studium an der Universität von Minnesota tauchte er im Herbst 1960 im New Yorker Künstlerviertel Greenwich Village auf.
Bob Dylan hatte kein Geld und suchte in Cafés und Nachtklubs Jobs, um seine Lieder vorzusingen. ln dieser Zeit soll es ihm auch gelungen sein, zu dem todkranken Folksong-Idol Woody Guthrie ins Krankenhaus vorzudringen. Dylan schrieb Hit-Titel, die die Gemütsverfassung der Jugend in aller Welt widerspiegelte - Signale, die die Jugend auch sofort aufnahm und begriff: „The Times They Are Changing', „Blowin ln The Wind', „Too Many Mornings' und Zahllose andere. Es entstanden Lieder wie „Mr. Tambourine Man', „Like A Rolling Stone', „Rainy Day Women' und „Blonde On Blonde', das erste Doppelalbum der Rock-Ära.
lm Sommer 1966 zog sich Bob Dylan nach einem schweren Motorradunfall in die totale Emigration zurück. Er ließ die Gerüchte, er sei taub, schwachsinnig oder gar tot unwidersprochen. Seine einzigen Lebenszeichen in jeder Zeit blieben die Platten - so die Country-LP „John Wesley Harding', die einen ausgereiften Rock-Moralisten erkennen ließ, der als Vorbild wieder einmal die Szene veränderte. 1974 machte Dylan die Sensation perfekt. Bob Dylan trat aus dem Schatten hervor ins Rampenlicht und gab nach 8 Jahren Pause während einer 6-Wochen-Tournee erstmals wieder Konzerte.
Original Presse-Info: WEA Music GmbH
1965-1966: The Bootleg Series Vol.12
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