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Ray Charles Hallelujah I Love Her So

Hallelujah I Love Her So
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  • CD3930664
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(2008/MAGIC) 24 tracks 1949-57, 24bit mastering, papersleeve more

Ray Charles: Hallelujah I Love Her So

(2008/MAGIC) 24 tracks 1949-57, 24bit mastering, papersleeve

Article properties: Ray Charles: Hallelujah I Love Her So

  • Interpret: Ray Charles

  • Album titlle: Hallelujah I Love Her So

  • Genre R&B, Soul

  • Year of publication 2008
  • Label MAGIC

  • Artikelart CD

  • EAN: 3700139306642

  • weight in Kg 0.1
Charles, Ray - Hallelujah I Love Her So CD 1
01 Confession Blues
02 Alone In This City
03 Rockin' Chair Blues
04 Ain't That Fine
05 See See Rider
06 Someday
07 I Wonder Who's Kissing Her Now
08 Baby Won't You Please Come Home
09 Baby Let Me Hold Your Hand
10 Kissa Me Baby
11 It Should've Been Me
12 Don't You Know
13 Come Back Baby
14 I've Got A Woman
15 A Fool For You
16 This Little Girl Of Mine
17 Blackjack
18 Greenbacks
19 Drown In My Own Tears
20 Hallelujah I Love Her So
21 Lonely Avenue
22 Leave My Woman Alone
23 Ain't That Love
24 Swanee River Rock
Ray Charles Ray Charles Losing Hand (Charles Calhoun) Atlantic 1037   Ray... more
"Ray Charles"

Ray Charles

Ray Charles

Losing Hand

(Charles Calhoun)

Atlantic 1037

 

Ray Charles had only recently joined the roster of Atlantic Records when he waxed the mournful blues Losing Hand on May 17, 1953 with a New York session crew consisting of saxists Dave McRae, Freddie Mitchell, and Pinky Williams, bassist Lloyd Trotman, drummer Connie Kay, and guitarist Mickey Baker, whose slippery chords cascade downward like thick, murky molasses. Brother Ray didn't use a guitarist on his subsequent Atlantic sides, making Baker's presence quite unusual (arranger Jesse Stone wrote the song under his alias of Charles Calhoun). Ray had yet to explode with his groundbreaking gospel/blues synthesis, although his impassioned vocal and two-fisted piano offered clues as to his immediate future.

"He still was being recorded in the conventional way, like you'd record almost any single singing artist," said Ray's late co-producer, Jerry Wexler. "We got the backing musicians, we got the arranger Jesse Stone, we rehearsed, and so on."

Born in Albany, Georgia on September 23, 1930 but raised in Greenville, Florida, Ray Charles Robinson lost his sight as a child but gained a love for music—blues, boogie-woogie, jazz, country—that was unshakable. He left the state school for the blind at 15, his piano skills already formidable, and somehow made his way cross-country from Jacksonville, Florida to Seattle. Jack Lauderdale of Swing Time/Down Beat Records brought Charles and his McSon Trio aboard in 1949. His first release was a hit and two more after that too, though his predilection for imitating Nat King Cole and Charles Brown hadn't been tamed yet.

Swing Time was experiencing financial difficulties in 1952, so Lauderdale peddled Charles' contract to Atlantic. There Ray would transform R&B with his daring gospel/blues synthesis on the smashes I've Got A Woman, Hallelujah I Love Her So, and What'd I Say (speaking of advancements in electric instrumentation, he played a Wurlitzer piano on the latter). His sessions were like no other at Atlantic.

"They were exciting, edifying, thrilling," said Wexler. "We're talking about Ray Charles. There were no downers. I mean, there was never anything negative or worrying, because Ray Charles had the whole thing figured out from beginning to end. And so, as would be the case with many other sessions, when there had to be some direction from us because we weren't going anywhere, or some changes to be made, that wasn't the case with Ray."

Of course, Ray's ceaseless musical experiments rendered him a superstar right up to his June 10, 2004 death. No wonder they called him a genius.

- Bill Dahl -
Chicago, Illinois

PLUG IT IN! TURN IT UP!

Electric Blues 1939-2005. - The Definitive Collection!

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