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The Cadillacs & The Cleftones

'Heart And Soul.' Things hadn't been going all that well commercially for The Cleftones in recent years. When rock and roll burst on the scene, the Queens, New York quintet scored big on George Goldner's Gee label with their jumping 'You Baby You' and 'Little Girl Of Mine.' Herb Cox's youthful leads, enthusiastic harmonies from his pals and Jimmy Wright's psycho sax solos rendered The Cleftones' singles highly distinctive.

But since moving to Morris Levy's Roulette Records in the summer of '58, the group, down to four members (tenors Charles James and Berman Patterson and bass Warren Corbin with Cox), had been conspicuously absent from the airwaves. Their 'She's So Fine,' 'Cuzin Casanova' and 'She's Gone' didn't grab many listeners. Patterson split in late '59, replaced by former Rivileers lead singer Gene Pearson, just back from the Marines. Georgianna 'Pat' Spann followed him in, giving The Cleftones their first female member.

The new lineup benefitted from newly hired A&R man Henry Glover, who had produced countless R&B hits for King and Federal. The Cleftones veered into a new direction: Cox fronting old standards. First up was 'Heart And Soul,' created by Hoagy Carmichael and Frank Loesser in 1938 (bandleader Larry Clinton had a #1 hit with the theme). The Cleftones gave the tune a breezy up-tempo reading that contemporized it, and being back on the Gee logo seemed to bring the group luck, even if Levy now owned it. 'Heart And Soul' proved a #18 pop hit in the spring of '61 (a group-generated 'How Do You Feel' was the flip).

The Cleftones charted twice more in 1962 for Gee, both times reviving standards under Glover's supervision with Herb up front. They recut 'For Sentimental Reasons' because they liked Sam Cooke's '57 hit version, their remake reaching #60 that fall. A remade 'Lover Come Back To Me' finished their chart uptick at the end of '62. Pearson had left a few months earlier to join The Drifters (George Treadwell managed both groups). The Cleftones managed two more 45s for Levy's empire, but Cox kept them gigging in one form or another for several decades.

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