Brook Benton CD: A Rockin' Good Way Vol.1 - The Singer

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(2012/EL TORO) 25 tracks 50/60s with 16 page booklet. more

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Brook Benton: A Rockin' Good Way Vol.1 - The Singer

(2012/EL TORO) 25 tracks 50/60s with 16 page booklet.

Article properties: Brook Benton: A Rockin' Good Way Vol.1 - The Singer

Interpret: Brook Benton
Album titlle: A Rockin' Good Way Vol.1 - The Singer
Label EL TORO
Genre R&B, Soul
Price code AH
Year of publication 2012
Artikelart CD
EAN: 8437010194627
weight in Kg 0.11

Benton, Brook - A Rockin' Good Way Vol.1 - The Singer CD 1
01	A Rockin' Good Way (feat. Dinah Washington)
02	Honey Babe
03	Bring Me Love
04	Hurtin' Inside
05	Because You Love Me
06	I Wanna Do Everything For You
07	Kiddio
08	Love Made Me Your Fool
09	The Intoxicated Rat
10	You're For Me
11	Come On, Be Nice
12	Can I Help It
13	For My Baby
14	Baby (You've Got...) (feat. Dinah Washington)
15	Partners For Life
16	So Close
17	Rock And Roll That Rhythm (All Night Long)
18	Crinoline Skirt
19	It's My Lazy Day
20	Ohh
21	Frankie And Johnny
22	All My Love Belongs To You
23	Your Love Alone
24	A Million Miles From Nowhere
25	Somebody To Love

Brook Benton It's Just A Matter Of Time Brook Benton It's Just A Matter Of Time... more

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"Brook Benton"

Brook Benton

It's Just A Matter Of Time

Brook Benton

It's Just A Matter Of Time

As Mercury Records’ new head of east coast A&R, Clyde Otis lost no time signing his demo singer and occasional co-writer, Brook Benton. During the first session Benton and Otis recorded a song they’d worked up, It's Just A Matter Of Time. They’d written the song for Nat ‘King’ Cole, but Otis explained to Cole that he’d just landed the Mercury gig, and really wanted the song for Benton. The lyrics reflected Benton's frustration at his inability to score a hit as a singer. When confronted with his co-writer's frustration Otis would say, "It's just a matter of time, Brook." Otis ensured that it would appeal to the broadest cross-section of the market by employing a full string section.

However, there was a political dimension to the strings that went beyond merely broadening the base of appeal. "Historically," asserted Otis, "black artists wanted to record with strings because it had been something that had been denied them. The strings symbolized legitimacy. There weren't even any black string players working in the studios. When we organized Brook's first date I asked my contractor if there were any black string players. He said, 'Yes. They're working in Broadway shows and other pick-up jobs.' I said, 'Why don't they play record dates?' He said, 'Nobody calls them.' I said, 'If they're good, I want to see them on my sessions.'" Benton's intimate and crisply miked vocals looked back toward the relaxed ballad style of Arthur Prysock and Billy Eckstine and forward to the passion of soul music.

One of the selling points was Benton’s low notes. He was singing deeper and with more feeling than on any of his previous recordings for other labels. The low notes were a legacy from an early R&B giant, Percy Mayfield. Benton had first used them on his demo of The Stroll. After his vocal arrangement had been successfully co-opted by the Diamonds, Benton resolved to use the low notes on his own recordings and perfected his technique. Otis also ensured that Brook rehearsed his vocal part for days before a session so that many of the nuances could be honed to perfection. “The people at Mercury said it was too quiet,” said Otis. “Said it didn’t rock and roll enough. So I took it to a dee-jay, Doctor Jive, asked him to play it. He called back and said the switchboard had lit up. The people at Mercury checked it out and found it was true.” In January 1959, It's Just A Matter Of Time entered the charts, topping the R&B listings and peaking at #3 on the pop charts.

Both Benton and Otis had been vindicated in the strongest possible terms.

Various - Blowing The Fuse 1959

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Read more at: https://www.bear-family.de/various-blowing-the-fuse-1959-classics-that-rocked-the-jukebox.html
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