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Buddy Holly & The Three Tunes Ohh! Annie! - The 1956 Sessions (2-CD)

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  • CDROLL3056J
  • 0.14
Note: Limited Stock of this Jewel Case Version Of "Ohh! Annie" - It contains exactly the same... more

Buddy Holly & The Three Tunes: Ohh! Annie! - The 1956 Sessions (2-CD)

Note: Limited Stock of this Jewel Case Version Of "Ohh! Annie" - It contains exactly the same CDs as the standard issue (in a doublefold Rolapak) but in this version the CDs and the booklet are housed in a standard double-CD slimline jewel case. The suffix J identifies this version of the package.  Buddy Holly with The 3 Tunes - Ohh! Annie! - the 1956 sessions.  Buddy Holly with The 3 Tunes - Ohh! Annie! - the 1956 sessions. This version comes in our award-winning LP style Rolapak packaging and contains two CDs and a 36page booklet. For details of the alternative RCCD3056J which is 2 CDs in a jewel case, also with a 36-page booklet, see that entry in our catalogue.

This package covers Buddy Holly's pivotal recordings of 1956 and includes studio masters not only previously unissued but whose very existence will be unknown to even the most committed of fans. There's also more session talk than has previously been made public, together with superior sound quality versions of some tracks that have been released; also included is a detailed 36-page booklet with notes by John Ingman and several previously unpublished photographs.

Article properties: Buddy Holly & The Three Tunes: Ohh! Annie! - The 1956 Sessions (2-CD)

Holly, Buddy - Ohh! Annie! - The 1956 Sessions (2-CD) CD 1
01 Love Me Buddy Holly & The Three Tunes
02 Don't Come Back Knockin' (Previ Unissued) Buddy Holly & The Three Tunes
03 Don't Come Back Knockin' Buddy Holly & The Three Tunes
04 Midnight Shift (Previ Unissued False ) Buddy Holly & The Three Tunes
05 Midnight Shift (Previ Unissued) Buddy Holly & The Three Tunes
06 Midnight Shift Buddy Holly & The Three Tunes
07 Blue Days, Black Nights Buddy Holly & The Three Tunes
08 Baby Won't You Come Out Tonight Buddy Holly & The Three Tunes
09 I Guess I Was Just A Fool Buddy Holly & The Three Tunes
10 It's Not My Fault Buddy Holly & The Three Tunes
11 I'm Gonna Set My Foot Down Buddy Holly & The Three Tunes
12 I'm Changin' All Those Changes Buddy Holly & The Three Tunes
13 Rock-A-Bye Rock Buddy Holly & The Three Tunes
14 Because I Love You Buddy Holly & The Three Tunes
15 Rock Around With Ollie Vee (Fragment) Buddy Holly & The Three Tunes
16 Rock Around With Ollie Vee Buddy Holly & The Three Tunes
17 I'm Changin' All Those Changes Buddy Holly & The Three Tunes
18 That'll Be The Day Buddy Holly & The Three Tunes
19 Girl On My Mind Buddy Holly & The Three Tunes
20 Ting-A-Ling Buddy Holly & The Three Tunes
21 Rock Around With Ollie Vee Buddy Holly & The Three Tunes
22 Modern Don Juan Buddy Holly & The Three Tunes
23 You Are My One Desire (False ) Buddy Holly & The Three Tunes
24 You Are My One Desire Buddy Holly & The Three Tunes
Holly, Buddy - Ohh! Annie! - The 1956 Sessions (2-CD) CD 2
01 Have You Ever Been Lonely Buddy Holly & The Three Tunes
02 Bo Diddley Buddy Holly & The Three Tunes
03 Ain't Got No Home Buddy Holly & The Three Tunes
04 Holly Hop Buddy Holly & The Three Tunes
05 Gone Buddy Holly & The Three Tunes
06 Gone Buddy Holly & The Three Tunes
07 Gone (Previ Unissued) Buddy Holly & The Three Tunes
08 Have You Ever Been Lonely Buddy Holly & The Three Tunes
09 Have You Ever Been Lonely Buddy Holly & The Three Tunes
10 Have You Ever(Previ Unissued Complete) Buddy Holly & The Three Tunes
11 Brown-Eyed Hansome Man Buddy Holly & The Three Tunes
12 Good Rockin' Tonight Buddy Holly & The Three Tunes
13 Rip It Up Buddy Holly & The Three Tunes
14 Blue Monday Buddy Holly & The Three Tunes
15 Honky Tonk Buddy Holly & The Three Tunes
16 Blue Suede Shoes Buddy Holly & The Three Tunes
17 Shake, Rattle & Roll Buddy Holly & The Three Tunes
18 Bo Diddley Buddy Holly & The Three Tunes
19 Brown-Eyed Handsome Man Buddy Holly & The Three Tunes
Buddy Holly Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in... more
"Buddy Holly & The Three Tunes"

Buddy Holly

Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in 1936. He was one of the most innovative and influential rock'n'roll artists, and the very first professional rocker to play a Fender Stratocaster. Backed by the Crickets – Niki Sullivan (guitar), Joe B. Mauldin (double bass) and Jerry Allison (drums) – he recorded his first hit, 'That'll Be The Day', at the Norman Petty Studio in Clovis, New Mexico in 1957, following on with 'Peggy Sue', 'Oh Boy!' and others.

He had a promising career ahead of him when he was tragically killed in a plane crash on 2 February 1959 together with Ritchie Valens and the Big Bopper. He was inducted into the Rock and Roll Hall Of Fame in 1986 in the first cohort.

 

Buddy Holly
Buddy Holly was born on Sept. 7, 1936, in Lubbock, Texas, and christened Charles Hardin Holley. Lubbock's geo-graphical position meant that Holly would have heard hillbilly, Mexican and black music on the radio during his formative years, this cosmopolitan musical background was to prove vital to the versatility he latei displayed in his own work. As a youngster he took up the violin, but soon changed to guitar. He showed an early interest in C&W, and while still at school had his own show on KDAV, the local radio sta-tion. He was partnered by Bob Montgomery, and in 1954 they made some hillbilly demo records which were posthu-mously issued as Holly in the Hills. Together with bass-player Larry Welborn, Buddy and Bob would sometimes fill the 'local talent' spot when travelling package shows visited the area. As a result of this exposure, and with help from KDAV disc-jockey Dave Stone, Nashville agent Eddie Cran-dall and publisher Jim Denny, Buddy Holly was signed to Decca in 1956 to cut some singles in Nashville. Two were released without success, and before his contract with Decca was up Holly was beginning to look elsewhere, guessing that the option would not be renewed.

Although Decca handled Holly rather insensitively (i.e. no more nor less off-handedly than any other bright young hopeful) these early sessions did produce at least two Holly classics, 'Midnight Shift' and 'Rock Around With 011ie Vee', and Holly worked with musicians like Sonny Curtis and Jerry Allison who were later to be involved in the Crickets. The tapes were eventually issued as That'll Be The Day. Allison and Holly had been schoolfriends, and had often played together as a drum /guitar duo. The limitations of this line-up helped forge their style, the smooth switch from rhythm to lead in Buddy's guitar-playing, the versa-tility of Jerry's drumming. In 1955, when the two started playing together professionally, it was still unusual to find drums in a country line-up. Soon after his last Decca session, Holly started working at Norman Petty's studio in Clovis, New Mexico.

Petty, who was also a middle-of-the-road band leader, was a pioneer of the small, independent recording studio, he was also unusual in that he charged per song rather than per hour, which put less pressure on musicians. Holly, Allison and Welborn, to-gether with a vocal quartet which included Cricket-to-be Niki Sullivan, recorded 'That'll Be The Day' and 'I'm Look-ing For Someone To Love' in February, 1957. Petty first submitted the songs to Roulette in New York, since they had already had hits originating from his studio with Buddy Knox and Jimmy Bowen. They weren't interested, but Holly and the Crickets were soon signed by Coral. The record made No. 3 in America and No. 1 in Britain, and was fol-lowed with almost equal success by 'Oh Boy' / 'Not Fade Away'. By this time, Joe Mauldin had become the Crickets' bass-player, with Niki Sullivan on rhythm guitar. Before long Petty, who had quickly assumed a managerial position, began to record Holly solo as well as with the Crickets, though the musicians were often the same. Holly's first hit under his own name was 'Peggy Sue', late in 1957, followed in Britain by 'Listen To Me' and in both countries by 'Rave On' and the Bobby Darin number 'Early In The Morning' (by which time, mid-1958, Holly had begun to record in New York without the Crickets as well as in Clovis). After a British tour with the Crickets in that year, Holly married Maria Elena Santiago and moved to New York. The rest of the Crickets didn't want to make the move and so split from Holly. This was probably inevitable. Petty was trying to broaden Holly's career and one of the first results was to record him with the Dick Jacobs Orchestra (notably `It Doesn't Matter Anymore').

Holly's backing group on live . dates at this time included Tommy Allsup, whom he had brought into the Crickets earlier to play lead guitar (it is a mistake to assume that Holly fulfilled this role on all his records). Other notable musicians with whom Holly worked at this time were saxophonist King Curtis, and the young Waylon Jennings, whose first solo record, 'Joie Blon', was produced by Buddy Holly. Early in 1959, Holly's career was at a crossroads. In spite of the significant early impact both with the Crickets and as a solo performer, in spite of his own single-minded attitude towards success and the attempts he was making to create the basis for a long career, there was little in strict commercial terms to suggest (except with hindsight) that he was any different from many other rock performers of the time. It is, of course, inconceivable that, had he lived, he would not have risen further from the pack and still be accorded the respect that his prolific few years have so justly earned for him. He died on February 3, 1959, together with Ritchie Valens and the Big Bopper soon after taking off from Mason City airport in Iowa, en route between package-tour concerts in Clear Lake and Fargo. His current record, 'Heartbeat', was barely making an impact on the Hot Hundred. The first posthumous release, 'It Doesn't Matter Any-more' PRaining In My Heart', was a huge hit in both Ameri-ca and Britain.

And in Britain a series of processed tapes put out by Norman Petty kept him in the charts until the mid-Sixties, while an album of his best-known tracks was still in the Top Ten of the budget-price charts ten years earlier. Buddy Holly said 'We owe it all to Elvis'. Countless stars of the Sixties owe a similar debt to. Holly. He was one of the two great singer / songwriter /musicians of the pop Fifties (the other being Chuck Berry). He was a pioneer of the subse-quently-standard two guitars/ bass / drums line-up, and of double-tracking. Almost anything that a pop song can say was said by the twenty-two-year-old Buddy Holly nearly two decades ago.

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Tracklist
Holly, Buddy - Ohh! Annie! - The 1956 Sessions (2-CD) CD 1
01 Love Me
02 Don't Come Back Knockin' (Previ Unissued)
03 Don't Come Back Knockin'
04 Midnight Shift (Previ Unissued False )
05 Midnight Shift (Previ Unissued)
06 Midnight Shift
07 Blue Days, Black Nights
08 Baby Won't You Come Out Tonight
09 I Guess I Was Just A Fool
10 It's Not My Fault
11 I'm Gonna Set My Foot Down
12 I'm Changin' All Those Changes
13 Rock-A-Bye Rock
14 Because I Love You
15 Rock Around With Ollie Vee (Fragment)
16 Rock Around With Ollie Vee
17 I'm Changin' All Those Changes
18 That'll Be The Day
19 Girl On My Mind
20 Ting-A-Ling
21 Rock Around With Ollie Vee
22 Modern Don Juan
23 You Are My One Desire (False )
24 You Are My One Desire
Holly, Buddy - Ohh! Annie! - The 1956 Sessions (2-CD) CD 2
01 Have You Ever Been Lonely
02 Bo Diddley
03 Ain't Got No Home
04 Holly Hop
05 Gone
06 Gone
07 Gone (Previ Unissued)
08 Have You Ever Been Lonely
09 Have You Ever Been Lonely
10 Have You Ever(Previ Unissued Complete)
11 Brown-Eyed Hansome Man
12 Good Rockin' Tonight
13 Rip It Up
14 Blue Monday
15 Honky Tonk
16 Blue Suede Shoes
17 Shake, Rattle & Roll
18 Bo Diddley
19 Brown-Eyed Handsome Man