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J.J. Cale Collected (3-CD) Digipac

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catalog number: CD984096

weight in Kg 0,300


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J.J. Cale: Collected (3-CD) Digipac

(2006/UNIVERSAL) 60 tracks 1972-97 - great package featuring all the classics and more !


Cale, J.J. - Collected (3-CD) Digipac CD 1
1: After Midnight
2: Crazy Mama
3: Call Me The Breeze
4: Magnolia
5: Crying Eyes
6: Lies
7: I'll Kiss The World Goodbye
8: If You're Ever In Oklahoma
9: Changes
10: Crying
11: Cajun Moon
12: Okie
13: Anyway The Wind Blows
14: Cocaine
15: Travelin' Light
16: Hey Baby
17: Cherry
18: You Got Something
19: I'll Make Love To You Anytime
20: Don't Cry Sister
Cale, J.J. - Collected (3-CD) Digipac CD 2
1: Sensitive Kind
2: Thirteen Days
3: Mona
4: Carry On
5: Mama Don't
6: If You Leave Her
7: City Girls
8: Don't Wait
9: Downtown L.A.
10: Devil In Disguise
11: Grasshopper
12: Money Talks
13: Hard Times
14: Teardrops In My Tequila
15: Trouble In The City
16: Change Your Mind
17: Lady Luck
18: Lonesome Train
19: Jailer
20: Borrowed Time
Cale, J.J. - Collected (3-CD) Digipac CD 3
1: Low Down
2: Guitar Man
3: Stone River
4: The Problem
5: Midnight In Memphis
6: Woke Up This Morning
7: Durango
8: Things Ain't Simple
9: Wish I Had Me A Dollar (live)
10: Santa Cruz
11: Cocaine (live)
12: After Midnight (live)
13: Call Me The Breeze (lieve)
14: Travelin' Light
15: Tiajuana
16: Hold On
17: Rose In The Garden
18: After Midnight
19: Ride Me High
20: Devil In Disguise


Artikeleigenschaften von J.J. Cale: Collected (3-CD) Digipac

  • Interpret: J.J. Cale

  • Albumtitel: Collected (3-CD) Digipac

  • Format CD
  • Genre Beat

  • Music Genre Rock 'n' Roll
  • Music Style Beat - 60s / 70s
  • Music Sub-Genre 259 Beat - 60s - 70s
  • Title Collected (3-CD) Digipac
  • Release date 2006

  • SubGenre Beat 60s-70s

  • EAN: 0602498409633

  • weight in Kg 0.300

Artist description "Cale, J.J."

J.J. Cale

If You're Ever In Oklahoma

"We started the second LP at Quadrafonic in Nashville," said Cale's producer, Audie Ashworth, "and we did some work in Muscle Shoals, and we put some horns on at the Barn. Cale liked to visit different studios and pull pickers from different locations." There was more commercial gloss to 'Really',but it was still clear that Cale had a very different notion of how to make a record. He reversed the Nashville equation in which everything was factored around the vocal. In a Cale mix, the soloing instruments and the voice just barely rose out of the bed track, and never stood apart from it. The overall sound is muddy and surprisingly dense for so few instruments and so few notes. "Cale always wanted the voice mixed down," said Audie. "We'd be sitting at the board and both of us were trying to get our hands on the knobs. He was always pulling back the fader on the vocal. He said he didn't want to sound like a country singer. He'd mix his voice back in the bed. He said it made you want to lean into the music instead of leaning back from it. It would pull people in. He was an engineer, and he came with chops. He had definite ideas about mixes." If You're Ever In Oklahoma was pretty close to Bluegrass, a connection reinforced by fiddle player Vassar Clements and Scruggs sideman Josh Graves, and the absence of a drummer.


Various Truckers, Kickers, Cowboy Angels - The Blissed-Out Birth Of Country Rock, Vol. 6: 1973 (2-CD)
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